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Cardinal Okogie tackles Buhari

 

Former Catholic Archbishop of the Lagos Diocese, Cardinal Anthony Olubunmi Okogie, has come out to criticize the Buhari-led government accusing officials of worsening the problems of the country.

 

In a statement released today June 15, Okogie who was a former President of the Christian Association of Nigeria mentioned that although the problems plaguing the nation had existed before this administration, the government seemed to have made matters worse by playing the ostrich. He condemned the recent ban on Twitter which he described as a ”hasty suspension”.

 

The statement titled “Cardinal Okogie: Life at 85.’” partly reads

 

“Few weeks ago, on the occasion of the 6th anniversary of this administration, given the severity of the status quo of our socio-economic and political situation, it was shocking that the government claimed that the Nigerian people never had it so good and Nigerians would have reason to praise this government at the end of their tenure. As they say, the matter speaks for itself, as it is evident that Nigeria has practically become a failed state.

A country fails when it is no longer able to protect its citizens from harm and secure their welfare. A country fails when, instead of being a harbour of refuge for its citizens, it turns out to be a cauldron of fire and sorrow that consumes its citizens. A country fails when instead of reassuring its citizens by actions and policies that the future is secure, it becomes a case of most people planning to flee the country to other climes where their governments are truly functioning. Such is practically our case today. One whose house is on fire should not take to the streets dancing.

While it is true that our problems did not start under this administration, they seem to have worsened economically and politically in these past six years.  The sad part is that there is no articulate coordinated response from the government to stem these downward trends, apart from the usual ‘playing the ostrich’ and throwing tantrums when they are criticised, like the rather hasty suspension of Twitter.

The political class, in spite of all their protestations to the contrary, seems unable to stay the course and prevent this slide of this greatly endowed country into this sad quagmire.  As they say, ‘truth is bitter.’”

 

Cardinal Okogie turns 85 tomorrow June 16.

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Princess Wonda receives eight nominations at the Diaspora Creatives Awards

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The UK-Nigerian artist is shortlisted in five genre categories as well as Diaspora Artist of the Year and Songwriter of the Year

Princess Wonda has been nominated in eight categories at the Diaspora Creatives Awards 2026, the awards body confirmed on its official nominee list.

The UK-Nigerian Afrofusion artist is shortlisted for Diaspora Artist of the Year, Best Female Artist, Songwriter of the Year, and five genre awards: Best Afrobeats Artist, Best Amapiano Artist, Best Afro-Fusion Artist, Best Afro-R&B and Afro-Soul Artist, and Best Afro Pop Artist.

The Diaspora Creatives Awards, which runs under the line “Stars Beyond Borders”, holds its inaugural ceremony on Saturday 21 November 2026 at Atlanta Virtual Studios in Atlanta, Georgia. Public voting is open now at diasporacreativesawards.com.

Responding to the news on Instagram, Princess Wonda said she was “truly feeling honoured to be considered in 8 categories”.

The nominations were announced on 12 September, three weeks after she released Magic Hour, a seven-track EP produced by Mr Marz and Indigo Beats with guitar from Fiokee. The project passed three million Spotify streams in under two weeks and was her first EP or album since her 2021 debut Fantasy Fair.

She headlines 229 in London on Saturday 10 April 2027 with The Magic Hour Live Experience, a full live show with band, dancers and special guests. Tickets are on sale.

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Meet Queen Geradzzy: The Lagos-Raised Voice Ready to Shape the Future of Afrobeats

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Every icon starts with a single spark. For emerging Nigerian Afrobeats artist Queen Geradzzy, that moment came back in 2013 on the vibrant streets of Lagos Mainland. Watching Tiwa Savage command the stage with poise, power, and unapologetic femininity, a young Geradzzy didn’t just see an artist—she saw a blueprint for her own future.
What began as a childhood dream quickly grew into an undeniable calling. By 2019, Geradzzy took a leap of faith, moving to Lekki to immerse herself fully in the heart of the Nigerian music industry. Years of quiet dedication, vocal refinement, and deep creative exploration followed. Today, that discipline is paying off as she prepares to step into the global spotlight.

Queen Geradzzy’s music sits at an exciting intersection where classic Afrobeats rhythms meet polished international pop and R&B. Her sound is inherently versatile—catchy, sensual, deeply emotional, and effortlessly relatable.

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This NNPC Retail Post Raised More Questions Than It Answered

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So I was scrolling earlier and stopped on this NNPC Retail flyer because it’s literally just a big question mark and a line that says “66 Reasons Why You Need To Watch This Space.” Nothing else. No context, no explanation, just vibes and mystery.

It also speaks to our Naija slang and banter (the “Omo,” “Gbas Gbos,” and “Sapa” ones had me laughing).

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If they’re trying to build hype, it’s working on me. SCAN THE BAR CODE HERE.

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