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In Gaza, Young Victims of Israeli Bombing Recount A Brutal 2021

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Al Jazeera talks to young Palestinians injured during Israel’s May offensive and now left with permanent disabilities.

Gaza City – In May 2021, the occupied Gaza Strip experienced renewed bloodshed and destruction as Israel launched a devastating 11-day military offensive on the besieged enclave.

It was the fourth major offensive launched by Israel on the Palestinian territory in 14 years, compounding the already dire living conditions and the high rates of poverty and unemployment in Gaza which has been under an Israeli-Egyptian blockade since 2007.

The assault in May killed at least 260 people, including 39 women and 67 children, and wounded more than 1,900, according to the health ministry in Gaza. The bombardment also destroyed 1,800 residential units and partially demolished at least 14,300 other units.

Tens of thousands of Palestinians were forced to take shelter in United Nations-run schools.

About seven months later, the reconstruction process has slowly begun, albeit with Israel continuing to prevent the entry into Gaza of many materials it says could also be used for military purposes.

Talks mediated by Egypt have failed to reach a permanent ceasefire between Israel and Hamas, the Palestinian group which rules Gaza, and tensions remain high.

Many people in Gaza have been left to cope with the aftermath of the 11-day assault, including many young people who were left seriously wounded.

Al Jazeera talked to three young people, who were injured and left with permanent disabilities during the offensive, to discuss what they endured and what they hope for in the new year.

Mohammed Shaban, 7 years old, holds his photo before losing his eyes. [File: Mohammed Salem/ Al Jazeera]Mohammed Shaban, 7, lost his eyesight in the Israeli offensive on Gaza [Mohammed Salem/Al Jazeera]

‘Mum, I wish I could see your face’

Mohammed Shaban’s only wish for the new year is to be able to see again. The seven-year-old lost his eyesight on the first day of the Israeli offensive in May.

That day, Mohammed went out with his mother, Somayya, 35, to buy clothes for him and his siblings.

“He was very happy and could not wait to go home to show his new shoes to his sisters,” Somayya told Al Jazeera.

“Suddenly, a huge explosion hit the area. I didn’t remember what happened. Dust, chaos, people screaming, blood …”

Somayya stopped talking for a moment, then continued. “I remembered Mohammed, I started screaming: ‘Where is my son? Where is my son?’”

Mohammed’s eyes were severely wounded when an Israeli air attack hit two people on a motorcycle in Jabalia in the north of the Gaza Strip. He was rushed to hospital.

“His face was covered in blood and his eyes were bleeding terribly. I lost consciousness when I saw him,” Somayya said.

After several attempts, the doctors decided Mohammed’s eyesight could not be saved and they had to remove his eyes.

“I can’t stop crying whenever I see him. He keeps asking his siblings, ‘Why can I only see black darkness? Why can’t I go to my school?’” she said.

“Last night, he told me: ‘Mum, I wish I could see your face.’”

Somayya Shaban, Mohammed' mother cries as she recounts his story. Somayya Shaban, Mohammed’s mother, cries as she recounts their ordeal [Mohammed Salem/Al Jazeera]

Mohammed was recently admitted to a school for visually challenged children, but his mother has no hope for the new year.

“After what we have seen during this year, I cannot expect any better. Our days are the same. I believe Gaza’s destiny is to face more torture and suffering,” she said.

She said her only wish for 2022 would be for Mohammed to see again. “I wish I could give him my eyes.”

A report by Defense for Children International (DCIP) said 2021, which saw the killing of 86 Palestinian children in the occupied territory, was the deadliest year on record since 2014.

“During the 11-day military assault, Israeli forces killed Palestinian children using tank-fired shells, live ammunition, and missiles dropped from weaponised drones and US-sourced warplanes and Apache helicopters,” said the report on the May assault, dubbed Operation Guardian of the Walls.

‘I want to be a doctor when I grow up’

Farah Isleem, 12, feels more optimistic in the new year, despite losing her leg in May 2021.

“It was around six o’clock at morning. I was sleeping. Suddenly I woke up to an explosion. I was not able to move. Everyone was screaming around me,” she told Al Jazeera.

An Israeli raid had hit Farah’s home on the fifth floor in a building in the al-Sabra neighbourhood in central Gaza City.

Hazem Isleem, Farah’s father, is a security worker in Gaza City’s al-Shifa hospital. That night,

Hazem was at work, dealing with patients and people being evacuated from bombed areas.

Farah's father helps her wearing her prosthetic leg.Farah’s father helps her wear her prosthetic leg [File: Mohammed Salem/Al Jazeera]

His seven children were rushed to the hospital after the bombing. Six suffered minor wounds, but Farah was badly hurt.

“When I first saw her, I realised her leg would have to be amputated,” he said. “It was shattered and bleeding severely.”

Farah was given a medical referral to Jordan, where she travelled with her mother three days after she was injured.

After trying to save her leg for 15 days, the doctors decided it would have to be amputated. A prosthetic limb was fitted to her leg later.

“Imagine your beautiful and intelligent child having her leg amputated at this young age. It is a very hard feeling,” Hazem said.

Farah Isleem, 12 years old, wears her prosthetic leg after she lost her leg in an Israeli bombing to their home. Farah Isleem puts on a prosthetic leg at her home in Gaza City [File: Mohammed Salem/Al Jazeera]

Upon Farah’s return from Jordan after a month, her family and school organised a reception party to welcome her back.

“My big focus now is my studies at school,” Farah told Al Jazeera. “I face some obstacles going up and down the stairs, but my family always helps me.”

