Roger Federer has withdrawn from the French Open to protect his body despite reaching the fourth round.
The 20-time Grand Slam champion took the decision the day after a gruelling third-round win over Dominik Koepfer.
“After two knee surgeries and over a year of rehabilitation it’s important that I listen to my body and make sure I don’t push myself too quickly on my road to recovery,” Federer, 39, said.
He had been due to face Italian ninth seed Matteo Berrettini on Monday.
“After discussions with my team, I’ve decided I will need to pull out of Roland-Garros today,” Federer said in a statement released by French Open organisers.
“I am thrilled to have gotten three matches under my belt. There is no greater feeling than being back on court.”
Federer, who won the French Open in 2009, had two knee surgeries last year and had played only three matches in 16 months before arriving in Paris.
He has made no secret that his priority for this year is Wimbledon, which starts on 28 June.
Saturday’s match against Koepfer was a lengthy encounter that finished at 00:43 local time and Federer occasionally looked uncomfortable, lacking fluency in a 7-6 (7-5) 6-7 (3-7) 7-6 (7-4) 7-5 victory.
He had already suggested straight after the match that a withdrawal could be on the cards if he felt there would be too much risk to his knee.
‘Sensible decision’ by Federer – Murray
Federer’s decision was supported by former world number one and three-time Grand Slam winner Andy Murray.
Replying to a Twitter user who claimed Federer’s withdrawal was “disrespectful” to the rest of the draw, the Briton said: “In basketball, football etc…players are given reduced minutes to build up their fitness.
“In tennis you don’t have that luxury of just playing a set in [your] first match then two sets the next and building up that way.
“To me it makes sense to be reactive based on how your body feels, length of matches etc. Sensible decision from him.”
Before heading to Paris this year, Federer was open about his aims – playing here was about gathering match practice to get himself in the best condition for the grass-court season, and most importantly Wimbledon.
That Grand Slam offers Federer his best chance to add to his 20 major singles titles, with his game perfectly suited to the surface and with him perhaps harbouring a sense of unfinished business after falling agonisingly short of a ninth title there in 2019 when he failed to convert two championship points against Novak Djokovic.
World number two Daniil Medvedev backed Federer’s chances at the All England Club.
“We all know that a Grand Slam is still a goal for him. I think Wimbledon always is even when he will be 50 years old,” the Russian said.
“It’s a great chance for him. He wants to do his best to prepare.”
Was this Federer’s last French Open?
The Swiss, who turns 40 in August, had not played many times at Roland Garros in recent years, sitting out three successive editions from 2016 because of injury and a wish to manage his workload.
He returned in 2019, reaching the semi-finals, but missed last year’s tournament while recovering from knee surgery.
Federer has given no clue as to whether this will be his final Roland Garros appearance – and he could yet be tempted to say ‘goodbye’ properly after his third-round match was played in front of empty stands late at night.
The stadium was eerily quiet because of a curfew relating to coronavirus restrictions and for a player used to being watched by packed courts while winning the sport’s biggest prizes, this did not feel like an appropriate Paris farewell.
RUAN-Badkid.96 is a Nigerian recording artist whose music refuses to live inside a single genre. Blending Afrobeat, Afrofusion, trap, hip-hop, melodic rap, R&B, and global influences, he creates records that move effortlessly between raw street energy, soulful storytelling, and infectious melodies. Whether delivering hard-hitting bars, emotional love songs, or rhythm-driven African records, his sound is defined by authenticity rather than limitation.
Inspired by both African culture and international music, RUAN-Badkid.96 embraces the confidence and ambition of global hip-hop while staying deeply connected to his roots. His lyrics explore love, heartbreak, betrayal, friendship, social injustice, hope, and the everyday realities of life. He doesn’t create music to follow trends, he creates music to reflect truth, emotion, and human experience.
Behind his fearless image is an artist who believes in kindness, equality, justice, and genuine human connection. His appearance may be intimidating, but his message is rooted in compassion and authenticity. Every record carries a piece of his journey, proving that strength and vulnerability can exist in the same voice.
For RUAN-Badkid.96, music is more than entertainment, it’s a language, a testimony, and a lifelong mission to connect with people through honesty, versatility, and unforgettable sound.
