Tyson Fury produced the most destructive performance of his boxing life to end Deontay Wilder’s five-year reign as WBC heavyweight world champion in seven thrilling rounds of their Las Vegas rematch.
The Briton, 31, pummelled his rival in a way few could have imagined following their 2018 draw, flooring him in the third and fifth rounds while constantly backing the most-feared puncher in the division up in a way no-one has done before.
A jab and right hand – the combination Wilder has wiped men out with repeatedly – sent the American down in the third, stunning the MGM Grand Arena.
Wilder, who was making his 11th defence of his title, fell again before the round was out – this time a slip – and was ragged under the pressure, before a right and left hand to the body sent the 34-year-old down in the fifth.
Fury delivered everything he had promised, transitioning from his hit-and-move style to overpower, outwork and bully his previously undefeated rival until the towel came in during the seventh round.
This was more than a world title win, it was a statement – and as Fury was held aloft by his corner after victory was sealed, the days of depression, weight gain and despair that cost him the belts he claimed in 2015 seemed a lifetime away.
Britons treated to a masterclass
Thousands of British fans who had descended on Sin City saw their hero take an age to arrive at the ring on a throne, while sporting a golden crown. It was the only time Fury moved slowly all night.
He hit pads in the ring as Wilder made his ring walk – just like he did 15 months earlier in Los Angeles – and his start was rapid, with a flurry of hooks prompting cries of “there’s only one Tyson Fury” from the crowd.
Actors Michael J Fox and Jason Statham, as well as Super Bowl winner Patrick Mahomes, watched as Fury raised his hand at the end of the opening three-minute round and things began to feel markedly different to 15 months earlier.
He simply did not take a backward step, forcing Wilder to the ropes and ensuring the champion had no say in the pace of proceedings. And in the third round, those who had paid the kind of ticket prices that made this the highest gate ever in Nevada, rose to their feet at the sight of Wilder floored for just the second time in his career.
A right hand behind Wilder’s ear – the same shot the American had floored Fury with nine rounds into their first fight – did the damage. Wilder then fell again as Fury simply bulldozed him. At the bell, the pair glared at one another and Wilder knew he was in a place no fighter wants to be. The Britons sitting ringside did not want to be anywhere else.
Was the weight Fury had gained shining through? Was it the new training set-up he has adopted since their draw? Whatever it was worked to perfection. He was putting on a boxing clinic and a right-left combination to the body dropped the stunned Wilder once more in the fifth.
Fury was docked a point for punching on the break but he did not seem to care or blink at the punishment, instead continuing to feint and twitch to set shots up before unloading on a man who had started a slight favourite. He led 59-52 59-52 and 58-53 on the cards when the towel came in.
During fight week there had been much debate over where this sits in the pecking order of the greatest nights of heavyweight action. There was little consensus. What we know with certainty is this version of Fury is the best yet. This was a masterclass.
Wilder flounders as Fury reaches the summit (again)
Wilder, the under-appreciated champion of half a decade, knew this was the night he could truly silence doubters. Some 43 fights into an undefeated career his ability was still questioned by many and ridiculed by some.
The right hand that boxing is used to seeing but still struggles to explain never showed up. It was telegraphed time and again and Wilder – who was cut close to his left ear – was out of sorts.
The highest weight of his career may be served up as a reason for his shortcomings but the gulf was huge.
In the five or so years since Wilder won the title, Fury claimed three world belts, lost them without fighting in a haze of drugs, alcohol and depression, and gained the kind of weight that saw many dub his boxing career over.
Now he sits back at the top of the mountain, with a back-story that has lent itself to shaping cult-hero status in the UK and a burgeoning profile Stateside.
He may flippantly say this title means little to him. He may continue to threaten to walk away from boxing in the short term. We can be certain he will lead us all a merry dance until the day it is all over. When it is, this win will be remembered.
