Australia and New Zealand will host the 2023 Women’s World Cup, Fifa has announced.
The joint bid got the nod ahead of Colombia, which was the only other rival in the running after Brazil and Japan dropped out of the race earlier in June.
The 2023 version will be the first in the women’s game to feature 32 sides – up from the current 24.
The competition is scheduled to take place from July to August 2023.
Fifa president Gianni Infantino said: “The bidding process was highly competitive. We would like to thank both of the bidders for their remarkable work. It was really, really well prepared.”
The Australia and New Zealand bid received 22 of the 35 votes cast by the Fifa Council members, with Colombia getting 13 votes. Football Association chairman Greg Clarke voted for Colombia as did the other eight Uefa members.
Infantino said he was “surprised” by Uefa members voting for Colombia, despite the lower score in Fifa’s technical evaluation of each bid. Colombia received a score of 2.8 out of 5.0, while Australia and New Zealand was marked 4.1
“These (technical bid) reports have to mean something,” said Infantino.
Uefa said its members voted for Colombia as it “represented a strategic opportunity for the development of women’s football in South America”.
Infantino also suggested the women’s tournament could be staged every two years and is keen for South America and Africa to stage it.
Infantino also announced a funding boost for the sport.
“We have decided to award $1bn (£805m) to the development of women’s football in the coming four years,” he said.
“We experienced last year in France a fantastic Women’s World Cup. It broke all records. It brought women’s football to a truly global stage.”
Australia and New Zealand’s joint bid
The joint bid from Australia and New Zealand promised “an unprecedented level of investment” in the tournament.
This will be the first World Cup hosted across two of football’s continental confederations (Australia are in the Asia confederation, while New Zealand are part of Oceania).
Chris Nikou, president of Football Federation Australia (FFA) said the forthcoming competition will be “ground-breaking”.
He added: “Not only will it be the first ever co-confederation hosted Fifa World Cup and the first ever Fifa Women’s World Cup in the Asia-Pacific region, but we will unlock the huge potential for growth in women’s football in the Asia-Pacific region.”
The president of New Zealand Football, Johanna Wood, said: “We believe we have been given a treasure, and we will look after that treasure.
“We will work towards putting women’s football even more front and centre on the world stage.”
The countries have proposed to stage matches at up to eight grounds in Australia:
- Stadium Australia, Sydney (the final), capacity: 70,000
- Sydney Football Stadium, capacity: 42,512
- Melbourne Rectangular Stadium, capacity: 30,052
- Brisbane Stadium, capacity: 52,263
- Perth Rectangular Stadium, capacity: 22,225
- Hindmarsh Stadium, Adelaide, capacity: 18,435
- Newcastle Stadium, capacity: 25,945
- York Park, Launceston, Tasmania, capacity: 22,065
And five stadiums in New Zealand:
- Eden Park, Auckland (opening game), capacity: 48,276
- Wellington Stadium, capacity: 39,000
- Christchurch Stadium, capacity: 22,556
- Waikato Stadium, Hamilton, capacity: 25,111
- Dunedin Stadium, capacity: 28,744
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RUAN-Badkid.96: The Unfiltered Voice Recommitting African Sound to Truth

RUAN-Badkid.96 is a Nigerian recording artist whose music refuses to live inside a single genre. Blending Afrobeat, Afrofusion, trap, hip-hop, melodic rap, R&B, and global influences, he creates records that move effortlessly between raw street energy, soulful storytelling, and infectious melodies. Whether delivering hard-hitting bars, emotional love songs, or rhythm-driven African records, his sound is defined by authenticity rather than limitation.
Inspired by both African culture and international music, RUAN-Badkid.96 embraces the confidence and ambition of global hip-hop while staying deeply connected to his roots. His lyrics explore love, heartbreak, betrayal, friendship, social injustice, hope, and the everyday realities of life. He doesn’t create music to follow trends, he creates music to reflect truth, emotion, and human experience.
Behind his fearless image is an artist who believes in kindness, equality, justice, and genuine human connection. His appearance may be intimidating, but his message is rooted in compassion and authenticity. Every record carries a piece of his journey, proving that strength and vulnerability can exist in the same voice.
