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Walker’s goal was his fourth for Manchester City

Kyle Walker marked his 100th Premier League appearance for Manchester City with a goal against his former club as Pep Guardiola’s side beat Sheffield United.

The right-back, who came through the ranks at the Blades, struck midway through the first half with a superb long-range strike.

It was a deserved goal for a Manchester City side who dominated the first half, and they could have added another but for an excellent save by Aaron Ramsdale from Ferran Torres’ header.

Ramsdale did well again in the second half when he dived at full stretch to keep out a Riyad Mahrez free-kick.

But from then on the visitors struggled to find a second goal that would kill the game off and United should have capitalised when substitute John Lundstram fired just over from Sander Berge’s cross.

That was as close as the Blades came as City took their third league win of the season to move into the top half of the table.

Sheffield United remain winless and in the relegation zone with just one point from their first seven games.

Walker’s impressive form continues

After he played a starring role in the 3-0 win against Marseille in the Champions League in midweek, Walker was described by Guardiola as being in the best form of his City career.

While City’s displays have been patchy this season – and they were again far from their attacking best in this game – the consistently high-quality performances from Walker have been a big positive.

Such is Guardiola’s faith in the 30-year-old right-back that his position is the only one he has not rotated, with Walker the only player to have started every game this season.

His goal against his hometown club was a wonderfully clean strike, hit with power and precision from 25 yards and into the bottom corner.

In the second half, a burst of pace saw him get in behind the United defence and his cut-back was half cleared to Kevin de Bruyne, who flashed a shot just wide.

While City are yet to truly sparkle in attack, their recent defensive displays are encouraging. This was a second successive clean sheet with Walker and Joao Cancelo impressing in the full-back positions while Aymeric Laporte and Ruben Dias are developing into a strong central defensive partnership.

“I’m happy to get on the scoresheet and obviously happy to get the three points, which was the main thing coming up here,” said Walker, who did not celebrate his goal.

“My mum and dad live here, so if I’d celebrated I’d have got a lot of stick. I’m a Sheffield United fan, so I couldn’t celebrate.

“I’m enjoying my football. We don’t sit back and defend. We want to score three or four, but it’s great to get the clean sheet on the board as well.”

Blunt Blades need to sharpen up

Riyad Mahrez and John Lundstram
Substitute Lundstram, right, had a great chance to equalise for the hosts

Having enjoyed a fairy tale return to the Premier League last season, when they finished ninth, it is looking increasingly likely that this is going to be a long and difficult campaign for the Blades.

They have taken just one point from their first seven games – compared to eight at the same stage of last season – and while a win against City was always going to be a tall order, they rarely looked like they believed they could cause an upset.

The hosts barely laid a glove on City in the first half but a good 15-minute spell after the break – when they provided a glimpse of their old selves – produced their best chance when Lundstram fired over.

Scoring goals is proving difficult for the Blades this season despite the addition of striker Rhian Brewster from Liverpool for a club-record £23.5m.

They had just one shot on target in this game and have not scored more than one goal in a game so far this season, leaving them heavily reliant on a defence that has yet to keep a clean sheet.

“If people think we can go toe to toe with Man City they’re deluded, really deluded,” said Sheffield United boss Chris Wilder.

“We have to find a way to catch up with these teams who have spent about a billion pounds on their structure and their players.

“It’s frustrating because I think we’ve got a lot more quality in those areas.”

Wilder’s rare winless run – the stats

  • Manchester City have won more top-flight matches on 31 October than any other team in English top-flight history (11).
  • Sheffield United have picked up just one point from their first seven league games in a season for the first time since 1975-76.
  • Manchester City have won four consecutive league games against Sheffield United for the first time since March 1930.
  • Sheffield United have failed to win any of their past 11 games in all competitions – the longest winless run of Chris Wilder’s managerial career.
  • After losing three consecutive away games between March and July, City are unbeaten in their past six on the road in the competition.
  • Since the restart in June, Sheffield United have failed to score in more Premier League games than any other team (nine).
  • Manchester City’s Kevin de Bruyne has been directly involved in four goals in three Premier League games versus Sheffield United (one goal, three assists), assisting in all three appearances.
  • Six of City defender Kyle Walker’s eight Premier League goals have been scored from outside the box, with today’s strike his first away goal in the competition.

What next?

