
Watford have followed Brighton and Aston Villa in publicly opposing the use of neutral venues in the Premier League’s proposed Project Restart plan.
Hornets chairman and chief executive Scott Duxbury says it would compromise fairness and sporting integrity.
It is understood Premier League clubs are not planning to vote on whether to use neutral venues at a Monday meeting.
The vote looks likely to be held later in May and 14 of the 20 clubs must vote in favour for it to be adopted.
And while three have now made their opposition to the proposal known, it is understood others have similar feelings.
Before voting, league bosses are also awaiting government guidance on the criteria for bio-security at events and ground-safety licensing, which is expected later next week.
‘No semblance of sporting integrity’
“I, of course, absolutely accept we cannot have supporters in the stadium,” Duxbury wrote in The Times. “That goes without saying in the present situation.
“However, we are now told we cannot play our remaining home games at Vicarage Road and the familiarity and advantage that brings. This against a backdrop of players who, having seen their lives turned upside down along with the rest of the world, are suddenly expected to perform as if nothing has happened, despite the rest of society probably still facing the kind of restrictions unenforceable on a football pitch.
“We have club medical staff working under conditions that no doctor or physio has ever experienced with guidelines that, in no small part, are based at this stage on supposition rather than scientific fact. And with all these compromises and health risks we are asked to finish a competition that bears no resemblance to the one we started, which could end a small club like Watford’s time in the Premier League.
“So is this fair? Does it have any semblance of sporting integrity? Of course not.”
‘A distorted nine-game mini league’
The Premier League has been suspended since 13 March but is aiming to resume in June with most teams faced with nine fixtures left to fulfil.
Germany’s Bundesliga will return on 16 May and teams will use their own stadiums for their remaining fixtures.
League Managers Association chief executive Richard Bevan has said the Premier League season could be cancelled if clubs do not agree to play at neutral venues.
Duxbury feels a “safe environment” can be created for the “300 or so” people who would attend a behind closed doors match at Vicarage Road.
He also believes clubs can have “more control” over their own fans if fixtures are played at their stadia. Some, including Liverpool mayor Joe Anderson, have raised the prospect of fans congregating at their own stadiums even if fixtures have been played at neutral venues.
“When at least six clubs — and I suspect more — are concerned about the clear downside and the devastating effects of playing in this kind of distorted nine-game mini-league, then I believe the Premier League has a duty of care to address those concerns,” Duxbury wrote.
“If we start and finish a whole season under these conditions and at neutral venues when everybody knows the rules when we start, not created in a time of crisis, then that is clearly fair. To be asked to finish a quarter of the season under new rules and conditions is an entirely different proposition.
“How can the long-term future of clubs be determined under these fundamentally changed conditions? How is there any semblance of fairness? To wave aside all the fears and concerns is too simplistic. Surely all 20 clubs must agree the fairest way forward to complete the season?”
Player contracts a Monday focus
The national lead for football policing, deputy chief constable Mark Roberts, told ITV that clubs should “get a grip” and stop complaining about neutral venues.
However, former football policing commander Owen West told The Guardian that there is “no rationale” for not allowing clubs to use their own stadiums.
Monday’s Premier League meeting will feature a vote on whether player contracts are to be extended until the end of the rescheduled season.
Some players are due to be out of contract at the end of June.
A vote on the necessary medical protocols needed for a return to full training will also not be held as the measures proposed have not been shown to the Professional Footballers’ Association or the League Managers Association.
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RUAN-Badkid.96: The Unfiltered Voice Recommitting African Sound to Truth

RUAN-Badkid.96 is a Nigerian recording artist whose music refuses to live inside a single genre. Blending Afrobeat, Afrofusion, trap, hip-hop, melodic rap, R&B, and global influences, he creates records that move effortlessly between raw street energy, soulful storytelling, and infectious melodies. Whether delivering hard-hitting bars, emotional love songs, or rhythm-driven African records, his sound is defined by authenticity rather than limitation.
Inspired by both African culture and international music, RUAN-Badkid.96 embraces the confidence and ambition of global hip-hop while staying deeply connected to his roots. His lyrics explore love, heartbreak, betrayal, friendship, social injustice, hope, and the everyday realities of life. He doesn’t create music to follow trends, he creates music to reflect truth, emotion, and human experience.
