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Sean Strickland Upsets Israel Adesanya To Take UFC Middleweight Title

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The 32-year-old Strickland, who made a stir with controversial comments before the fight, wins unanimous five-round decision.

American Sean Strickland has stunned Nigerian-born New Zealander Israel Adesanya to take the middleweight title by unanimous decision in the main event of UFC 293, the first Ultimate Fighting Championship event in Australia’s largest city in six years.

The 32-year-old Strickland (28-5), who caused a stir in the lead-up to the fight with sexist and misogynistic comments at a news conference promoting the bout, won a five-round decision with all three judges scoring it 49-46.

“Am I dreaming? Am I going to wake up? Someone hit me … I don’t cry much but I’m trying to keep it together right now,” an emotional Strickland said immediately after the bout. “I give up so many brain cells to the MMA gods … I thought I’d be walking away a little bloody, a little broken up. I’m a little shocked that didn’t happen.”

Backed by strong vocal support at Qudos Bank Arena, Adesanya (24-3) was a clear favourite to subdue his controversial American opponent and retain the title he won from Alex Pereira at UFC 281 in April.

But the 32-year-old Strickland’s counterattacking style was brutally effective with the American landing the more telling shots throughout the fight with Adesanya struggling to find a way to hurt Strickland.

After a patient start by both fighters which saw Adesanya probing Strickland’s unusual style, it was the American who found the first telling strike with a clean straight shot that felled Adesanya. Strickland quickly moved in on the 34-year-old New Zealander’s back with a flurry of strikes to close out the first round in the American’s favour.

Adesanya was more assertive in the second and third rounds, finding his range with his kicks and right-hand shots but continued to leave himself open for Strickland to strike at his body and head.

The final rounds saw Adesanya move more into his shell as the New Zealander struggled to make an imprint on the American’s defence. Strickland sensed the opportunity to go after the champion and a flurry of punches and kicks in the final minute helped ensure the decision and the middleweight title.

“You don’t fight that guy with that many highlight-reel knockouts,” Strickland said about Adesanya. “The majority of my friends, he’s beat pretty easily. I was even kind of doubting myself at times.”

“But I’ve got to say, the fans in Australia, you guys motivated me. When I’m walking in here and I heard you guys yelling. In that fourth round, I heard you guys yelling. It fuelled me.”

The UFC fight made news in the New South Wales state legislature, where the leading government politician was forced to defend his state’s payment of about $10m to help ensure the UFC event came to Sydney, for the first time since 2017, after Strickland made sexist and misogynistic comments about putting women back in the kitchen.

Strickland had agreed to fight on late notice after Adesanya’s South African rival Dricus du Plessis was unavailable due to injury. The fifth-ranked American earned his title shot after wins over Abus Magomedov and Nassourdine Imavov.

In the co-main event, Alexander Volkov (37-10) won his heavyweight bout by submission in the second round against 30-year-old Sydney-born Tai Tuivasa.

The 34-year-old Russian dominated the fight despite an injury to his front leg which Tuivasa had targeted earlier in the round, with a lopsided strike count as he landed hit after hit on the Australian before trapping him in a choke hold which forced Tuivasa to tap out.

“[He took] so many punches and he was still on his legs. This guy is very tough,” said 34-year-old Volkov, who won by submission for the first time since 2016.

Australian Tyson Pedro opened the main card knocking out Sweden’s Anton Turkalj in the first round before New Zealander Justin Tafa did the same to American Austen Lane in a heavyweight bout and Manel Kape beat Felipe dos Santos by a five-round unanimous decision in an entertaining flyweight match.

SOURCE: AL JAZEERA AND NEWS AGENCIES


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Chadreek Renews Recording Contract with UK-Based Label SauceBoi Music

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Nigerian Afrobeats artist Chadreek (born Salau Qudus Emiola) has officially renewed his recording contract with SauceBoi Music, the UK-based label that has played a pivotal role in his career development.

