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Australian Open: Rafael Nadal Beats Daniil Medvedev From Two Sets Down in Melbourne Epic

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Nadal kisses trophy as Medvedev looks on
Nadal took victory after five hours 24 minutes of play, and after 1am local time

Rafael Nadal won a record 21st Grand Slam men’s title in the most stunning fashion, fighting back from two sets down to beat Russia’s Daniil Medvedev in a classic Australian Open final.

Backed by a loud Melbourne crowd, sixth seed Nadal rallied to win 2-6 6-7 (5-7) 6-4 6-4 7-5 on Rod Laver Arena.

US Open champion Medvedev was going for his second successive major title.

Medvedev, 25, was in command before Nadal showed all of his renowned grit and fight to earn an extraordinary win.

The 35-year-old Spaniard has been at the centre of some of the sport’s most incredible triumphs – but this surely goes down as the most amazing Grand Slam victory of his illustrious career.

Nadal’s achievement comes only a few months after he thought he would never be able to return to the tour because of a foot injury.

In the absence of the deported Novak Djokovic and the injured Roger Federer in Melbourne, Nadal has moved one ahead of his great rivals in the race to finish with most major men’s singles titles.

It is the left-hander’s second Australian Open title and comes 13 years after his only previous success.

“Without a doubt it is one of the most emotional wins of my career,” Nadal, who had also previously lost four Australian Open finals, said after the trophy presentation.

Nadal’s emotional celebrations after adversity

Chronic pain in Nadal’s left foot restricted him to only one tournament in the final seven months of 2021, while a bout of coronavirus in mid-December also left him “very sick with fever”.

Those setbacks meant the Australian Open was just his second competitive event in five months, having won a warm-up tournament at Melbourne Park earlier in January.

Nadal sealed victory against Medvedev after five hours 24 minutes – and at 01:11 local time in Melbourne – when the second seed could not return a net volley on the first of the Spaniard’s three match points.

Dropping his racquet to the floor, Nadal stood motionless with his hands on hips as his jaw dropped. After a warm embrace with Medvedev, he walked towards his support team and exploded with emotion.

A triple first-pump was followed by a drop to his knees, his hands covering his face as he looked up to the sky.

Nadal slowly walked over to his players’ box, hugging Australian Open tournament director Craig Tiley, on his way to embrace his father Sebastian.

The intensity of his celebration illustrated the euphoria Nadal felt after the obstacles he had overcome – on the night and in the recent months – to win.

Previously in his career, Nadal had only won three matches from two sets down and the most recent of those came at Wimbledon in 2007 against Russia’s Mikhail Youzhny.

Victory came at the end of the second longest Grand Slam final in history, just 30 minutes short of the 2012 final at Melbourne Park when Nadal lost to Djokovic.

So much had he given to his record-breaking achievement that during the trophy presentation, Nadal was brought a chair so he could sit down rather than stand.

“I’m physically destroyed,” Nadal said in his post-match news conference.

https://twitter.com/rodlaver/status/1487798511902945282?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1487798511902945282%7Ctwgr%5E%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fwww.bbc.co.uk%2Fsport%2Ftennis%2F60183864

Medvedev’s irritation at the pro-Nadal support

At two sets up, Medvedev had looked well on course to back up his victory in New York with another triumph at Melbourne Park.

Nadal lacked fluency with his groundstrokes in the first set, particularly on the backhand side, and Medvedev took five games in a row to seal it, Nadal dumping another backhand into the net, the Spanish left-hander’s 16th unforced error against just five from his opponent.

The younger man’s dominance was also illustrated by his winning 31 of the total points compared to 17 by Nadal.

With all the statistics in favour of Medvedev, the second set unexpectedly turned Nadal’s way at 2-1.

Nadal ended a 40-shot rally with an angled backhand winner, setting up break points for the first time in the match, and an unforced error from Medvedev handed over the game.

Suddenly Nadal had a spring in his step – and had the crowd getting noisier too – as he moved 4-1 ahead.

Three successive breaks of serve soon followed, a run that ended with a dramatic ninth game that stunned the Laver crowd.

It included a set point for Nadal, five break points for Medvedev and the game being halted when a protester jumped on to court before being dragged away by security.

The set eventually went to a tie-break which Medvedev finished the stronger and it appeared doubtful Nadal, already looking tired and sweating a lot, could fight back.

Another pivotal moment came in the sixth game of the third set when Nadal, facing going two sets and a break down, fought off three break points.

Both men continued to hold serve until the ninth game when Nadal, whose indomitable spirit began to grow, pounced.

Medvedev, perhaps as a result of the finishing line coming into view, lost clarity of thought when he tried to prod over a volley and instead hit it into the net.

That brought raucous cheers from the crowd and Medvedev responded with a sarcastic clap of his racquet.

The Spaniard broke and served out the set to love, sending the pro-Nadal crowd into further raptures.

A tense fourth set featured 15 break points, with Nadal taking two of his 10 opportunities to tee up a decider.

