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Tottenham 2-1 Liverpool: PGMOL Admits ‘Significant Human Error’ Over Disallowed Luis Diaz Goal

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Referees’ body PGMOL has admitted the decision to disallow Luis Diaz’s goal in nine-man Liverpool’s 2-1 loss to Tottenham Hotspur was “a significant human error”.

At 0-0 and with the Reds a man down, Liverpool winger Diaz’s goal was ruled out following an unusually quick video assistant referee (VAR) check by Darren England, in which the customary offside line graphic was not shown.

“PGMOL acknowledge a significant human error occurred,” the statement read. “PGMOL will conduct a full review.”

It continued: “The goal by Luiz Diaz was disallowed for offside by the on-field team of match officials. This was a clear and obvious factual error and should have resulted in the goal being awarded through VAR intervention, however, the VAR failed to intervene.”

BBC Sport understands the correct procedure was followed for the controversial decision but the mistake was down to human error.

The lines were drawn in accordance with normal procedure and every other aspect was checked.

However, what is being described by sources as a lapse of concentration led to a loss of focus around the initial on-field decision and then a ‘check complete’ being confirmed rather than an intervention which would have resulted in the goal being awarded.

It is understood referees’ chief Howard Webb has spoken to Liverpool this evening.

The Reds also had Curtis Jones and Diogo Jota sent off, and lost to a stoppage-time Joel Matip own goal after resolutely keeping Spurs out.

Speaking after the match, Jurgen Klopp said his side’s defeat came in “the most unfair circumstances” with “crazy decisions”.

“That is not offside when you see it,” he told Sky Sports.

“The ball is between Mo [Salah]’s legs, they drew the line wrong and didn’t judge the moment when Mo passed the ball right.”

‘Everyone will agree’ on ‘horrendous’ VAR decision

Luis Diaz scores against Tottenham for Liverpool, but the goal was incorrectly ruled out
Luis Diaz’s goal should have given Liverpool the lead, but VAR failed to intervene despite reviewing the footage, and the linesman’s original incorrect offside decision was allowed to stand

Klopp said the statement “doesn’t help” and referenced the apology Wolves received for the decision not to award a penalty at Manchester United earlier in the season.

“I don’t think we should talk too much about that because it doesn’t help at all,” Klopp said.

“Wolves got a similar statement, or apology. They didn’t get a point out of United and we won’t get a point today so it doesn’t help.

“I am pretty sure no-one is making mistakes on purpose but it still happened and at this moment I don’t know why. [We] scored a fantastic goal – would it have changed the game? I don’t know. But probably, because goals help.”

Liverpool captain Virgil van Dijk said he is “losing faith” in VAR after the referees’ incorrect decision to disallow Diaz’s goal without any intervention from Stockley Park [the VAR hub in West London].

“I’m losing faith, [which] is difficult to say,” he said.

“The VAR should be absolutely clear and obvious with everything they’re deciding on. I’ve seen the still back – on live TV there were no lines being shown. It’s all a bit strange, I don’t know who was in the VAR room and making that decision. It’s not a good thing, it doesn’t look well either. It is what it is, we lost.”

Former Manchester United defender Gary Neville told Sky Sports the decision was “horrendous” and said it was “clear for everyone” to see that Diaz was onside.

“That is unbelievable! It is very significant. I have defended VAR and offsides being a matter of fact, but there have been a few which I thought were wrong in recent weeks,” he said.

“It was all too quick. That is a horrendous one. It is clearly onside, clear for everyone. Something hasn’t been right the last few weeks. They are picking the wrong cameras to draw the lines on. It is weird.”

Former Liverpool midfielder Jamie Redknapp added: “Everyone will agree, this is onside and makes you wonder how many other decisions they got wrong. It looks like they got that wrong by a yard. It is not a good look. For me, they got that so badly wrong. We are making things so complicated.”

Jones’ early red card also proves controversial

Curtis Jones' red card
Curtis Jones was sent off in the 27th minute with the score at 0-0

The Diaz decision was not the first controversy of the match – that came when Jones was sent off with just over a quarter of the game played.

The midfielder was originally given a yellow card by referee Simon Hooper for his challenge on Spurs’ Yves Bissouma, but after checking the on-field monitor it was changed to a red, another decision Klopp disagreed with.

Hooper was originally shown a still image of the end of the challenge by the VAR for several seconds when he first looked at the monitor, before the clip was replayed in slow motion.

“Curtis steps on the ball and goes over. Not a bad tackle. It looks different in slow motion. He steps full throttle on the ball and goes over the ball. That is unlucky,” Klopp said.

Neville added: “It looks bad but his foot just slips off the top of the ball – that is not a red card for me. He has gone in genuinely. My initial reaction as an ex-player is that isn’t a player looking to do the opposition player. If you see the end part in slow motion, you will think red card, but you have to look at the whole thing.”

