Nigeria has lost N24.72bn in 10 days due to the Twitter ban imposed by the Federal government.
The Federal government on June 5 placed an indefinite suspension of the operations of the microblogging app in Nigeria after the site took down a tweet posted on the President’s handle.
The Federal government last week said the microblogging site has since reached out for discussions and that the Federal government will now give operating licence to such sites if they want to operate in Nigeria.
According to NetBlocks Cost of Shutdown Tool, an international Internet monitor, Nigeria loses N102.9m ($250,600) every hour to the ban.
The digital rights advocacy platform estimates the economic impact of an internet disruption, mobile data blackout or app restriction using indicators from the World Bank, International Telecommunication Union (ITU), Eurostat amongst others. According to its analysis, an estimated N2.1 billion naira was lost when Nigeria shut down Twitter for 24 hours.
According to a report by Statista, Nigeria has about 33 million active social media users with about 26 per cent on Twitter.
The Director-General of the Nigerian Association of Chambers of Commerce, Industry, Mines, and Agriculture, Ayoola Olukanni, while commenting on the ban, said it has a more adverse effect on micro, small and medium businesses who rely on social media to conduct their business.
“Communication is a significant part of sales and marketing in this digital age. Consequently, the Twitter ban will likely impact negatively and disrupt businesses especially Micro, Small and Medium Enterprises who rely on social media, such as Facebook, Instagram including Twitter to conduct business.
It will therefore most likely negatively impact the IT sector of the economy which is already facing several other challenges.
While it may be considered that there are alternative social media platforms, the abrupt nature of the suspension would mean a loss of existing contacts and a cost of migration.
We must of course also not and cannot, discountenance the national security dimension of the misuse of social media and micro-blogging platforms to inspire violence outside its use to conduct Business.”Olukanni said.
Kilo Lazer officially steps into a new chapter with the release of his debut album, From the Mud a body of work that captures his journey, resilience, consistency, and undeniable growth.
Rooted in experience and shaped by the realities of coming from the bottom, From the Mud tells Kilo Lazer’s story through raw energy, honest storytelling, and a sound that reflects how far he has come.
More than a debut, the album is a testament to staying the course, trusting the process, and turning struggle into purpose.
Kilo Lazer’s From the Mud is out now on all major streaming platforms.
Multi-hyphenate artist, selector, and creative director Queen Petite is ushering in a bold, uninhibited era for global African music with the release of her brand-new single and self-engineered genre movement, “Ikapiano Pop.” Marking her second major genre innovation following her pioneering creation of Dembowpiano, the Nigeria-London based powerhouse continues to push global dancefloors into uncharted territory off the momentum of her standout projects PETITENESS and REBEL BLACK SHEEP.
Guided by her background behind the decks, Queen Petite’s work is driven by an instinctual command of room energy, seamless transitions, and dancefloor mechanics. Ikapiano Pop stands as a textured, high-octane fusion that layers trunk-rattling Miami basslines and crisp hip-hop drums over the hypnotic, swinging log-drums of Afropiano. Grounding this international production is her native heritage: the vocals are written and performed entirely in the Ika dialect, native to the South-South region of Nigeria, proving that raw, local storytelling holds universal cross-border appeal.
“Creating new sounds is second nature to me—first with Dembowpiano, and now stepping into my second genre creation with IKAPIANO POP,” states Queen Petite. “I didn’t start with an existing box and add my name to it; I built the blueprint from scratch. Being a DJ taught me how to read energy, and I wanted to construct something that feels incredible whether you’re listening in headphones or in a packed arena. It brings together my African identity, global influences, and pop accessibility so people feel free, confident, and unstoppable.”
Captured during an intense burst of inspiration, the track was recorded at London’s Hot Money Studios alongside engineer Patrick, with Queen Petite personally directing her Nigerian producer over the phone to execute the exact rhythmic blueprint in her mind. More than just a single release, Ikapiano Pop represents a long-term global movement set to anchor her upcoming DJ sets and live performances across the UK, Europe, Africa, and the Americas. Described in three words as Free, Vibrant, and Unstoppable, “Ikapiano Pop” is available now on all major streaming platforms.
Watch the Official Music Video for “Ikapiano Pop”
Blow Money Records proudly announces the release of “Jẹjẹ,” the latest single and official music video from Nigerian Afro-fusion artist Temmy Dreddz.
Produced by the talented OxDBeat and visually brought to life by Kore Culture with breathtaking scenes filmed in South Africa, Jẹjẹ is a refreshing Afrobeats record that celebrates love, patience, hope, and the beauty of embracing life’s journey one step at a time.
More than just a song, Jẹjẹ delivers a powerful message in a world driven by urgency. Inspired by the Yoruba expression jẹjẹ, meaning gently or take it easy, the record reminds listeners that meaningful progress, genuine love, and lasting success are built with patience, consistency, and faith in the process.
Complementing the song is a visually captivating music video that blends cinematic storytelling with vibrant African scenery, perfectly reflecting the warmth, emotion, and uplifting spirit of the record. Shot against the stunning landscapes of South Africa, the video enhances the song’s message while showcasing Temmy Dreddz’s artistic identity on a global stage.
Speaking on the release, Temmy Dreddz describes Jẹje.
With this release, Temmy Dreddz continues to establish himself as one of the emerging voices in contemporary African music, delivering authentic stories through infectious melodies and relatable songwriting.
“Jẹjẹ” and its official music video are now available on all major digital streaming platforms and YouTube worldwide.
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