News
‘We’re Being Hounded’ – French Transgender Sprinter Halba Diouf Decries Olympics Ban For Trans Women

French sprinter Halba Diouf who has been training hard to improve her 200 metres time in the hope of running at the 2024 Games, has alleged that the trans community are being marginalised and hounded after the World Athletics (WA) banned transgender women from elite female competitions.
The governing council of World Athletics had in March, banned transgender women who have gone through male puberty from competing in women’s events, citing a “need to protect the female category.”
Speaking to Reuters, Diouf who was hoping to participate in next year’s Paris Olympics said;
“I cannot understand this decision as transgender women have always been allowed to compete if their testosterone levels were below a certain threshold.
“The only safeguard transgender women have is their right to live as they wish and we are being refused that, we are being hounded… I feel marginalised because they are excluding me from competitions.”
Born in Senegal, Diouf arrived in France at the age of four. As an adult, she moved to Aix-en-Provence where she started hormone therapy to change sex – and her gender transition was recognised by French authorities in 2021.
The tighter measures imposed by WA around one of the most contentious and divisive issues in sport – how to balance inclusivity while ensuring there is no unfair advantage – follow a similar move by World Aquatics in 2022.

LGBTQI advocacy groups say excluding trans athletes amounts to discrimination. Reacting to the claim, the World Athletics President Sebastian Coe has said:
“Decisions are always difficult when they involve conflicting needs and rights between different groups, but we continue to take the view that we must maintain fairness for female athletes above all other considerations.”
Before the new rule was announced, female transgender and athletes with Differences in Sex Development (DSD) could take part in elite events between 400m and the mile only if their levels of natural plasma testosterone was below five nanomoles per litre, though 100m and 200m sprinters were clear to race.
The rules impacted DSD athletes such as two-time Olympic 800 metre champion Caster Semenya and Francine Niyonsaba, who finished runner-up to Semenya at the 2016 Olympics; neither were allowed to compete at the 2020 Games. Namibia’s Christine Mboma shifted from her preferred 400m distance to the 200m in Tokyo and won a silver medal.
In March WA’s council cut the maximum amount of plasma testosterone for DSD athletes in half to 2.5 nanomoles per litre from five. The WA rules also stated the level must be maintained for at least 24 months before DSD athletes can compete in female competitions. Diouf who reportedly meets this requirement said;
“I started my hormonal treatment three years ago, in January 2020, when I came to South of France. I started it with estrogen, progesterone, and testosterone blockers. I could see results after three, four months. (flash) It was progressive, I mean you don’t become a woman overnight, it really does take time. It’s gradual.”
Diouf’s endocrinologist Alain Berliner finds the ban confusing and calls it a “kind of transphobia.” Berliner said;
“For this laboratory, the testosterone level for a woman is between 0.08 and, let’s say, 0.50 (micrograms per liter – 0.28 to 1.67 nanomoles per liter) and Halba has 0.21 (0.73 nanomoles per liter). So she is absolutely not advantaged in sports by the testosterone because she has very, very little. In Halba’s case, who is a woman in every sense of the word – she is hormonally a woman – and from a physiological and legal point of view, a woman. Everything is in order.”
News
Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London


East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.
Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.
Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.
Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.
For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.
By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.
With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.
Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.
News
Afrocentric Music Festival Invites 1,000 Music Artists!

Audio
KenryWhite Releases “Kilometers” & “The King” A Powerful Double Release Celebrating Faith, Purpose, and the Journey to Greatness

Nigerian Afrofusion artist KenryWhite unveils his compelling two-track release, “Kilometers & The King,” a project that explores the realities of life’s journey while affirming identity, faith, and purpose.
Leading the release is “Kilometers,” an uplifting anthem that reflects on the distance between dreams and fulfillment. Through heartfelt lyrics, captivating melodies, and vibrant Afrobeats production, KenryWhite encourages listeners to embrace the process, remain resilient, and keep moving forward despite life’s challenges.
Complementing the project is “The King,” featuring Wonder J. The record is a bold declaration of confidence, royalty, and divine purpose, blending infectious Afrobeats rhythms with inspiring lyricism. Together, the duo delivers a record that celebrates self-belief, leadership, and the mindset required to overcome every obstacle.
With rich storytelling, memorable melodies, and contemporary African sounds, “Kilometers & The King” showcases KenryWhite’s artistic growth while delivering music that inspires, motivates, and connects with audiences across the globe.
Now available on all major streaming platforms, “Kilometers & The King” invites listeners to embrace the journey, recognize their worth, and walk confidently into their purpose.
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