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Some fan made it back on to the Old Trafford pitch for a second time

Manchester United’s game against Liverpool has been postponed after about 200 fans broke into Old Trafford to protest against the Glazer family’s ownership of the club.

The fixture was scheduled to kick off at 16:30 BST on Sunday.

“This is a collective decision from the police, both clubs, the Premier League and local authorities,” said the Premier League.

Talks will now take place about re-arranging the game.

Fans had gathered outside the ground and scores of green and gold flares – the colours of United’s first shirts when they were Newton Heath, and of the original anti-Glazer protests in 2010 – were set off at 14:00.

The protests follow United’s decision, along with five fellow Premier League clubs, to join the European Super League (ESL) last month, before they subsequently all pulled out.

Supporters are currently not allowed into grounds because of the coronavirus pandemic but United fans got on to the Old Trafford pitch to protest and, even though they were removed, some then made it back on to the grass later on.

“The security and safety of everyone at Old Trafford remains of paramount importance,” added the Premier League.

“We understand and respect the strength of feeling but condemn all acts of violence, criminal damage and trespass, especially given the associated Covid-19 breaches.

“We sympathise with the police and stewards who had to deal with a dangerous situation that should have no place in football.”

Both clubs had submitted their team line-ups for the fixture but neither had left their hotels to go to the ground.

“Our fans are passionate about Manchester United, and we completely acknowledge the right to free expression and peaceful protest,” said United.

“However, we regret the disruption to the team and actions which put other fans, staff, and the police in danger.

“We thank the police for their support and will assist them in any subsequent investigations.”

Liverpool, who were also involved in the failed attempt to join the ESL, said they were in “full agreement” to postpone the game.

“It is our position that public safety must be the number one factor in any such decision, with the ability to provide a secure environment for the participants, staff and officials being a particular priority,” said the Anfield club.

“It was clearly not possible for this to be guaranteed due to a situation which escalated rapidly.”

Entertainment Gists

Druppythekid Set to release New Two-Track Pack

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Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.

Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.

On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.

Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.

No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.

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Entertainment Gists

Who Is Chinwe Zoe? The Nigerian Gospel Singer Behind “Undeniable

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Chinwe Zoe, a Nigerian gospel singer and songwriter, began recording music in December 2025 after years of singing in church and at home. Less than a year later, she has released three singles, including “Chinwendum”, featuring gospel singer Frank Edwards, “Undeniable” and “Jesus Don Win”, her October 2026 release produced by Masterkraft.

For Zoe, the decision to record was connected to a personal experience that changed how she viewed her life and faith. She has described it as a near-death experience that left her with a renewed sense of gratitude. “In that moment, when I thought it was over, God showed me mercy,” she said. “He gave me victory. And that victory was too loud to keep inside.”

Her debut, “Chinwendum”, was released in December 2025 with Frank Edwards featured on the record. She followed it with “Undeniable” on May 7, 2026. The song’s official video has recorded more than 460,000 views on YouTube. In October, she released “Jesus Don Win”, produced by Masterkraft, with a video directed by Avalon Okpe.

Zoe’s approach to songwriting draws on personal experiences and scripture. She has said that she does not begin the process by searching for a melody, but by waiting for a message that she can develop into a song. She describes a process in which an experience or scripture stays with her until it takes musical form. The melody follows, and she hums it before committing anything to writing.

Her guiding principle is that a gospel song should be accessible to listeners while remaining suitable for congregational worship. “It should be simple enough for a child to sing and strong enough for a choir to carry,” she said.

Zoe has identified CeCe Winans, Nathaniel Bassey and Dunsin Oyekan among the musicians whose work has influenced her. She sings in English and Igbo, and occasionally in Pidgin, drawing on the worship tradition in her musical expression.

“Every song I sing comes from a place I have lived,” she said. “My pain taught me how to worship, my joy taught me how to praise.”

Her music has also begun attracting an online audience. Her YouTube channel has recorded more than 627,000 views across nine videos, while her Spotify monthly listeners have been reported at approximately 6,500. Her Audiomack profile is verified. Zoe records under her own imprint, H2 Records, with distribution through ONErpm. She made her first public performance at the 2026 Annual Virtuous Women Network conference in Enugu, where she performed “Undeniable”.

Outside music, she has spoken about her interest in soul winning and described it as connected to her musical work. She has also said that she wants her songs to encourage listeners facing difficult circumstances. “I want my songs to shift mindsets from worry to worship,” she said. “Whenever anxiety comes, whenever life tries to make you feel small, I want you to hear my sound in your spirit and declare victory over your life.”

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N8TAN Announces ‘UPRISING EP’ — A Story of Rising From the Streets to the Top

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Nigerian artist N8TAN is set to unveil his highly anticipated ‘UPRISING EP’, a body of work that chronicles his journey from the streets to the heights of his musical ambition.

Built around themes of struggle, resilience, ambition, survival, and triumph, UPRISING captures the realities of an artist determined to turn adversity into momentum. The project reflects N8TAN’s experiences, the challenges that shaped him, and the relentless drive that continues to push him forward.

More than a collection of songs, UPRISING is presented as a story of transformation—from navigating the streets and confronting uncertainty to finding purpose, embracing growth, and rising toward the top.

With its blend of raw storytelling, infectious energy, and personal perspective, the EP offers listeners an intimate look into N8TAN’s world while reinforcing his determination to carve out his own place in the music industry.

‘UPRISING EP’ is a statement of elevation: a reminder that where you start does not have to determine where you finish.

As N8TAN continues to build his musical identity, UPRISING marks another significant chapter in his journey—and an invitation for listeners to rise with him.

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