Manchester United failed to build on their opening day demolition of Leeds United as Southampton earned a fully-deserved draw at St Mary’s.
Ole Gunnar Solskjaer’s side looked full of attacking menace and threat in that 5-1 win over Leeds, but here they were a pale shadow of that performance as Saints earned their first point of the campaign and even threatened to grab the victory.
Southampton saw off United’s bright start to flourish and take the lead on the half hour when Che Adams’ shot deflected off Fred beyond keeper David de Gea.
United looked to be on the charge when Mason Greenwood’s shot squirmed under Southampton keeper Alex McCarthy 10 minutes after the break – Solskjaer then moving to punish Saints further by sending on £73m man Jadon Sancho for the disappointing Anthony Martial.
Instead, it was Southampton who created the best opportunity to take all three points as De Gea saved crucially from Adam Armstrong when he looked to poised to score.
United boss Solskjaer will be disappointed with both the performance and the result but this was no more than Southampton deserved as they bounced back impressively from defeat at Everton in their first game.
Man Utd fall well short
Manchester United opened brightly and had a threatening spell after equalising but otherwise this was an average performance from a side harbouring genuine Premier League title ambitions.
United grew increasingly sloppy as the game went on, the occasional moments of sparkle from Paul Pogba failing to compensate for the complete lack of inspiration around him.
Martial contributed little or nothing and it was no surprise when was replaced by Sancho, who was quiet as Southampton regained composure and a measure of control after Greenwood’s leveller.
Nemanja Matic was ponderous and off the pace while Fred’s main contribution was to unwittingly deflect Adams’ shot agonisingly out of the reach of De Gea when Saints went in front.
Who knows what goes on behind the scenes but those two performances pose the question of what Donny van de Beek must lack in Solskjaer’s eyes to seemingly not even merit serious consideration for a place in United’s engine room?
Scott McTominay was left on the bench until late on but when he came on the pattern of the game was set.
It is very early days and United were superb when thrashing Leeds United but this was the sort of careless, lacklustre display they cannot afford to repeat too often in a season that already looks like it will offer little margin for error for those chasing honours at the top of the table.
Saints show their mettle
Southampton’s week brightened up considerably after that opening-day 3-1 loss at Everton when James Ward-Prowse, their most influential player, committed his future to the club by signing a new five-year contract.
And spirits will have been lifted even further by the manner in which they earned a point against big-spending United that was richly merited.
Saints were on the back foot amid United’s early surge but held firm to take the lead and then, when United drew level and appeared to be carrying all the momentum, they showed the character and resilience to recover from the setback to push United all the way and threaten to take all three points.
Armstrong, their £15m summer signing from Blackburn Rovers, will be disappointed he did not take the big chance to take all three points when he was played through by Adams, De Gea diving low to his left to rescue United.
The striker then had the chance to make amends from the resulting corner but could not force home a header at the far post.
Southampton and manager Ralph Hasenhuttl, who greeted the final whistle with a fist-pump salute, will be very satisfied with the outcome and the performance and he look to have captured a real gem in 18-year-old right-back Valentino Livramento, signed from Chelsea for £5m.
The youngster was outstanding, both in the physical challenges in defence and also as an attacking threat, with one storming first-half run ending with a cross that was only inches away from the incoming Armstrong.
Saints may feel they could have had all three points but this was a game which gave Hasenhuttl plenty to build on.
RUAN-Badkid.96 is a Nigerian recording artist whose music refuses to live inside a single genre. Blending Afrobeat, Afrofusion, trap, hip-hop, melodic rap, R&B, and global influences, he creates records that move effortlessly between raw street energy, soulful storytelling, and infectious melodies. Whether delivering hard-hitting bars, emotional love songs, or rhythm-driven African records, his sound is defined by authenticity rather than limitation.
Inspired by both African culture and international music, RUAN-Badkid.96 embraces the confidence and ambition of global hip-hop while staying deeply connected to his roots. His lyrics explore love, heartbreak, betrayal, friendship, social injustice, hope, and the everyday realities of life. He doesn’t create music to follow trends, he creates music to reflect truth, emotion, and human experience.
