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Police Tear Gas Main Cause of Indonesia Football Stampede: Report

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A riot police officer fires tear gas inside the Kanjuruhan stadium in Malang, East Java province, Indonesia

Most of the 135 victims caught up in panic and chaos in the stadium died of asphyxiation, Indonesian rights commission finds.

The excessive and indiscriminate use of tear gas by police was the main cause of a deadly crush at a football stadium in East Java last month that left 135 people dead, Indonesia’s human rights commission has found.

Officials from the commission (Komnas HAM) released findings on Wednesday of their inquiry into the October 1 tragedy at Kanjuruhan stadium in East Java’s Malang city after the defeat of the home side Arema FC to Persebaya Surabaya.

Komnas HAM Commissioner Beka Ulung Hapsara told a news conference that an estimated 45 tear gas rounds were fired inside the stadium, local media organisation Tempo reported, causing panic and chaos, with people dying in the crush.

“There needs to be legal responsibility,” Komnas HAM chairperson Ahmad Taufan Damanik said.

The commissioners specified several violations of human rights in what was one of the world’s worst stadium disasters, including the excessive use of force by police and violation of children’s rights as there were 38 minors among the dead.

The rights body concluded that organisers had favoured commercial interests over safety standards despite warnings from Malang police the match was high risk because of a fierce rivalry between fans of the two participating clubs.

In its list of recommendations, Komnas HAM urged Indonesian President Joko Widodo to form an independent team to audit all stadiums across the country to ensure adherence to FIFA regulations.

If no improvements were made in three months, football matches in the country should be suspended, the commissioners said.

The Komnas HAM report echoed similar conclusions made last month by a government fact-finding team, which found multiple factors including the excessive use of tear gas by police, locked gates, spectators that exceeded the stadium’s capacity, and failure to properly implement safety procedures.

Indonesian authorities and the Indonesian football association (PSSI) have faced questions and criticism in recent weeks over the use by police of tear gas within the stadium, a crowd control measure banned by world football’s governing body FIFA.

Officials concluded in a report published last month that the leading cause behind the incident was the police’s use of tear gas in the stadium. The clouds of choking gas triggered chaos, as panicked spectators rushed to exit gates, which several witnesses told Al Jazeera were either locked or blocked by police.

President Widodo said last month that his government will demolish and rebuild the football stadium where the fans and spectators died.

SOURCE: AL JAZEERA AND NEWS AGENCIES

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Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London

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East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.

Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.

Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.

Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.

For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.

By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.

 

With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.

Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.

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Afrocentric Music Festival Invites 1,000 Music Artists!

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Are you a rising African artist ready to take your career to the next level? Showcase your talent on a massive stage at the AFROCENTRIC Music Festival in Abuja, running from November 7–18, 2026! Presented by NICOCUSA’s AFROCENTRIC Cultural Expo, this premier platform is inviting 1,000 up-and-coming artists to perform live before tens of thousands of music lovers, industry insiders, and energetic fans. Don’t miss this life-changing opportunity to launch your music career on a global stage—slots are limited, so visit afrocentricculturalexpo.com to register today, and follow us on social media for live updates!

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KenryWhite Releases “Kilometers” & “The King” A Powerful Double Release Celebrating Faith, Purpose, and the Journey to Greatness

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Nigerian Afrofusion artist KenryWhite unveils his compelling two-track release, “Kilometers & The King,” a project that explores the realities of life’s journey while affirming identity, faith, and purpose.

Leading the release is “Kilometers,” an uplifting anthem that reflects on the distance between dreams and fulfillment. Through heartfelt lyrics, captivating melodies, and vibrant Afrobeats production, KenryWhite encourages listeners to embrace the process, remain resilient, and keep moving forward despite life’s challenges.

Complementing the project is “The King,” featuring Wonder J. The record is a bold declaration of confidence, royalty, and divine purpose, blending infectious Afrobeats rhythms with inspiring lyricism. Together, the duo delivers a record that celebrates self-belief, leadership, and the mindset required to overcome every obstacle.

With rich storytelling, memorable melodies, and contemporary African sounds, “Kilometers & The King” showcases KenryWhite’s artistic growth while delivering music that inspires, motivates, and connects with audiences across the globe.

Now available on all major streaming platforms, “Kilometers & The King” invites listeners to embrace the journey, recognize their worth, and walk confidently into their purpose.

 

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