Conor McGregor was sensationally defeated for the second time in two fights after breaking his leg at UFC 264 on Saturday night in Las Vegas.
The Irishman, 32, was stopped after the first round against former interim lightweight champion Dustin Poirier.
Replays showed his ankle rolling over as he stepped backwards seconds before the end of the round and the fight was stopped by doctors, handing Poirier a second straight win in their trilogy.
“This is not over,” McGregor said.
“If I have to take it outside, let’s take it outside,” he added as he was interviewed while sat on the canvas with his ankle strapped in a protective cast, before being taken out of the ring on a stretcher.
UFC president Dana White said after the fight that McGregor had broken the lower tibia in his left shin.
McGregor had defeated Poirier via first-round TKO at UFC 178 in 2014, but the American, also 32, evened the score with a second-round TKO at UFC 257 in January.
It meant the rivalry was perfectly poised heading into their trilogy bout in Las Vegas, and it was Poirier who emerged victorious in unfortunate circumstances.
The action started fast and furious as McGregor switched his tactics from the second fight and opened up with a succession of kicks.
But Poirier kept his cool and, after fending off McGregor’s early attacks, pushed forward with a flurry of punches before eventually forcing the action against the cage.
McGregor attempted to surprise Poirier with a guillotine choke, but the American stayed calm and escaped before punishing McGregor with heavy punches and elbows from top position.
And, when the fight returned to the feet, both men attempted to throw huge shots, with McGregor rolling his ankle when stumbling backward. Poirier then poured on the pressure in search of a finish, but the Irishman was saved by the buzzer.
However, it quickly became apparent that McGregor had suffered a serious injury, with replays showing the Irishman’s leg breaking as he stepped backward.
White hot atmosphere
The event was the first time the UFC had played to a full crowd in its home town since UFC 248 in March 2020, as a capacity crowd packed the 20,000-seat T-Mobile Arena in Las Vegas to watch Poirier and McGregor complete their trilogy.
The level of anticipation was down in large part to an ill-tempered fight week that saw McGregor turn up the heat on Poirier in an attempt to get under the Louisiana man’s skin as the fight drew closer.
While the build-up to their second bout at UFC 257 was remarkably cordial, tensions were sky high ahead of the trilogy bout, with McGregor issuing a chilling warning to his opponent ahead of fight night, declaring, “I’m gonna make this man pay with his life. And I mean it!” after the pair faced off at the ceremonial weigh-ins on Friday.
It meant the atmosphere inside the arena was electric by the time both men made their walk to the octagon.
And tensions were still high at the conclusion of the bout, with Poirier suggesting a checked leg kick caused the initial injury to McGregor and his stumble later in the round exacerbating the injury and forcing the stoppage.
“He fractured it in one of the checks at the beginning of the fight and he broke it on a punch, for sure. I felt something, he was kicking me hard,” he said.
“There’s no coming back from that,” the American added. “He was saying he was going to murder me, that I’d leave here in a coffin. You don’t talk like that about people. I hope he gets home safe to his beautiful family.”
McGregor angrily refuted that assessment as he vowed the rivalry between the pair was far from over.
‘McGregor can’t end his legacy on this’
Nick Peet, MMA journalist: “Conor McGregor can’t end his legacy on this, a freak injury. It won’t sit right with him.
“Let’s not get away from the fact we got one round of action, and that was categorically won by Dustin Poirier.
“You wanted a conclusive finish so the trilogy could end but now the trilogy hasn’t ended, in my opinion.
“We’ve got to see something else. To end it here doesn’t sit right with me. I don’t think Poirier-McGregor is done.”
Jack Shore, Welsh UFC bantamweight: “It was a really dominant first round from Dustin Poirier, it’s just a shame to see it end the way it did. The fact it ends in an injury does take something away.
“There’s definitely unfinished business. McGregor’s a fighter first. Despite everything else he’s got going on, he’ll always want to fight.
“He’s not going to want to go out like this, to let this be the end. He’s going to come back and there’s many options for him.”
Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.
Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.
On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.
Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.
No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.
Chinwe Zoe, a Nigerian gospel singer and songwriter, began recording music in December 2025 after years of singing in church and at home. Less than a year later, she has released three singles, including “Chinwendum”, featuring gospel singer Frank Edwards, “Undeniable” and “Jesus Don Win”, her October 2026 release produced by Masterkraft.
For Zoe, the decision to record was connected to a personal experience that changed how she viewed her life and faith. She has described it as a near-death experience that left her with a renewed sense of gratitude. “In that moment, when I thought it was over, God showed me mercy,” she said. “He gave me victory. And that victory was too loud to keep inside.”
Her debut, “Chinwendum”, was released in December 2025 with Frank Edwards featured on the record. She followed it with “Undeniable” on May 7, 2026. The song’s official video has recorded more than 460,000 views on YouTube. In October, she released “Jesus Don Win”, produced by Masterkraft, with a video directed by Avalon Okpe.
Zoe’s approach to songwriting draws on personal experiences and scripture. She has said that she does not begin the process by searching for a melody, but by waiting for a message that she can develop into a song. She describes a process in which an experience or scripture stays with her until it takes musical form. The melody follows, and she hums it before committing anything to writing.
Her guiding principle is that a gospel song should be accessible to listeners while remaining suitable for congregational worship. “It should be simple enough for a child to sing and strong enough for a choir to carry,” she said.
Zoe has identified CeCe Winans, Nathaniel Bassey and Dunsin Oyekan among the musicians whose work has influenced her. She sings in English and Igbo, and occasionally in Pidgin, drawing on the worship tradition in her musical expression.
“Every song I sing comes from a place I have lived,” she said. “My pain taught me how to worship, my joy taught me how to praise.”
Her music has also begun attracting an online audience. Her YouTube channel has recorded more than 627,000 views across nine videos, while her Spotify monthly listeners have been reported at approximately 6,500. Her Audiomack profile is verified. Zoe records under her own imprint, H2 Records, with distribution through ONErpm. She made her first public performance at the 2026 Annual Virtuous Women Network conference in Enugu, where she performed “Undeniable”.
Outside music, she has spoken about her interest in soul winning and described it as connected to her musical work. She has also said that she wants her songs to encourage listeners facing difficult circumstances. “I want my songs to shift mindsets from worry to worship,” she said. “Whenever anxiety comes, whenever life tries to make you feel small, I want you to hear my sound in your spirit and declare victory over your life.”
Nigerian artist N8TAN is set to unveil his highly anticipated ‘UPRISING EP’, a body of work that chronicles his journey from the streets to the heights of his musical ambition.
Built around themes of struggle, resilience, ambition, survival, and triumph, UPRISING captures the realities of an artist determined to turn adversity into momentum. The project reflects N8TAN’s experiences, the challenges that shaped him, and the relentless drive that continues to push him forward.
More than a collection of songs, UPRISING is presented as a story of transformation—from navigating the streets and confronting uncertainty to finding purpose, embracing growth, and rising toward the top.
With its blend of raw storytelling, infectious energy, and personal perspective, the EP offers listeners an intimate look into N8TAN’s world while reinforcing his determination to carve out his own place in the music industry.
‘UPRISING EP’ is a statement of elevation: a reminder that where you start does not have to determine where you finish.
As N8TAN continues to build his musical identity, UPRISING marks another significant chapter in his journey—and an invitation for listeners to rise with him.
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