Sheffield United travel to Chelsea in the Premier League on Saturday, 7 November (17:30 GMT) while Manchester City are in European action, hosting Olympiakos in the Champions League on Tuesday, 3 November (20:00 GMT).

Entertainment Gists

PZEELEE__VIBEZ BIOGRAPHY: The Journey, Influences and Creative Evolution of a Nigerian Afrofusion Artiste

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From his roots in Ilesa, Osun State, to his growing presence in Nigeria’s contemporary music landscape, Fowowe Paul Akinbobola is building an artistic identity shaped by cultural heritage, musical diversity and creative exploration.

The Nigerian music industry continues to witness the emergence of a new generation of creative talents exploring different sounds, musical identities and approaches to storytelling. Among the artistes gradually establishing their presence within this evolving landscape is PzeeLee__Vibez, professionally known as Fowowe Paul Akinbobola, a Nigerian singer and songwriter whose musical direction reflects an appreciation for diverse influences and contemporary African sounds.

Also known as Omoluabi, PzeeLee__Vibez hails from Ilesa, Osun State, Nigeria. His artistic identity is rooted in a combination of cultural appreciation, personal creativity and an interest in the evolving possibilities of Afrobeats and Afrofusion. Through his music, he continues to explore different expressions, drawing from both established African musical traditions and contemporary influences.

Early Background and Creative Foundation

Beyond his developing career in music, PzeeLee__Vibez has an educational background that reflects a different dimension of his personality. He holds a Higher National Diploma in Agricultural and Bio-Environmental Engineering from Oyo State College of Agriculture and Technology, Igbo-Ora.

His academic journey demonstrates an experience outside the conventional entertainment pathway, highlighting the intersection between formal education and artistic ambition.

His appreciation for music is also connected to his family background. According to previously published accounts, his father, identified as Fere Jesu, was involved in gospel and highlife music, making an impression during the 1990s. This family connection provided an additional layer to his exposure to music and its cultural significance.

Beyond singing and songwriting, PzeeLee__Vibez has demonstrated creative interests in dancing and painting, suggesting an artistic personality that extends beyond musical performance.

Musical Influences and Artistic Identity

Musical development is often shaped by the artistes, sounds and experiences encountered throughout an individual’s journey. For PzeeLee__Vibez, his influences cut across different generations and musical traditions.

He has identified legendary Nigerian musician Fela Kuti and Jamaican reggae icon Bob Marley among his influences, alongside contemporary African music figures such as Burna Boy, Wizkid, Olamide and Davido.

These influences represent different approaches to music, ranging from socially conscious African rhythms and reggae traditions to contemporary Afrobeats, melodic songwriting and commercially driven African pop.

The combination of these influences provides an interesting foundation for understanding his creative direction.

Operating within the broader Afrobeats and Afrofusion landscape, PzeeLee__Vibez explores the possibilities of combining different musical elements while developing a sound that reflects his individual artistic expression.

Rather than limiting his creative identity to a single musical formula, his releases suggest an interest in experimentation, contemporary production and accessible musical storytelling.

Discography and Recorded Musical Journey

PzeeLee__Vibez’s recorded catalogue provides an insight into his developing musical journey, with releases that demonstrate his willingness to explore different sounds and creative approaches.

One of his documented releases is “SURPRISE”, a single that introduced listeners to his musical direction through an Amapiano-influenced production blended with traditional elements. Released in 2024 according to his Apple Music catalogue, the record received additional promotional attention in January 2025.

The release represented an important opportunity to introduce his music to a wider audience while establishing a foundation for subsequent projects.

He followed this with “POTENTIAL”, released in 2025, further extending his catalogue and maintaining his presence within the digital music space.

Another release, “NASA”, also appeared in his 2025 catalogue. The record explores romantic expression and provides another perspective on his approach to contemporary music and songwriting.

These releases collectively represent different stages of his developing catalogue, providing listeners with an opportunity to understand his musical interests and evolving creative direction.

Collaboration with Freezy West: The Story Behind “GenZ Luv”

An important development in his recent musical journey is his collaboration with Freezy West on the single “GenZ Luv”, produced by JADU and released on July 17, 2026.

The record explores modern romance through a contemporary musical perspective, drawing on youthful experiences, emotional connections and the changing language of relationships among a younger generation.