Farah told Al Jazeera before her injury, she was afraid of the sight of blood and of injuries. But now she wants to be a doctor, and her New Year’s wish is to learn English fluently as it would help her achieve her dream.

“I was in so much pain during the treatment process. But thanks to God everything is ok now,” she said with a smile.

According to UNICEF, before the escalation in violence, one in three children in Gaza already required support for conflict-related trauma. The UN body stressed the need for mental health and psychosocial support for children facing dire living circumstances.

The organisation also said tens of thousands of children in Gaza will require humanitarian assistance to access safe drinking water and basic sanitation over electricity shortages affecting water production in the besieged territory.

Mahmoud Naim, 18, lies on his bed after he was paralyzed when a shrapnel pierced his back. Mahmoud Naim, 18, lies on his bed after he was paralysed when shrapnel pierced his back [File: Mohammed Salem/Al Jazeera]

‘I wish I could walk again’

Eighteen-year-old Mahmoud Naim lies on his back in bed, unable to move.

He is paralysed and unable to feel the lower part of his body since the shrapnel from an Israeli shell hit him in the back and pierced parts of his stomach on May 18.

“I went out to the street to buy bread for my siblings. I saw a friend and stood there talking to him. Suddenly there was an explosion. I don’t remember anything after that,” Mahmoud told Al Jazeera.

“My life has been turned upside down,” he said.

Mahmoud stayed in the intensive care unit for several days before he was referred to Egypt for further treatment. He underwent seven surgeries and still needs intensive physiotherapy sessions and medication.

Shrapnels are still stuck in Mahmoud’s back. They should be removed as soon as possible so that his condition improves.

“Currently I can’t move at all on my own. My mother helps me, but my brothers are [too] young,” he said.

“Sometimes I stay on the bed waiting for my cousins to come if I want to move.”

Before his injury, Mahmoud worked in a shop to support his family. His father has been sick for a long time and his condition deteriorated after his son’s injury.

Mahmoud told Al Jazeera he heard of reports claiming the shell that hit him was not Israeli, but a Palestinian shell that hit him by mistake.

“It was a continuous state of war in which everyone was under bombardment and terror, and the victims were all innocent people,” he said.

“Despite what happened to me, I am optimistic about the beginning of 2022 as every year is a new start.

“Enough of the war and enough of what is happening to us in the Gaza Strip. I hope calm prevails, our living conditions improve and I wish I could walk again.”

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YTJ Announces New Single “JO,”

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Rising Afro-fusion artist builds on the momentum of “Closer” with an energetic new release made for dance floors worldwide
Recoup Records announces the forthcoming release of “JO,” the new single from rising Afro-fusion artist YTJ, arriving on all major digital streaming platforms September 10, 2026.
The release follows the growing international success of YTJ’s previous single, “Closer,” which has generated more than 4 million combined YouTube views and surpassed 3 million audio streams within two months of release. The record has also received airplay across more than 70 radio stations and 30 television channels worldwide, while reaching No. 63 on YouTube Music in Nairobi, Kenya.
With “JO,” YTJ enters the next phase of his sound and creative direction.
Driven by infectious rhythm, vibrant production and an unmistakable celebratory energy, “JO” is an Afro-fusion record built for movement. The single pairs YTJ’s melodic approach with a polished, high-energy production designed to connect across clubs, parties, festivals and playlists globally.
The visual world surrounding the release reflects that same energy. Built around a striking red-lit aesthetic, the “JO” campaign presents a confident and elevated side of YTJ as he continues to expand his presence beyond his home market and reach new audiences internationally.
“My intention with ‘Closer’ was simply to make something that would connect with people, and the response went beyond what I imagined,” says YTJ. “With ‘JO,’ I wanted to take that energy somewhere new. This record is a celebration — and we’re just getting started.”»
“JO” arrives at a pivotal moment for YTJ. Following the momentum established by “Closer,” the new single signals an artist increasingly focused on creating music that bridges cultures while remaining rooted in the rhythm, melody and energy of contemporary African music.
For Recoup Records, the release represents another step in the label’s commitment to developing YTJ’s international profile and introducing his music to a broader global audience.
“JO” by YTJ is available across all major digital streaming platforms HERE

ABOUT YTJ
YTJ is an emerging Afro-fusion artist whose music blends contemporary African rhythms, melody and global influences. With a growing international audience and millions of streams and views across digital platforms, YTJ is building a sound and identity designed to travel beyond borders.
Following the international response to “Closer,” YTJ continues his next chapter with “JO,” expanding his creative vision while establishing himself as an emerging voice in the new generation of African music.
ABOUT RECOUP RECORDS
Recoup Records is an independent music company focused on artist development, music distribution and building globally competitive African talent. Through strategic releases, media partnerships and international promotion, the label works to connect its artists and music with audiences around the world.
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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?

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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

 

 

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.

The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.

And the big question now is:

Should Josh2Funny continue with music or go back to skits? 😂

Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.

One X user joked:

“Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”

Another simply said:

“This Josh2Funny Album no enter make he just go back skit abeg 😂”

But then came “Lembe.” 🔥

The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.

Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.

And it didn’t stop there.

‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED

On another day, “International” featuring Ice Prince generated its own buzz on X.

One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.

From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.

Whether you love the album or think he should return to skits, one thing is clear:

Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:

Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?

Music or Skits? Drop your answer! 👇

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Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London

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East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.

Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.

Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.

Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.

For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.

By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.

 

With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.

Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.

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