There will be talk of a third Wilder fight, talk of a historic all-British scrap with Anthony Joshua and perhaps even the allure of Saudi Arabian money given the country’s power brokers were ringside in Las Vegas.
But the next moves can wait for now as here, on the ruthless Strip where dreams are so often dashed, Fury completed his journey from personal despair to sporting glory.
What a ride it has been. Hopefully he is now better placed to once again live with one of sport’s most sweetest of introductions – heavyweight champion of the world.
Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.
Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.
On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.
Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.
No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.
Chinwe Zoe, a Nigerian gospel singer and songwriter, began recording music in December 2025 after years of singing in church and at home. Less than a year later, she has released three singles, including “Chinwendum”, featuring gospel singer Frank Edwards, “Undeniable” and “Jesus Don Win”, her October 2026 release produced by Masterkraft.
For Zoe, the decision to record was connected to a personal experience that changed how she viewed her life and faith. She has described it as a near-death experience that left her with a renewed sense of gratitude. “In that moment, when I thought it was over, God showed me mercy,” she said. “He gave me victory. And that victory was too loud to keep inside.”
Her debut, “Chinwendum”, was released in December 2025 with Frank Edwards featured on the record. She followed it with “Undeniable” on May 7, 2026. The song’s official video has recorded more than 460,000 views on YouTube. In October, she released “Jesus Don Win”, produced by Masterkraft, with a video directed by Avalon Okpe.
Zoe’s approach to songwriting draws on personal experiences and scripture. She has said that she does not begin the process by searching for a melody, but by waiting for a message that she can develop into a song. She describes a process in which an experience or scripture stays with her until it takes musical form. The melody follows, and she hums it before committing anything to writing.
Her guiding principle is that a gospel song should be accessible to listeners while remaining suitable for congregational worship. “It should be simple enough for a child to sing and strong enough for a choir to carry,” she said.
Zoe has identified CeCe Winans, Nathaniel Bassey and Dunsin Oyekan among the musicians whose work has influenced her. She sings in English and Igbo, and occasionally in Pidgin, drawing on the worship tradition in her musical expression.
“Every song I sing comes from a place I have lived,” she said. “My pain taught me how to worship, my joy taught me how to praise.”
Her music has also begun attracting an online audience. Her YouTube channel has recorded more than 627,000 views across nine videos, while her Spotify monthly listeners have been reported at approximately 6,500. Her Audiomack profile is verified. Zoe records under her own imprint, H2 Records, with distribution through ONErpm. She made her first public performance at the 2026 Annual Virtuous Women Network conference in Enugu, where she performed “Undeniable”.
Outside music, she has spoken about her interest in soul winning and described it as connected to her musical work. She has also said that she wants her songs to encourage listeners facing difficult circumstances. “I want my songs to shift mindsets from worry to worship,” she said. “Whenever anxiety comes, whenever life tries to make you feel small, I want you to hear my sound in your spirit and declare victory over your life.”
Nigerian artist N8TAN is set to unveil his highly anticipated ‘UPRISING EP’, a body of work that chronicles his journey from the streets to the heights of his musical ambition.
Built around themes of struggle, resilience, ambition, survival, and triumph, UPRISING captures the realities of an artist determined to turn adversity into momentum. The project reflects N8TAN’s experiences, the challenges that shaped him, and the relentless drive that continues to push him forward.
More than a collection of songs, UPRISING is presented as a story of transformation—from navigating the streets and confronting uncertainty to finding purpose, embracing growth, and rising toward the top.
With its blend of raw storytelling, infectious energy, and personal perspective, the EP offers listeners an intimate look into N8TAN’s world while reinforcing his determination to carve out his own place in the music industry.
‘UPRISING EP’ is a statement of elevation: a reminder that where you start does not have to determine where you finish.
As N8TAN continues to build his musical identity, UPRISING marks another significant chapter in his journey—and an invitation for listeners to rise with him.
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