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Indigenous Australians Call For ‘Week of Silence’ After Referendum Failure

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Australian Prime Minister Anthony Albanese, left, and Minister for Indigenous Australians Linda Burney looked visibly distressed after confirming the Voice referendum had failed

Mourning, calls for truth-telling after Australians vote no in referendum to give Indigenous people greater political representation.

Indigenous Australians have called for a “week of silence” and mourning after a referendum on giving them more political representation was rejected by the country’s white majority.

With more than 70 percent of ballots counted on Sunday, about 61 percent of Australians said “no” when asked if the country’s 1901 constitution should be changed to recognise the country’s original inhabitants. Less than 4 percent of Australia’s 26 million people are Indigenous.

By voting no, Australians also voted against creating a new consultative body – a “Voice” to Parliament – that could have had a say on issues related to Indigenous affairs in Australia.

Indigenous supporters of the Voice said it was “a bitter irony” that “people who have only been on this continent for 235 years would refuse to recognise those whose home this land has been for 60,000” years.

Prime Minister Anthony Albanese, whose centre-left Labor Party championed the referendum, said “sharing this continent with the oldest continuous culture” was a “source of pride” for Australians. But Albanese looked visibly distressed as he spoke to the nation on Saturday night and called for “a spirit of unity and healing”.

For many Indigenous people, the election was a source of additional distress.

Indigenous Senator Lidia Thorpe, who opposed the referendum and campaigned for people to vote no, said the nationwide election had “caused nothing but harm to First Peoples”.

The National Aboriginal Community Controlled Health Organisation (NACCHO), an Indigenous-run health organisation, shared information on mental health resources for people experiencing “increased anxiety and depression” in the wake of the “no” vote.

Mental health is one of many areas where Indigenous people in Australia experience disadvantage, adding to a more than seven-year difference in life expectancy between Indigenous and non-Indigenous Australians.

Calls for truth-telling

Supporters of the failed vote had highlighted the large number of Indigenous and non-Indigenous volunteers who supported the campaign.

Thomas Mayo, a prominent Indigenous supporter of the Voice, thanked the “many thousands” of volunteers who joined the campaign in the lead-up to the election.

“You were part of an unprecedented movement that will continue on towards justice for First Nations people,” he said.

The Greens, a minor party in Australian politics, said in a statement that “corrosive” disinformation spread during the election showed Australia needed to introduce a truth and justice commission.

“Many people across the country have no idea of the truth of what happened to First Nations people during colonisation,” Dorinda Cox, a Greens senator and Yamatji–Noongar woman, said in support of the proposal.

Thorpe has long called for a truth-telling process and split from the Greens as their positions on the referendum diverged.

Countries that have held truth-telling commissions include South Africa, Canada and New Zealand.

In 2021, the Australian state of Victoria created the Yoorrook Justice Commission, becoming the first and only Australian state so far to undergo the truth-telling process around colonisation and treatment of the country’s Indigenous communities.

SOURCE: AL JAZEERA AND NEWS AGENCIES


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YTJ Announces New Single “JO,”

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Rising Afro-fusion artist builds on the momentum of “Closer” with an energetic new release made for dance floors worldwide
Recoup Records announces the forthcoming release of “JO,” the new single from rising Afro-fusion artist YTJ, arriving on all major digital streaming platforms September 10, 2026.
The release follows the growing international success of YTJ’s previous single, “Closer,” which has generated more than 4 million combined YouTube views and surpassed 3 million audio streams within two months of release. The record has also received airplay across more than 70 radio stations and 30 television channels worldwide, while reaching No. 63 on YouTube Music in Nairobi, Kenya.
With “JO,” YTJ enters the next phase of his sound and creative direction.
Driven by infectious rhythm, vibrant production and an unmistakable celebratory energy, “JO” is an Afro-fusion record built for movement. The single pairs YTJ’s melodic approach with a polished, high-energy production designed to connect across clubs, parties, festivals and playlists globally.
The visual world surrounding the release reflects that same energy. Built around a striking red-lit aesthetic, the “JO” campaign presents a confident and elevated side of YTJ as he continues to expand his presence beyond his home market and reach new audiences internationally.
“My intention with ‘Closer’ was simply to make something that would connect with people, and the response went beyond what I imagined,” says YTJ. “With ‘JO,’ I wanted to take that energy somewhere new. This record is a celebration — and we’re just getting started.”»
“JO” arrives at a pivotal moment for YTJ. Following the momentum established by “Closer,” the new single signals an artist increasingly focused on creating music that bridges cultures while remaining rooted in the rhythm, melody and energy of contemporary African music.
For Recoup Records, the release represents another step in the label’s commitment to developing YTJ’s international profile and introducing his music to a broader global audience.
“JO” by YTJ is available across all major digital streaming platforms HERE

ABOUT YTJ
YTJ is an emerging Afro-fusion artist whose music blends contemporary African rhythms, melody and global influences. With a growing international audience and millions of streams and views across digital platforms, YTJ is building a sound and identity designed to travel beyond borders.
Following the international response to “Closer,” YTJ continues his next chapter with “JO,” expanding his creative vision while establishing himself as an emerging voice in the new generation of African music.
ABOUT RECOUP RECORDS
Recoup Records is an independent music company focused on artist development, music distribution and building globally competitive African talent. Through strategic releases, media partnerships and international promotion, the label works to connect its artists and music with audiences around the world.
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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?

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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

 

 

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.

The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.

And the big question now is:

Should Josh2Funny continue with music or go back to skits? 😂

Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.

One X user joked:

“Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”

Another simply said:

“This Josh2Funny Album no enter make he just go back skit abeg 😂”

But then came “Lembe.” 🔥

The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.

Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.

And it didn’t stop there.

‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED

On another day, “International” featuring Ice Prince generated its own buzz on X.

One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.

From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.

Whether you love the album or think he should return to skits, one thing is clear:

Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:

Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?

Music or Skits? Drop your answer! 👇

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Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London

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East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.

Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.

Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.

Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.

For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.

By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.

 

With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.

Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.

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