The renewed agreement reinforces the longstanding partnership between the artist and the label. It positions Chadreek for the next phase of his career with enhanced support across music production, distribution, marketing, and international expansion.

Known for his smooth vocal delivery and consistent output, Chadreek has steadily cultivated a dedicated following through standout records including Ori Mi (featuring Seyi Vibez), Better Dayz, Awure, and his earlier project No Bad Vibe. The renewed deal is expected to accelerate his momentum as he prepares new music and broadens his presence across Africa and global markets.

A source close to the camp confirmed that both parties are fully aligned on a clear vision for the artist’s next chapter, with a strong emphasis on high-quality releases and strategic growth.

This renewal marks another significant milestone in Chadreek’s journey as he continues to establish his place within the Afrobeats landscape.

About Chadreek
Chadreek is a Nigerian singer and songwriter signed to SauceBoi Music. He is recognised for his distinctive voice and a growing catalogue of Afrobeats records that blend melody, emotion, and street energy.

About SauceBoi Music
SauceBoi Music is a UK-based record label committed to developing and promoting talent across the Afrobeats and broader African music scenes.

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YTJ Announces New Single “JO,”

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Rising Afro-fusion artist builds on the momentum of “Closer” with an energetic new release made for dance floors worldwide
Recoup Records announces the forthcoming release of “JO,” the new single from rising Afro-fusion artist YTJ, arriving on all major digital streaming platforms September 10, 2026.
The release follows the growing international success of YTJ’s previous single, “Closer,” which has generated more than 4 million combined YouTube views and surpassed 3 million audio streams within two months of release. The record has also received airplay across more than 70 radio stations and 30 television channels worldwide, while reaching No. 63 on YouTube Music in Nairobi, Kenya.
With “JO,” YTJ enters the next phase of his sound and creative direction.
Driven by infectious rhythm, vibrant production and an unmistakable celebratory energy, “JO” is an Afro-fusion record built for movement. The single pairs YTJ’s melodic approach with a polished, high-energy production designed to connect across clubs, parties, festivals and playlists globally.
The visual world surrounding the release reflects that same energy. Built around a striking red-lit aesthetic, the “JO” campaign presents a confident and elevated side of YTJ as he continues to expand his presence beyond his home market and reach new audiences internationally.
“My intention with ‘Closer’ was simply to make something that would connect with people, and the response went beyond what I imagined,” says YTJ. “With ‘JO,’ I wanted to take that energy somewhere new. This record is a celebration — and we’re just getting started.”»
“JO” arrives at a pivotal moment for YTJ. Following the momentum established by “Closer,” the new single signals an artist increasingly focused on creating music that bridges cultures while remaining rooted in the rhythm, melody and energy of contemporary African music.
For Recoup Records, the release represents another step in the label’s commitment to developing YTJ’s international profile and introducing his music to a broader global audience.
“JO” by YTJ is available across all major digital streaming platforms HERE

ABOUT YTJ
YTJ is an emerging Afro-fusion artist whose music blends contemporary African rhythms, melody and global influences. With a growing international audience and millions of streams and views across digital platforms, YTJ is building a sound and identity designed to travel beyond borders.
Following the international response to “Closer,” YTJ continues his next chapter with “JO,” expanding his creative vision while establishing himself as an emerging voice in the new generation of African music.
ABOUT RECOUP RECORDS
Recoup Records is an independent music company focused on artist development, music distribution and building globally competitive African talent. Through strategic releases, media partnerships and international promotion, the label works to connect its artists and music with audiences around the world.
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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?

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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

 

 

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.

The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.

And the big question now is:

Should Josh2Funny continue with music or go back to skits? 😂

Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.

One X user joked:

“Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”

Another simply said:

“This Josh2Funny Album no enter make he just go back skit abeg 😂”

But then came “Lembe.” 🔥

The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.

Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.

And it didn’t stop there.

‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED

On another day, “International” featuring Ice Prince generated its own buzz on X.

One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.

From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.

Whether you love the album or think he should return to skits, one thing is clear:

Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:

Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?

Music or Skits? Drop your answer! 👇

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