Behind his fearless image is an artist who believes in kindness, equality, justice, and genuine human connection. His appearance may be intimidating, but his message is rooted in compassion and authenticity. Every record carries a piece of his journey, proving that strength and vulnerability can exist in the same voice.
For RUAN-Badkid.96, music is more than entertainment, it’s a language, a testimony, and a lifelong mission to connect with people through honesty, versatility, and unforgettable sound.
Entertainment Gists
Meet the Man Who Turned Hype Into a Science: Emmy Blaq, Nigeria’s G.O.A.T. of Hype
If you have ever been at a Nigerian event and found yourself on your feet before the main act even stepped on stage, there is a good chance a hype man was responsible. But not just any hype man. Emmy Blaq, born Ikechukwu Emmanuel Chima and raised in Auchi, Edo State, has spent the last few years quietly becoming the most talked-about name in that profession, and the Nigerian press has taken notice. Punch, Vanguard, The Guardian Nigeria, The Nation, and Independent Newspaper have all sat down with him, and every conversation leads back to the same thing: this man does not just make noise; he makes moments.
What makes Emmy Blaq different is the journey behind the energy. Before the stages, the collaborations with Waje on her “Waje 2.0” album, DJ Consequence, and DJ Kaywise on the massively streamed “Joor Party Mix” series, he was repairing generators, cutting hair, and sewing clothes in Auchi. His first professional hype gig happened at a local fast food spot called Valchi, and the crowd response that night changed everything. He told The Nation directly: “My passion for entertainment and desire to make people happy led me into the craft.” Punch also captured his bigger mission when he said that hype men deserve more than what they currently earn, a statement that sparked a real conversation across Nigerian entertainment circles.
With over 1.7 million TikTok followers, 23.6 million TikTok likes, a viral “Wife Material” challenge that landed on Pulse Nigeria’s top ten social media moments of 2021, and an international performance at the Cameroon International Music Festival that Cameroonian media described as electrifying, Emmy Blaq is not building toward something. He is already there. The G.O.A.T. of Hype is not a title he gave himself and hoped would stick. It is one the rooms keep confirming every single time he grabs the mic.
MANAGER PROFILE
Uncle Wisdom is a Lagos-based music executive and visionary leader known for blending structure, strategy, and creativity in artist management. With a background in Mathematics and Statistics from UNICROSS formerly, Cross River University Of Technology. He brings analytical precision into talent development, positioning artists for both creative excellence and commercial success.
CAREER JOURNEY
Began his career in 2017 as an event coordinator for Eksu Olofofo, where he gained foundational experience in live events and audience engagement. By 2018, he transitioned into full-time artist management, driven by a clear goal to build a more structured and results-oriented system within the music industry.
In 2019, Started working as a road manager for Barry Jhay, gaining hands-on experience in touring, logistics, and artist operations, a refined career and mental awareness coach . He was also instrumental behind Barry Jhay’s 2025 sold-out homecoming concert, a key moment that fueled momentum for a successful UK tour, including sold-out shows in London and Birmingham.
PHLOX MGMT
Founded from the ground up, Phlox Mgmt is a forward-thinking management company focused on Career coaching, A&R, artist development, and strategic positioning. The company is built on a clear philosophy:
Develop the sound. Define the brand. Position the artist to win.
Phlox Mgmt has connections with @Roadgod_of Roadgod Agency and connects artists with top-tier producers, engineers, and creatives, ensuring a refined sound and strong market presence. The company continues to grow as a trusted platform for emerging and established talent.
INDUSTRY NETWORK & COLLABORATIONS
Uncle Wisdom has built valuable relationships across the industry, working with and alongside talents such as:
Barry Jhay • Asake • Ceeza Milli • Berri Tiga • Laime • Spellz • and many others
LEADERSHIP APPROACH
John Wisdom operates with a long-term vision, focusing on structure, consistency, and execution. His approach goes beyond traditional management he builds systems around artists that support sustainable growth, strong branding, and global competitiveness.
CONTACT & SOCIALS
Instagram & X: @Johnwisdm @phlox_mgmt
TikTok: @unclewisdom7
Email: phloxentertainment@gmail.com
Phone: 08038448478 | 09015668027
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