The collaboration brings together two creative personalities, with PzeeLee__Vibez and Freezy West contributing to a record designed around contemporary romantic expression.

Beyond its musical presentation, “GenZ Luv” represents another opportunity for PzeeLee__Vibez to expand his creative network, explore collaborative possibilities and connect with listeners through a subject that remains relevant across generations.

The release also attracted media attention, including coverage by The Poise Nigeria, which highlighted the collaboration and its contemporary romantic theme.

Beyond Music: A Multifaceted Creative Personality

While music remains central to his public identity, PzeeLee__Vibez’s interests in dancing and painting reveal a broader appreciation for artistic expression.

These creative interests provide additional perspectives on his personality and suggest an individual whose understanding of entertainment extends beyond recording songs.

In an industry where visual presentation, performance, identity and musical creativity increasingly intersect, such interests can provide opportunities for artistic development and audience engagement.

His journey also reflects the experiences of emerging Nigerian artistes navigating an increasingly competitive music environment, where talent must be supported by consistency, creative development, strategic collaborations and effective audience engagement.

Career Development and the Road Ahead

The contemporary Nigerian music industry offers opportunities for artistes to reach audiences beyond geographical boundaries through digital streaming platforms, collaborations and online media exposure.

For emerging artistes such as PzeeLee__Vibez, building a sustainable career requires more than releasing individual records. It involves establishing a recognisable musical identity, developing a consistent catalogue and creating meaningful connections with listeners.

His releases, including “SURPRISE”, “POTENTIAL”, “NASA” and “GenZ Luv”, provide an early picture of an artiste exploring his creative possibilities while gradually expanding his musical presence.

His background, diverse musical influences and interest in different creative disciplines offer useful context for understanding the direction of his artistic development.

As he continues to explore new sounds, collaborations and opportunities, the next phase of his journey will be important in determining how his musical identity develops within Nigeria’s expanding Afrobeats and Afrofusion scene.

For PzeeLee__Vibez, the journey is one of continued creative exploration, musical growth and the pursuit of a distinctive place within an industry defined by constant evolution.

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“Lagos Gave Me My Greatest Successes and Deepest Heartbreak”: Cuppy Opens Up in New IFEOLUWA Documentary

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On her birthday, Florence Ifeoluwa Otedola invites viewers beyond the public image and into a more personal story of home, family, identity and purpose.

For years, Nigerians have known Florence “Cuppy” Otedola as the internationally recognised DJ and philanthropist with the famous pink hair and vibrant public personality. This birthday, she is inviting audiences to see a side of her that rarely takes centre stage.

Released on 11 November 2026, her new 12 minute documentary, IFEOLUWA, follows Cuppy back to Lagos, the city that shaped her and remains close to her heart. It is also, as the film explores, a place connected to some of her greatest successes and deepest heartbreak.

The title IFEOLUWA means “The Love of God”. Rather than another glamorous birthday celebration, Cuppy is marking the occasion by sharing a more reflective portrait of the woman behind the spotlight. The film explores womanhood, ambition, identity, belonging and the ongoing process of becoming.

There are tender moments, too. Viewers see Cuppy not just as a public figure, but as a daughter, sister and granddaughter. Her time with her grandmother offers an especially intimate glimpse of the affection and family ties at the heart of her story.

The documentary also captures an evolution that audiences may already have noticed. The signature pink hair has given way to a new look and a more grounded chapter, with faith, education and service increasingly central to how Cuppy speaks about her future. It is not a rejection of music, but a fuller picture of the person behind it.

Her philanthropic work remains an important part of that picture. Through the Cuppy Foundation, she has helped raise more than $17 million to support displaced children in Nigeria in partnership with Save the Children. She has also established education funds at the University of Oxford, New York University and King’s College London to help students overcome financial barriers, particularly those from Africa.

Alongside this work, Cuppy remains active as an international DJ, with performances including Glastonbury, Wireless Festival and Cannes Lions, as well as events during United Nations General Assembly week.

At its heart, IFEOLUWA is about more than a familiar celebrity image. It is a personal homecoming and an invitation to understand how family, faith, Lagos and lived experience are shaping Cuppy’s next chapter.

Watch IFEOLUWA on YouTube

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Druppythekid Set to release New Two-Track Pack

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Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.

Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.

On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.

Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.

No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.

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