Behind his fearless image is an artist who believes in kindness, equality, justice, and genuine human connection. His appearance may be intimidating, but his message is rooted in compassion and authenticity. Every record carries a piece of his journey, proving that strength and vulnerability can exist in the same voice.
For RUAN-Badkid.96, music is more than entertainment, it’s a language, a testimony, and a lifelong mission to connect with people through honesty, versatility, and unforgettable sound.
Entertainment Gists
Meet the Man Who Turned Hype Into a Science: Emmy Blaq, Nigeria’s G.O.A.T. of Hype
If you have ever been at a Nigerian event and found yourself on your feet before the main act even stepped on stage, there is a good chance a hype man was responsible. But not just any hype man. Emmy Blaq, born Ikechukwu Emmanuel Chima and raised in Auchi, Edo State, has spent the last few years quietly becoming the most talked-about name in that profession, and the Nigerian press has taken notice. Punch, Vanguard, The Guardian Nigeria, The Nation, and Independent Newspaper have all sat down with him, and every conversation leads back to the same thing: this man does not just make noise; he makes moments.
What makes Emmy Blaq different is the journey behind the energy. Before the stages, the collaborations with Waje on her “Waje 2.0” album, DJ Consequence, and DJ Kaywise on the massively streamed “Joor Party Mix” series, he was repairing generators, cutting hair, and sewing clothes in Auchi. His first professional hype gig happened at a local fast food spot called Valchi, and the crowd response that night changed everything. He told The Nation directly: “My passion for entertainment and desire to make people happy led me into the craft.” Punch also captured his bigger mission when he said that hype men deserve more than what they currently earn, a statement that sparked a real conversation across Nigerian entertainment circles.
With over 1.7 million TikTok followers, 23.6 million TikTok likes, a viral “Wife Material” challenge that landed on Pulse Nigeria’s top ten social media moments of 2021, and an international performance at the Cameroon International Music Festival that Cameroonian media described as electrifying, Emmy Blaq is not building toward something. He is already there. The G.O.A.T. of Hype is not a title he gave himself and hoped would stick. It is one the rooms keep confirming every single time he grabs the mic.
Entertainment Gists
Uncle Wisdom The Mind Behind The Motion – Talent Manager/A&R
MANAGER PROFILE
Uncle Wisdom is a Lagos-based music executive and visionary leader known for blending structure, strategy, and creativity in artist management. With a background in Mathematics and Statistics from UNICROSS formerly, Cross River University Of Technology. He brings analytical precision into talent development, positioning artists for both creative excellence and commercial success.
CAREER JOURNEY
Began his career in 2017 as an event coordinator for Eksu Olofofo, where he gained foundational experience in live events and audience engagement. By 2018, he transitioned into full-time artist management, driven by a clear goal to build a more structured and results-oriented system within the music industry.
In 2019, Started working as a road manager for Barry Jhay, gaining hands-on experience in touring, logistics, and artist operations, a refined career and mental awareness coach . He was also instrumental behind Barry Jhay’s 2025 sold-out homecoming concert, a key moment that fueled momentum for a successful UK tour, including sold-out shows in London and Birmingham.
PHLOX MGMT
Founded from the ground up, Phlox Mgmt is a forward-thinking management company focused on Career coaching, A&R, artist development, and strategic positioning. The company is built on a clear philosophy:
Develop the sound. Define the brand. Position the artist to win.
Phlox Mgmt has connections with @Roadgod_of Roadgod Agency and connects artists with top-tier producers, engineers, and creatives, ensuring a refined sound and strong market presence. The company continues to grow as a trusted platform for emerging and established talent.
INDUSTRY NETWORK & COLLABORATIONS
Uncle Wisdom has built valuable relationships across the industry, working with and alongside talents such as:
Barry Jhay • Asake • Ceeza Milli • Berri Tiga • Laime • Spellz • and many others
LEADERSHIP APPROACH
John Wisdom operates with a long-term vision, focusing on structure, consistency, and execution. His approach goes beyond traditional management he builds systems around artists that support sustainable growth, strong branding, and global competitiveness.
CONTACT & SOCIALS
Instagram & X: @Johnwisdm @phlox_mgmt
TikTok: @unclewisdom7
Email: phloxentertainment@gmail.com
Phone: 08038448478 | 09015668027
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