Entertainment Gists
Meet the Man Who Turned Hype Into a Science: Emmy Blaq, Nigeria’s G.O.A.T. of Hype
If you have ever been at a Nigerian event and found yourself on your feet before the main act even stepped on stage, there is a good chance a hype man was responsible. But not just any hype man. Emmy Blaq, born Ikechukwu Emmanuel Chima and raised in Auchi, Edo State, has spent the last few years quietly becoming the most talked-about name in that profession, and the Nigerian press has taken notice. Punch, Vanguard, The Guardian Nigeria, The Nation, and Independent Newspaper have all sat down with him, and every conversation leads back to the same thing: this man does not just make noise; he makes moments.
What makes Emmy Blaq different is the journey behind the energy. Before the stages, the collaborations with Waje on her “Waje 2.0” album, DJ Consequence, and DJ Kaywise on the massively streamed “Joor Party Mix” series, he was repairing generators, cutting hair, and sewing clothes in Auchi. His first professional hype gig happened at a local fast food spot called Valchi, and the crowd response that night changed everything. He told The Nation directly: “My passion for entertainment and desire to make people happy led me into the craft.” Punch also captured his bigger mission when he said that hype men deserve more than what they currently earn, a statement that sparked a real conversation across Nigerian entertainment circles.
With over 1.7 million TikTok followers, 23.6 million TikTok likes, a viral “Wife Material” challenge that landed on Pulse Nigeria’s top ten social media moments of 2021, and an international performance at the Cameroon International Music Festival that Cameroonian media described as electrifying, Emmy Blaq is not building toward something. He is already there. The G.O.A.T. of Hype is not a title he gave himself and hoped would stick. It is one the rooms keep confirming every single time he grabs the mic.
MANAGER PROFILE
Uncle Wisdom is a Lagos-based music executive and visionary leader known for blending structure, strategy, and creativity in artist management. With a background in Mathematics and Statistics from UNICROSS formerly, Cross River University Of Technology. He brings analytical precision into talent development, positioning artists for both creative excellence and commercial success.
CAREER JOURNEY
Began his career in 2017 as an event coordinator for Eksu Olofofo, where he gained foundational experience in live events and audience engagement. By 2018, he transitioned into full-time artist management, driven by a clear goal to build a more structured and results-oriented system within the music industry.
In 2019, Started working as a road manager for Barry Jhay, gaining hands-on experience in touring, logistics, and artist operations, a refined career and mental awareness coach . He was also instrumental behind Barry Jhay’s 2025 sold-out homecoming concert, a key moment that fueled momentum for a successful UK tour, including sold-out shows in London and Birmingham.
PHLOX MGMT
Founded from the ground up, Phlox Mgmt is a forward-thinking management company focused on Career coaching, A&R, artist development, and strategic positioning. The company is built on a clear philosophy:
Develop the sound. Define the brand. Position the artist to win.
Phlox Mgmt has connections with @Roadgod_of Roadgod Agency and connects artists with top-tier producers, engineers, and creatives, ensuring a refined sound and strong market presence. The company continues to grow as a trusted platform for emerging and established talent.
INDUSTRY NETWORK & COLLABORATIONS
Uncle Wisdom has built valuable relationships across the industry, working with and alongside talents such as:
Barry Jhay • Asake • Ceeza Milli • Berri Tiga • Laime • Spellz • and many others
LEADERSHIP APPROACH
John Wisdom operates with a long-term vision, focusing on structure, consistency, and execution. His approach goes beyond traditional management he builds systems around artists that support sustainable growth, strong branding, and global competitiveness.
CONTACT & SOCIALS
Instagram & X: @Johnwisdm @phlox_mgmt
TikTok: @unclewisdom7
Email: phloxentertainment@gmail.com
Phone: 08038448478 | 09015668027
-
Audio10 years agoPage – Day Break Everywhere Burst
-
Audio5 years agoShadykarz – Forever
-
Audio10 years agoJuniorboy ft. 9ice – IRAPADA
-
Entertainment Gists5 years agoEx-Beauty Queen, Sandra Benede Shares Sexy Photo
-
Audio5 years agoSimi – Happy Birthday ft. Adekunle Gold, DeJa
-
Audio5 years agoRuger – Bounce
-
Mixtapes4 years agoMixtape: DJ DimpleNipple – The Best Of Amapiano Thrills
-
Editorials3 years agoSa’eedah Imam On Creating Her Imprint In The Nigerian Music Industry As An Emerging Creative Writer