Medvedev continued to be irritated by the support being given to Nadal, and the frequent noise during his service points, prompting umpire John Blom to repeatedly ask for calm.

Nadal now looked the man with the mental resilience needed to see the job through.

He broke for 3-2 but then wobbled when he served for the match at 5-4, only to break straight back to lead 6-5 and serve out victory at the second attempt.

In his on-court speech, Medvedev thanked his team, and joked: “I’m sure my wife is watching back home but I think the TV will be broken now.”

Daniil Medvedev
Medvedev became animated with the pro-Nadal crowd

Medvedev, who lost last year’s final to Djokovic, was aiming to become the first man in the Open era to win his second Grand Slam title at the next major event after his maiden triumph.

He was the highest seed men’s player in Djokovic’s absence.

“If we talk about tennis, I’m not that disappointed,” Medvedev said.

“It was a huge match, for sure, and there were some small points, small details, that I could have done better if I wanted to win. But that’s tennis. That’s life.

“Rafa played unreal and raised his level. I mean, two sets to love up, I wanted just to go for him, go for more.

“He was really strong, the way he played for four hours, I was even surprised.”

Analysis

Being confined to bed with Covid for a couple of days just before Christmas had appeared to signal the end of Rafael Nadal’s Australian Open aspirations.

The two matches he had played in Abu Dhabi before testing positive were encouraging, but the 35-year-old was so far behind in his preparations because of his foot injury.

Nadal has had problems with a bone in the bridge of his foot since he was a teenager, and he only played two matches in the second half of 2021.

A medical procedure in September had failed to remove the discomfort. Training sessions were often limited to 20 minutes, until Nadal decided it was time to try and push through the pain.

The results have been spectacular, after a late December decision to give the Australian Open his best shot.

His triumph has many echoes of Roger Federer’s run to the title in 2017, when the Swiss was also 35 and had spent six months away from the tour.

Audio

YTJ Announces New Single “JO,”

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Rising Afro-fusion artist builds on the momentum of “Closer” with an energetic new release made for dance floors worldwide
Recoup Records announces the forthcoming release of “JO,” the new single from rising Afro-fusion artist YTJ, arriving on all major digital streaming platforms September 10, 2026.
The release follows the growing international success of YTJ’s previous single, “Closer,” which has generated more than 4 million combined YouTube views and surpassed 3 million audio streams within two months of release. The record has also received airplay across more than 70 radio stations and 30 television channels worldwide, while reaching No. 63 on YouTube Music in Nairobi, Kenya.
With “JO,” YTJ enters the next phase of his sound and creative direction.
Driven by infectious rhythm, vibrant production and an unmistakable celebratory energy, “JO” is an Afro-fusion record built for movement. The single pairs YTJ’s melodic approach with a polished, high-energy production designed to connect across clubs, parties, festivals and playlists globally.
The visual world surrounding the release reflects that same energy. Built around a striking red-lit aesthetic, the “JO” campaign presents a confident and elevated side of YTJ as he continues to expand his presence beyond his home market and reach new audiences internationally.
“My intention with ‘Closer’ was simply to make something that would connect with people, and the response went beyond what I imagined,” says YTJ. “With ‘JO,’ I wanted to take that energy somewhere new. This record is a celebration — and we’re just getting started.”»
“JO” arrives at a pivotal moment for YTJ. Following the momentum established by “Closer,” the new single signals an artist increasingly focused on creating music that bridges cultures while remaining rooted in the rhythm, melody and energy of contemporary African music.
For Recoup Records, the release represents another step in the label’s commitment to developing YTJ’s international profile and introducing his music to a broader global audience.
“JO” by YTJ is available across all major digital streaming platforms HERE

ABOUT YTJ
YTJ is an emerging Afro-fusion artist whose music blends contemporary African rhythms, melody and global influences. With a growing international audience and millions of streams and views across digital platforms, YTJ is building a sound and identity designed to travel beyond borders.
Following the international response to “Closer,” YTJ continues his next chapter with “JO,” expanding his creative vision while establishing himself as an emerging voice in the new generation of African music.
ABOUT RECOUP RECORDS
Recoup Records is an independent music company focused on artist development, music distribution and building globally competitive African talent. Through strategic releases, media partnerships and international promotion, the label works to connect its artists and music with audiences around the world.
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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?

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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

 

 

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.

The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.

And the big question now is:

Should Josh2Funny continue with music or go back to skits? 😂

Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.

One X user joked:

“Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”

Another simply said:

“This Josh2Funny Album no enter make he just go back skit abeg 😂”

But then came “Lembe.” 🔥

The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.

Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.

And it didn’t stop there.

‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED

On another day, “International” featuring Ice Prince generated its own buzz on X.

One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.

From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.

Whether you love the album or think he should return to skits, one thing is clear:

Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:

Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?

Music or Skits? Drop your answer! 👇

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Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London

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East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.

Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.

Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.

Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.

For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.

By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.

 

With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.

Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.

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