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In Jerusalem’s Old City Israel Soldiers ‘Do What They Want’ To Palestinians

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Israeli border police search Palestinians near Lion’s Gate in the Old City of Jerusalem, October 13, 2023

Palestinian residents of the Old City speak of harassment by Israeli soldiers at entrances lining the ancient walls.

Occupied East Jerusalem – Adnan Barq, a quick-witted 23-year-old, skirts around the ancient walls of Jerusalem’s Old City, looking for a way back home.

He eyes one of the seven guarded gates that line the UNESCO World Heritage Site through a slick pair of dark-rimmed glasses; groups of Israeli soldiers are pacing in front of the arched entrance, picking out people to stop and frisk.

He doesn’t like what he sees. Flicking his head, he walks past the gate and up a main street lined with fruit stalls and busy vendors offering street food.

“It’s about reading the room,” he quips.

Barq, like many other Palestinians from the Old City, has grown used to being harassed when heading back home to the Old City by Israeli soldiers and police over the years.

That was until last week when the Palestinian group Hamas broke out of the besieged Gaza Strip and attacked communities in the south of Israel.

Since then, Barq says, the Palestinians of the Old City have faced unprecedented levels of harassment.

According to Palestinians from the Old City whom Al Jazeera spoke to, they now face new interrogation tactics at its entry points, including phone searches, increased use of physical force and vulgar insults.

Adnan standing in front of the walls of the Old City that he now worries about crossing
Adnan Barq is used to being harassed as he tries to make his way home every day

WhatsApp and Telegram groups, populated by young Palestinian men, are rife with countless surreptitious recordings of such events, with subscribers offering advice on avoiding having personal devices accessed.

A short walk along the walls shows how Palestinian men are regularly singled out and pushed up against the Old City’s distinct limestone walls, their legs pushed apart as they are frisked.

Hamza Afghani, a 27-year-old Palestinian tour guide from the Old City, says he was recently subjected to physical harassment, followed by a tirade of insults directed at female family members.

With the current climate in the country among the security forces, he says there is zero tolerance for any pushback, leaving him feeling helpless.

“Before, you could talk back. But now they would frame you as an attacker, without any accountability because there is a state of emergency,” he says.

The insults, mainly directed at young men, are also intended to provoke a reaction.

“The Israeli soldiers know for us as Palestinians – of whom the majority are Muslims – cursing women is a red line, so they provoke our feelings to push back,” he explains.

Sari, a 24-year-old chef who works at a trendy burger restaurant in occupied East Jerusalem, now fears returning to his home in the Old City every night.

Afghani staring straight at camera with an open expression
Afghani says he was recently subjected to physical harassment and a tirade of insults directed at female family members 

The regular searches used to be bearable, but over the last week, he says, the actions of the police and soldiers have left his family members deeply traumatised.

A night-time raid on his family home left his father terrified and holed up in their home, begging Sari not to go to work.

“The soldiers, they say what they want now; they shout, threaten your family, they do what they want,” he says, leaning out of the restaurant door to light up a cigarette.

He pauses, taking a long drag from his cigarette. “If you say anything, you go straight to the police station.”

The exhaustion is visible on Sari’s face; a commute that should have taken a matter of minutes now fills his work day with anxiety. “Now I’m scared to go there,” he says, motioning towards the street. “I’m just afraid to go outside.”

A policy of collective punishment

Barq says the Palestinians in Jerusalem have long borne the brunt of “a policy of collective punishment” from the Israeli authorities when there is a flare-up in tension due to its symbolic significance.

Israel occupied East Jerusalem at the end of the 1967 war against Syria, Egypt, and Jordan – having captured the western half in the 1948 war.

In 1980, Israel passed the “Jerusalem Law”, which claimed that the entire holy city is the “capital of Israel”, which meant East Jerusalem was formally annexed, a move rejected by the international community.

“The sense of oppression felt amongst the Palestinians living in Jerusalem is absolutely exhausting,” says Barq.

Living in the tiny, ancient OId City as a Palestinian comes with additional pressure that he feels is now reaching a fever pitch.

“We have always been stressed physically and virtually, but now soldiers are actively pursuing us.”

SOURCE: AL JAZEERA


Audio

YTJ Announces New Single “JO,”

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Rising Afro-fusion artist builds on the momentum of “Closer” with an energetic new release made for dance floors worldwide
Recoup Records announces the forthcoming release of “JO,” the new single from rising Afro-fusion artist YTJ, arriving on all major digital streaming platforms September 10, 2026.
The release follows the growing international success of YTJ’s previous single, “Closer,” which has generated more than 4 million combined YouTube views and surpassed 3 million audio streams within two months of release. The record has also received airplay across more than 70 radio stations and 30 television channels worldwide, while reaching No. 63 on YouTube Music in Nairobi, Kenya.
With “JO,” YTJ enters the next phase of his sound and creative direction.
Driven by infectious rhythm, vibrant production and an unmistakable celebratory energy, “JO” is an Afro-fusion record built for movement. The single pairs YTJ’s melodic approach with a polished, high-energy production designed to connect across clubs, parties, festivals and playlists globally.
The visual world surrounding the release reflects that same energy. Built around a striking red-lit aesthetic, the “JO” campaign presents a confident and elevated side of YTJ as he continues to expand his presence beyond his home market and reach new audiences internationally.
“My intention with ‘Closer’ was simply to make something that would connect with people, and the response went beyond what I imagined,” says YTJ. “With ‘JO,’ I wanted to take that energy somewhere new. This record is a celebration — and we’re just getting started.”»
“JO” arrives at a pivotal moment for YTJ. Following the momentum established by “Closer,” the new single signals an artist increasingly focused on creating music that bridges cultures while remaining rooted in the rhythm, melody and energy of contemporary African music.
For Recoup Records, the release represents another step in the label’s commitment to developing YTJ’s international profile and introducing his music to a broader global audience.
“JO” by YTJ is available across all major digital streaming platforms HERE

ABOUT YTJ
YTJ is an emerging Afro-fusion artist whose music blends contemporary African rhythms, melody and global influences. With a growing international audience and millions of streams and views across digital platforms, YTJ is building a sound and identity designed to travel beyond borders.
Following the international response to “Closer,” YTJ continues his next chapter with “JO,” expanding his creative vision while establishing himself as an emerging voice in the new generation of African music.
ABOUT RECOUP RECORDS
Recoup Records is an independent music company focused on artist development, music distribution and building globally competitive African talent. Through strategic releases, media partnerships and international promotion, the label works to connect its artists and music with audiences around the world.
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Entertainment Gists

Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?

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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

 

 

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.

The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.

And the big question now is:

Should Josh2Funny continue with music or go back to skits? 😂

Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.

One X user joked:

“Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”

Another simply said:

“This Josh2Funny Album no enter make he just go back skit abeg 😂”

But then came “Lembe.” 🔥

The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.

Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.

And it didn’t stop there.

‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED

On another day, “International” featuring Ice Prince generated its own buzz on X.

One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.

From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.

Whether you love the album or think he should return to skits, one thing is clear:

Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:

Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?

Music or Skits? Drop your answer! 👇

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Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London

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East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.

Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.

Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.

Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.

For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.

By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.

 

With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.

Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.

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