Conor McGregor returned to the octagon in style at UFC 246 as he beat American fan favourite Donald ‘Cowboy’ Cerrone in just 40 seconds in Las Vegas.
Irishman McGregor, 31, came out on top after one of the most spectacular performances of his career.
Two of UFC’s most popular fighters went toe to toe in the main event at the T-Mobile Arena.
But referee Herb Dean stepped in and waved off the contest inside a minute after a series of blows from McGregor.
“I made history tonight. I set a new record. I’m the first fighter in UFC history to secure knockout victories at featherweight, at lightweight and now at welterweight – across three weight divisions, so I’m very proud of that,” said McGregor.
He had not won inside the UFC’s octagon since capturing his second UFC world title in November 2016, and was submitted in four rounds by undefeated UFC lightweight champion Khabib Nurmagomedov at UFC 229 in October 2018.
McGregor had said earlier in the week that he would look to “acquire rounds” against the 36-year-old American, but he showed no such patience as he came storming out of his corner and threw a huge left hand that immediately signalled his intent to claim a fast finish.
The Dubliner then connected with a series of shoulders to the face from the clinch, before following his man across the cage and connecting with a huge head kick that badly rocked Cerrone.
Several heavy left hands followed as Cerrone crumbled to the canvas, where he received a further barrage of strikes that sealed victory.
“One of the records he holds [is] the most head-kick knockouts. I’m so happy to be able to get him down with a head kick myself,” said McGregor.
“The UFC can strip fighters and give to other fighters make-believe belts in order to replicate my ‘champ-champ’ status. But they can’t give knockout victories across multiple weight divisions, so there you go again. Etch my name in history one more time.
“I like this weight division. I feel really good. God willing, I came out of here unscathed. I’m in shape. I don’t believe I’m there yet, though. I’ve still got work to do to get back to where I was.”
McGregor surged to MMA superstardom when he signed for the UFC as a two-division Cage Warriors champion, then replicated the feat by capturing the UFC titles at featherweight and lightweight, becoming the first man to simultaneously hold UFC titles in two weight classes.
But those titles were subsequently stripped by the UFC after he failed to defend his belts and, after sharing wins with Nate Diaz in a pair of epic encounters in 2016, the Irishman pursued – and secured – a multi-million-dollar boxing match against Floyd Mayweather Jr.
His return to the UFC saw him unsuccessfully challenge for the UFC lightweight title against Nurmagomedov at UFC 229 in an encounter full of bad blood and divisive rhetoric.
But he vowed to return, and he has kicked off what he described as his “2020 season” in spectacular fashion to set up a plethora of big-fight options later in the year.
A shot at the welterweight title, held by Kamaru Usman, or a bout with the UFC’s “BMF” champion Jorge Masvidal would allow McGregor to continue at his new weight class of 170lb, while he has made no secret of his desire to face Nurmagomedov in a rematch for the lightweight belt.
There may be options outside of MMA, too. A rematch with Mayweather is a possibility, while Manny Pacquiao is reportedly also interested in a bout with McGregor, who is sure to command a huge TV audience and payday.
Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.
Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.
On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.
Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.
No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.
Chinwe Zoe, a Nigerian gospel singer and songwriter, began recording music in December 2025 after years of singing in church and at home. Less than a year later, she has released three singles, including “Chinwendum”, featuring gospel singer Frank Edwards, “Undeniable” and “Jesus Don Win”, her October 2026 release produced by Masterkraft.
For Zoe, the decision to record was connected to a personal experience that changed how she viewed her life and faith. She has described it as a near-death experience that left her with a renewed sense of gratitude. “In that moment, when I thought it was over, God showed me mercy,” she said. “He gave me victory. And that victory was too loud to keep inside.”
Her debut, “Chinwendum”, was released in December 2025 with Frank Edwards featured on the record. She followed it with “Undeniable” on May 7, 2026. The song’s official video has recorded more than 460,000 views on YouTube. In October, she released “Jesus Don Win”, produced by Masterkraft, with a video directed by Avalon Okpe.
Zoe’s approach to songwriting draws on personal experiences and scripture. She has said that she does not begin the process by searching for a melody, but by waiting for a message that she can develop into a song. She describes a process in which an experience or scripture stays with her until it takes musical form. The melody follows, and she hums it before committing anything to writing.
Her guiding principle is that a gospel song should be accessible to listeners while remaining suitable for congregational worship. “It should be simple enough for a child to sing and strong enough for a choir to carry,” she said.
Zoe has identified CeCe Winans, Nathaniel Bassey and Dunsin Oyekan among the musicians whose work has influenced her. She sings in English and Igbo, and occasionally in Pidgin, drawing on the worship tradition in her musical expression.
“Every song I sing comes from a place I have lived,” she said. “My pain taught me how to worship, my joy taught me how to praise.”
Her music has also begun attracting an online audience. Her YouTube channel has recorded more than 627,000 views across nine videos, while her Spotify monthly listeners have been reported at approximately 6,500. Her Audiomack profile is verified. Zoe records under her own imprint, H2 Records, with distribution through ONErpm. She made her first public performance at the 2026 Annual Virtuous Women Network conference in Enugu, where she performed “Undeniable”.
Outside music, she has spoken about her interest in soul winning and described it as connected to her musical work. She has also said that she wants her songs to encourage listeners facing difficult circumstances. “I want my songs to shift mindsets from worry to worship,” she said. “Whenever anxiety comes, whenever life tries to make you feel small, I want you to hear my sound in your spirit and declare victory over your life.”
Nigerian artist N8TAN is set to unveil his highly anticipated ‘UPRISING EP’, a body of work that chronicles his journey from the streets to the heights of his musical ambition.
Built around themes of struggle, resilience, ambition, survival, and triumph, UPRISING captures the realities of an artist determined to turn adversity into momentum. The project reflects N8TAN’s experiences, the challenges that shaped him, and the relentless drive that continues to push him forward.
More than a collection of songs, UPRISING is presented as a story of transformation—from navigating the streets and confronting uncertainty to finding purpose, embracing growth, and rising toward the top.
With its blend of raw storytelling, infectious energy, and personal perspective, the EP offers listeners an intimate look into N8TAN’s world while reinforcing his determination to carve out his own place in the music industry.
‘UPRISING EP’ is a statement of elevation: a reminder that where you start does not have to determine where you finish.
As N8TAN continues to build his musical identity, UPRISING marks another significant chapter in his journey—and an invitation for listeners to rise with him.
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