For RUAN-Badkid.96, music is more than entertainment, it’s a language, a testimony, and a lifelong mission to connect with people through honesty, versatility, and unforgettable sound.
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Meet the Man Who Turned Hype Into a Science: Emmy Blaq, Nigeria’s G.O.A.T. of Hype
If you have ever been at a Nigerian event and found yourself on your feet before the main act even stepped on stage, there is a good chance a hype man was responsible. But not just any hype man. Emmy Blaq, born Ikechukwu Emmanuel Chima and raised in Auchi, Edo State, has spent the last few years quietly becoming the most talked-about name in that profession, and the Nigerian press has taken notice. Punch, Vanguard, The Guardian Nigeria, The Nation, and Independent Newspaper have all sat down with him, and every conversation leads back to the same thing: this man does not just make noise; he makes moments.
What makes Emmy Blaq different is the journey behind the energy. Before the stages, the collaborations with Waje on her “Waje 2.0” album, DJ Consequence, and DJ Kaywise on the massively streamed “Joor Party Mix” series, he was repairing generators, cutting hair, and sewing clothes in Auchi. His first professional hype gig happened at a local fast food spot called Valchi, and the crowd response that night changed everything. He told The Nation directly: “My passion for entertainment and desire to make people happy led me into the craft.” Punch also captured his bigger mission when he said that hype men deserve more than what they currently earn, a statement that sparked a real conversation across Nigerian entertainment circles.
With over 1.7 million TikTok followers, 23.6 million TikTok likes, a viral “Wife Material” challenge that landed on Pulse Nigeria’s top ten social media moments of 2021, and an international performance at the Cameroon International Music Festival that Cameroonian media described as electrifying, Emmy Blaq is not building toward something. He is already there. The G.O.A.T. of Hype is not a title he gave himself and hoped would stick. It is one the rooms keep confirming every single time he grabs the mic.
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Uncle Wisdom The Mind Behind The Motion – Talent Manager/A&R
MANAGER PROFILE
Uncle Wisdom is a Lagos-based music executive and visionary leader known for blending structure, strategy, and creativity in artist management. With a background in Mathematics and Statistics from UNICROSS formerly, Cross River University Of Technology. He brings analytical precision into talent development, positioning artists for both creative excellence and commercial success.
CAREER JOURNEY
Began his career in 2017 as an event coordinator for Eksu Olofofo, where he gained foundational experience in live events and audience engagement. By 2018, he transitioned into full-time artist management, driven by a clear goal to build a more structured and results-oriented system within the music industry.
In 2019, Started working as a road manager for Barry Jhay, gaining hands-on experience in touring, logistics, and artist operations, a refined career and mental awareness coach . He was also instrumental behind Barry Jhay’s 2025 sold-out homecoming concert, a key moment that fueled momentum for a successful UK tour, including sold-out shows in London and Birmingham.
PHLOX MGMT
Founded from the ground up, Phlox Mgmt is a forward-thinking management company focused on Career coaching, A&R, artist development, and strategic positioning. The company is built on a clear philosophy:
Develop the sound. Define the brand. Position the artist to win.
Phlox Mgmt has connections with @Roadgod_of Roadgod Agency and connects artists with top-tier producers, engineers, and creatives, ensuring a refined sound and strong market presence. The company continues to grow as a trusted platform for emerging and established talent.
INDUSTRY NETWORK & COLLABORATIONS
Uncle Wisdom has built valuable relationships across the industry, working with and alongside talents such as:
Barry Jhay • Asake • Ceeza Milli • Berri Tiga • Laime • Spellz • and many others
LEADERSHIP APPROACH
John Wisdom operates with a long-term vision, focusing on structure, consistency, and execution. His approach goes beyond traditional management he builds systems around artists that support sustainable growth, strong branding, and global competitiveness.
CONTACT & SOCIALS
Instagram & X: @Johnwisdm @phlox_mgmt
TikTok: @unclewisdom7
Email: phloxentertainment@gmail.com
Phone: 08038448478 | 09015668027
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