Entertainment Gists
Jorginho Penalty Earns Chelsea Draw With Man Utd
Manchester United prepared for the arrival of interim manager Ralf Rangnick by earning a battling point against Premier League leaders Chelsea at Stamford Bridge.
United, under the caretaker charge of Michael Carrick with Rangnick’s appointment expected to be confirmed imminently, kept Cristiano Ronaldo on the bench and mounted a largely rearguard action until Jadon Sancho hit Chelsea on the break five minutes after half-time.
Sancho pounced on poor control from Jorginho to race clear and beat Edouard Mendy with a composed finish after the hosts had dominated possession.
Chelsea were stung into action and Jorginho made amends for his error when he equalised from the spot in the 69th minute after Aaron Wan-Bissaka fouled Thiago Silva.
United survived in relative comfort apart from a big late chance for Antonio Rudiger and will regard this as a welcome point in tough territory after a succession of Premier League horror shows led to Ole Gunnar Solskjaer’s sacking.
Carrick can be satisfied
Carrick went with solidity for his first Premier League team selection after United’s recent maulings by Leicester City, Liverpool, Manchester City and – finally for Solskjaer – Watford.
He bolstered midfield by utilising Fred, Scott McTominay and Nemanja Matic to hold Chelsea at bay and, while David de Gea was busy in the first half, there was never a feeling of siege as United dug deep to come away with a point.
The big call was keeping Ronaldo on the bench. He was introduced in the 64th minute with United leading 1-0, but had minimal impact and was straight off down the tunnel when the final whistle sounded.
Asked if Rangnick had played a part in Ronaldo being on the bench, Carrick replied: “No, that’s not the case.”
United at least showed the determination and resilience that had so often been glaringly absent in the dying embers of Solskjaer’s reign although there was very little attacking intent or quality apart from the great composure shown by Sancho for his second successive goal.
It will do him the world of good as he seeks to establish himself following his £73m summer move from Borussia Dortmund.
As for Carrick, if this is his final game in charge before Rangnick comes to Old Trafford, he can be well satisfied with his brief stint at the helm, winning against Villarreal in the Champions League and getting a share of the spoils here against a Chelsea side who have looked increasingly formidable in recent weeks.
It is a platform of sorts for Rangnick to begin his work and United will hope to continue their recovery against Arsenal at Old Trafford on Thursday.
On the equalising goal, Carrick said: “I don’t think it was a penalty at all. They have had a lot of shots. David had two saves, which we knew before the game he would have to make one or two. Other than that I have felt quite comfortable in the game.
“To come away disappointed and to feel like you have left something out there is a positive.”
Chelsea suffer frustration
Rudiger summed up Chelsea’s disappointment as he slumped to the turf at the final whistle knowing he could have been the match-winner.
The German defender saw a thunderous shot touched on to the crossbar by De Gea in the first half, but the big opportunity came with virtually the last kick of the game. He was unmarked at the far post to meet Christian Pulisic’s cross but took the instant volley and lashed his finish high over the top.
Manager Thomas Tuchel was equally agonised as he will know Chelsea did not take advantage of their overwhelming domination in parts of a game where they had 24 attempts on goal compared to United’s three.
Chelsea’s work was too hurried as they chased the winner although they were also frustrated by a United defence without suspended captain Harry Maguire.
Timo Werner is still too wayward, sending a very presentable chance well wide in the second half, but at least they have Romelu Lukaku fit again and Pulisic looked a lively threat when he came on.
This, in some ways, resembled many of Chelsea’s performances last season when they were superior, but never made the most of that advantage. Tuchel will certainly feel his side let United off the hook.
The Blues remain top but in what looks like it will be a tight title race between Tuchel’s side, Manchester City and Liverpool, they will regard this as two points dropped.
“It’s hard to imagine this as a match where you can lose or drop points, because we were the better team who set the rhythm and intensity.
“We’re disappointed but we have no regrets, this can happen in football. I just told the team I’m happy with our performance and the way we played.”
Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.
Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.
On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.
Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.
No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.
Chinwe Zoe, a Nigerian gospel singer and songwriter, began recording music in December 2025 after years of singing in church and at home. Less than a year later, she has released three singles, including “Chinwendum”, featuring gospel singer Frank Edwards, “Undeniable” and “Jesus Don Win”, her October 2026 release produced by Masterkraft.
For Zoe, the decision to record was connected to a personal experience that changed how she viewed her life and faith. She has described it as a near-death experience that left her with a renewed sense of gratitude. “In that moment, when I thought it was over, God showed me mercy,” she said. “He gave me victory. And that victory was too loud to keep inside.”
Her debut, “Chinwendum”, was released in December 2025 with Frank Edwards featured on the record. She followed it with “Undeniable” on May 7, 2026. The song’s official video has recorded more than 460,000 views on YouTube. In October, she released “Jesus Don Win”, produced by Masterkraft, with a video directed by Avalon Okpe.
Zoe’s approach to songwriting draws on personal experiences and scripture. She has said that she does not begin the process by searching for a melody, but by waiting for a message that she can develop into a song. She describes a process in which an experience or scripture stays with her until it takes musical form. The melody follows, and she hums it before committing anything to writing.
Her guiding principle is that a gospel song should be accessible to listeners while remaining suitable for congregational worship. “It should be simple enough for a child to sing and strong enough for a choir to carry,” she said.
Zoe has identified CeCe Winans, Nathaniel Bassey and Dunsin Oyekan among the musicians whose work has influenced her. She sings in English and Igbo, and occasionally in Pidgin, drawing on the worship tradition in her musical expression.
“Every song I sing comes from a place I have lived,” she said. “My pain taught me how to worship, my joy taught me how to praise.”
Her music has also begun attracting an online audience. Her YouTube channel has recorded more than 627,000 views across nine videos, while her Spotify monthly listeners have been reported at approximately 6,500. Her Audiomack profile is verified. Zoe records under her own imprint, H2 Records, with distribution through ONErpm. She made her first public performance at the 2026 Annual Virtuous Women Network conference in Enugu, where she performed “Undeniable”.
Outside music, she has spoken about her interest in soul winning and described it as connected to her musical work. She has also said that she wants her songs to encourage listeners facing difficult circumstances. “I want my songs to shift mindsets from worry to worship,” she said. “Whenever anxiety comes, whenever life tries to make you feel small, I want you to hear my sound in your spirit and declare victory over your life.”
Nigerian artist N8TAN is set to unveil his highly anticipated ‘UPRISING EP’, a body of work that chronicles his journey from the streets to the heights of his musical ambition.
Built around themes of struggle, resilience, ambition, survival, and triumph, UPRISING captures the realities of an artist determined to turn adversity into momentum. The project reflects N8TAN’s experiences, the challenges that shaped him, and the relentless drive that continues to push him forward.
More than a collection of songs, UPRISING is presented as a story of transformation—from navigating the streets and confronting uncertainty to finding purpose, embracing growth, and rising toward the top.
With its blend of raw storytelling, infectious energy, and personal perspective, the EP offers listeners an intimate look into N8TAN’s world while reinforcing his determination to carve out his own place in the music industry.
‘UPRISING EP’ is a statement of elevation: a reminder that where you start does not have to determine where you finish.
As N8TAN continues to build his musical identity, UPRISING marks another significant chapter in his journey—and an invitation for listeners to rise with him.
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