Former Liverpool and England defender Stephen Warnock agreed, telling BBC Radio 5 Live: “I think it is very harsh. The big thing is that VAR are slowing the incident down as opposed to the initial challenge.

“He gets the top of the ball and then his foot goes over the ball into the ankle of Bissouma. You can see both sides to the argument, though. I understand why the Spurs fans are disappointed with the tackle but everything looks worse slowed down.”

Fellow Liverpool midfielder Alexis Mac Allister’s red card against Bournemouth earlier this season was later rescinded on appeal after the referee’s on-field decision was allowed to stand by VAR.

PGMOL admits another mistake

This is not the first time VAR has made the wrong decision or failed to intervene when necessary.

Referee Lee Mason left the PGMOL in February after failing to draw VAR’s offside lines and rule out a Brentford goal against Arsenal.

The same month, an offside line was incorrectly drawn during Brighton’s 1-1 draw with Crystal Palace, meaning Pervis Estupinan’s goal was wrongly disallowed. The line was wrongly drawn parallel to Palace defender James Tomkins rather than team-mate Marc Guehi, who was standing behind him.

PGMOL also admitted that Brighton should have been awarded a penalty in their April defeat away at Tottenham, but after referee Stuart Attwell rejected the initial appeals, he was not asked to reverse the decision or go to the TV monitor for a second look despite VAR reviewing the footage.

The VAR official Michael Salisbury was dropped for the next round of Premier League fixtures.

In December last year, an independent panel found that video assistant referees had made six incorrect interventions by that stage of the 2022-23 season, and had missed another six where they should have stepped in.

Audio

YTJ Announces New Single “JO,”

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Rising Afro-fusion artist builds on the momentum of “Closer” with an energetic new release made for dance floors worldwide
Recoup Records announces the forthcoming release of “JO,” the new single from rising Afro-fusion artist YTJ, arriving on all major digital streaming platforms September 10, 2026.
The release follows the growing international success of YTJ’s previous single, “Closer,” which has generated more than 4 million combined YouTube views and surpassed 3 million audio streams within two months of release. The record has also received airplay across more than 70 radio stations and 30 television channels worldwide, while reaching No. 63 on YouTube Music in Nairobi, Kenya.
With “JO,” YTJ enters the next phase of his sound and creative direction.
Driven by infectious rhythm, vibrant production and an unmistakable celebratory energy, “JO” is an Afro-fusion record built for movement. The single pairs YTJ’s melodic approach with a polished, high-energy production designed to connect across clubs, parties, festivals and playlists globally.
The visual world surrounding the release reflects that same energy. Built around a striking red-lit aesthetic, the “JO” campaign presents a confident and elevated side of YTJ as he continues to expand his presence beyond his home market and reach new audiences internationally.
“My intention with ‘Closer’ was simply to make something that would connect with people, and the response went beyond what I imagined,” says YTJ. “With ‘JO,’ I wanted to take that energy somewhere new. This record is a celebration — and we’re just getting started.”»
“JO” arrives at a pivotal moment for YTJ. Following the momentum established by “Closer,” the new single signals an artist increasingly focused on creating music that bridges cultures while remaining rooted in the rhythm, melody and energy of contemporary African music.
For Recoup Records, the release represents another step in the label’s commitment to developing YTJ’s international profile and introducing his music to a broader global audience.
“JO” by YTJ is available across all major digital streaming platforms HERE

ABOUT YTJ
YTJ is an emerging Afro-fusion artist whose music blends contemporary African rhythms, melody and global influences. With a growing international audience and millions of streams and views across digital platforms, YTJ is building a sound and identity designed to travel beyond borders.
Following the international response to “Closer,” YTJ continues his next chapter with “JO,” expanding his creative vision while establishing himself as an emerging voice in the new generation of African music.
ABOUT RECOUP RECORDS
Recoup Records is an independent music company focused on artist development, music distribution and building globally competitive African talent. Through strategic releases, media partnerships and international promotion, the label works to connect its artists and music with audiences around the world.
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Entertainment Gists

Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?

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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

 

 

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.

The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.

And the big question now is:

Should Josh2Funny continue with music or go back to skits? 😂

Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.

One X user joked:

“Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”

Another simply said:

“This Josh2Funny Album no enter make he just go back skit abeg 😂”

But then came “Lembe.” 🔥

The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.

Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.

And it didn’t stop there.

‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED

On another day, “International” featuring Ice Prince generated its own buzz on X.

One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.

From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.

Whether you love the album or think he should return to skits, one thing is clear:

Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:

Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?

Music or Skits? Drop your answer! 👇

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Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London

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East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.

Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.

Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.

Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.

For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.

By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.

 

With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.

Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.

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