News
Premier League: Howard Webb Says Nathan Ake Goal For Man City Should Not Have Stood
“It’s a clear situation of offside,” Webb told Match Officials: Mic’d Up.
This season referees’ body the PGMOL and the Premier League are releasing in-game audio from officials.
“From the outset I think this should have been disallowed. It certainly appears Akanji has an impact on the goalkeeper who seems to hesitate,” added Webb on the first episode of Match Officials: Mic’d Up, shown on Sky Sports and TNT Sports.
Webb also said the video assistant referee (VAR) should have awarded Wolves a late penalty against Manchester United in the two sides’ opening game of the season.
He added that John Brooks’ decision to send off Liverpool’s Virgil van Dijk against Newcastle was correct.
And Alejandro Garnacho’s strike against Arsenal for Manchester United was “rightly disallowed” for offside.
The application of VAR technology has been questioned and criticised by managers, players and pundits throughout the Premier League since its introduction in 2019.
Man City 5-1 Fulham – VAR does not overturn goal (2 September)
What happened?
Manchester City went into a 2-1 lead at home to Fulham after Ake headed the ball into the bottom corner. It narrowly passed Akanji standing in an offside position with Fulham stopper Leno checking his dive. VAR Tony Harrington upheld referee Michael Oliver’s decision of a goal.
What did the officials say?
VAR Harrington: “Checking the goal, checking the goal. He’s [Akanji] definitely in an offside position. Has he made an obvious action to impact on the ability of the goalkeeper? He’s moving out of the way of the ball.”
Assistant VAR Adam Nunn: “In my opinion he makes a full-length save. For me it’s subjective, there’s potential impact on the keeper, but does it clearly impact the keeper? I think the keeper sees the ball the whole way.”
VAR Harrington: “So the keeper sees it, there’s no difference, we’re happy. Check complete?”
AVAR Nunn: “Personally, I’m happy for check complete.”
VAR Harrington: “OK, check complete, check complete.”
Webb’s response:
“These are not always easy to call because you’re trying to get two pieces of information together – is the player offside, and then the consequence of being in that position.
“From the outset I think this should have been disallowed. It certainly appears Akanji has an impact on Leno the goalkeeper who seems to hesitate.
“We think it’s a clear situation of offside, unfortunately it wasn’t identified on the day. This was an error.”
Man Utd 1-0 Wolves – VAR does not overturn no-penalty call (14 August)

What happened?
Deep into second-half injury time the ball is crossed into the Manchester United box and keeper Andre Onana collides with Wolves’ Sasa Kalajdzic in the area. Referee Simon Hooper does not award a penalty and VAR Michael Salisbury upholds his decision.
What did the officials say?
Referee Hooper: “No way, that’s a collision, we don’t give those.”
VAR Salisbury: “So Onana goes to challenge the ball…”
Referee Hooper: “Goal-kick.”
VAR Salisbury: “Just delay. Delay, delay, checking possible penalty.
Referee Hooper: “No worries mate.”
VAR Salisbury: “You’ll want to view this because I think Onana collides into it. He tries to go to the ball and he makes aerial contact with the Wolves player. It’s late and it’s clumsy in my opinion. Dawson wins the header, but it’s late, very late in the aerial challenge.
“I think because the Wolves player doesn’t head the ball, yeah because Dawson heads it, therefore it’s a normal collision as they’ve both challenged the ball. Check complete.”
Referee Hooper: “Check complete.”
Webb’s response:
“I think from the outset I want to say that should have led to an intervention by VAR which should have seen a video review being recommended and the referee should have gone to the screen. I’m confident he would have seen the images we’ve seen and awarded a penalty.
“We see the VAR going through the checking phase while the penalty is not awarded. He starts to go down the road of recommending a review, but then he sort of overthinks it a little bit.
“Sometimes VARs can do that. They’re trying to identify what the game would expect in terms of what is and what isn’t a clear and obvious error. When he sees these two come together we know that sometimes that can happen and it’s not a foul.
“We acknowledged that as an error in the opening week which was of course disappointing. But we’ll try going forward to ensure that type of error doesn’t happen again.”
Newcastle 1-2 Liverpool – VAR upholds Virgil van Dijk sending-off (27 August)

What happened?
Liverpool defender Van Dijk appears to bring down Newcastle forward Alexander Isak on the edge of the box and, as there is no covering defender, referee Brooks sends off the Reds skipper. VAR upholds the decision.
What did the officials say?
VAR Stuart Atwell: “OK, he’s given it on-field. Delay, delay, just checking mate. OK, have you got a good angle on point of contact please?
“OK, there’s a clear foul. Brooksy it’s Stuart, I’m just going to check sanction. Freeze it there.
“OK, so the ball’s going to roll across the front of him, without the challenge the attacker’s got position, he’s moving directly into the penalty area – that’s fine.”
Assistant VAR Constantine Hatzidakis: “Brooksy, just checking a tight offside in the build-up.”
Referee Brooks to Van Dijk: “Listen, you will be sent off unless it’s offside. It’s very, very tight, OK?”
VAR Atwell: “He’s clearly onside mate – confirm upholding decision.”
Referee Brooks to Van Dijk: “Go, go now, yes [there was] no offside.”
Webb’s response:
“We think it’s a good identification of a foul by John Brooks the referee. We see Virgil van Dijk does play the ball, but to get there he clearly kicks through the foot of Alexander Isak.
“It’s not only a free-kick but it also denies Isak an obvious goalscoring opportunity. He has to be sent off in this circumstance and the VAR checks it.”
Audio
YTJ Announces New Single “JO,”

Entertainment Gists
Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?
Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.
The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.
And the big question now is:
Should Josh2Funny continue with music or go back to skits? 😂
Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.


One X user joked:
“Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”
Another simply said:
“This Josh2Funny Album no enter make he just go back skit abeg 😂”
But then came “Lembe.” 🔥
The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.
Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.
And it didn’t stop there.
‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED
On another day, “International” featuring Ice Prince generated its own buzz on X.
One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.
From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.
Whether you love the album or think he should return to skits, one thing is clear:
Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:
Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?
Music or Skits? Drop your answer! 👇
News
Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London


East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.
Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.
Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.
Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.
For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.
By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.
With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.
Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.
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