Entertainment Gists
Firmino Hat-trick And Another Salah Stunner As Liverpool Spoil Ranieri’s Watford Bow
Roberto Firmino scored a hat-trick as rampant Liverpool condemned Claudio Ranieri to a miserable start to life as Watford manager in a one-sided game at Vicarage Road.
The home side had no answer to Liverpool’s fluid attacking play.
Sadio Mane became the third African player to score 100 Premier League goals before Roberto Firmino struck either side of the break and Mohamed Salah finished a brilliant individual goal with a smart shot beyond Ben Foster.
Salah’s goal takes him level with former Chelsea striker Didier Drogba as the highest-scoring African player in Premier League history with 104 goals.
Firmino completed the scoring in the final minute for his first hat-trick since December 2018.
The result means Liverpool have scored three goals or more in all six away games in all competitions so far this season, something no other English top-flight side has ever managed. It also extended their unbeaten start to the season and keeps them second in the Premier League table.
It could easily have been more but a combination of bad luck and – from Salah – a terrible mis-control cost them further opportunities.
Watford did not manage a corner until the 78th minute. That it was greeted with huge cheers and a standing ovation just about summed up Ranieri’s day.
Ranieri’s task laid bare
Watford is Ranieri’s 22nd different job in his long and varied coaching career. Rarely can he have endured a start as sobering as this.
It was Watford’s heaviest Premier League defeat since their eight-goal hammering by Manchester City in September 2019 and their biggest at home since the same opponents scored six here two years before that. There was certainly nothing to trigger a celebration before his 70th birthday on Thursday.
The dimensions of Vicarage Road mean the edge of the managers’ technical areas are about as close as it is possible to get to the side of the pitch.
It meant that Ranieri was almost on top of the action as the size of his task was laid bare.
A long pre-match chat with Liverpool counterpart Jurgen Klopp was about as good as it got for the Italian.
The hosts simply did not get near enough to their talented opponents. Salah was given far too much space by Danny Rose even before he created the opener. Firmino was allowed to drop into the space between Watford’s defence and midfield without anyone tracking his movements and Liverpool stroked the ball about at will further back, with no press to hurry them up.
With a paltry 17% possession, no shots, no corners and, obviously, no goals, the first half was a non-event for Ranieri and his new team. And if he hoped the introduction of Tom Cleverley into midfield for the second period would improve matters, he was sadly mistaken as Liverpool scored twice within 10 minutes of the restart.
Watford did rally towards the end, with Ismaila Sarr striking a post, although by then any chance of turning the game into a contest was long gone.
If there was a consolation for Ranieri, it is that there should be no dissenters if he wants to make significant changes during his first full week working with his new team.
However, with a fixture list that includes Everton, Arsenal, Chelsea and both Manchester clubs among Watford’s next seven opponents, Ranieri needs a plan if his club’s famously trigger-happy owners are not to be considering whether to axe yet another manager.
Rampant Reds show their quality
This was Liverpool’s biggest win since the 7-0 hammering of Crystal Palace last December, which was also the last time Firmino, Salah and Mane all scored in a top-flight game.
In joining Egypt’s Salah and Ivorian Didier Drogba as African goalscoring centurions, Senegalese Mane is part of a pretty exclusive Premier League club.
Salah’s curling pass with the outside of his left foot could not have been any more inviting and Mane showed superb composure to meet the ball with perfect timing and give Foster no chance.
Firmino’s three were welcome – but they were also all pretty straightforward. The first two were tap-ins thanks to James Milner’s low cross into the six-yard area and the ball running loose from a desperate Ben Foster save after Craig Cathcart had turned the ball towards his own goal.
There was a bit more to the Brazilian’s third as he ran forward with intelligence, something no defender countered, after Neco Williams had crossed.
But there was no doubting Salah’s was the goal of the game.
Surrounded by three players on the edge of the Watford box, through a combination of speed, dexterity and brilliant close control, Salah got rid of them all before finding the target with his usual unerring accuracy.
It means he has now scored in eight successive matches in all competitions and in nine out of 10 in total, underlining why Liverpool are so keen for him to sign an extension to his current contract, which has less than two years to run.
Watford are next in action against Everton at Goodison Park on Saturday, 23 October (15:00 BST). Liverpool are at Atletico Madrid in the Champions League on Tuesday (20:00). Their next Premier League game is at Manchester United on Sunday, 24 October (16:30).
Entertainment Gists
PZEELEE__VIBEZ BIOGRAPHY: The Journey, Influences and Creative Evolution of a Nigerian Afrofusion Artiste

From his roots in Ilesa, Osun State, to his growing presence in Nigeria’s contemporary music landscape, Fowowe Paul Akinbobola is building an artistic identity shaped by cultural heritage, musical diversity and creative exploration.
The Nigerian music industry continues to witness the emergence of a new generation of creative talents exploring different sounds, musical identities and approaches to storytelling. Among the artistes gradually establishing their presence within this evolving landscape is PzeeLee__Vibez, professionally known as Fowowe Paul Akinbobola, a Nigerian singer and songwriter whose musical direction reflects an appreciation for diverse influences and contemporary African sounds.
Also known as Omoluabi, PzeeLee__Vibez hails from Ilesa, Osun State, Nigeria. His artistic identity is rooted in a combination of cultural appreciation, personal creativity and an interest in the evolving possibilities of Afrobeats and Afrofusion. Through his music, he continues to explore different expressions, drawing from both established African musical traditions and contemporary influences.
Early Background and Creative Foundation
Beyond his developing career in music, PzeeLee__Vibez has an educational background that reflects a different dimension of his personality.
His academic journey demonstrates an experience outside the conventional entertainment pathway, highlighting the intersection between formal education and artistic ambition.
His appreciation for music is also connected to his family background. According to previously published accounts, his father, identified as Fere Jesu, was involved in gospel and highlife music, making an impression during the 1990s. This family connection provided an additional layer to his exposure to music and its cultural significance.
Beyond singing and songwriting, PzeeLee__Vibez has demonstrated creative interests in dancing and painting, suggesting an artistic personality that extends beyond musical performance.
Musical Influences and Artistic Identity
Musical development is often shaped by the artistes, sounds and experiences encountered throughout an individual’s journey. For PzeeLee__Vibez, his influences cut across different generations and musical traditions.
He has identified legendary Nigerian musician Fela Kuti and Jamaican reggae icon Bob Marley among his influences, alongside contemporary African music figures such as Burna Boy, Wizkid, Olamide and Davido.
These influences represent different approaches to music, ranging from socially conscious African rhythms and reggae traditions to contemporary Afrobeats, melodic songwriting and commercially driven African pop.
The combination of these influences provides an interesting foundation for understanding his creative direction.
Operating within the broader Afrobeats and Afrofusion landscape, PzeeLee__Vibez explores the possibilities of combining different musical elements while developing a sound that reflects his individual artistic expression.
Rather than limiting his creative identity to a single musical formula, his releases suggest an interest in experimentation, contemporary production and accessible musical storytelling.
Discography and Recorded Musical Journey
PzeeLee__Vibez’s recorded catalogue provides an insight into his developing musical journey, with releases that demonstrate his willingness to explore different sounds and creative approaches.
One of his documented releases is “SURPRISE”, a single that introduced listeners to his musical direction through an Amapiano-influenced production blended with traditional elements. Released in 2024 according to his Apple Music catalogue, the record received additional promotional attention in January 2025.
The release represented an important opportunity to introduce his music to a wider audience while establishing a foundation for subsequent projects.
He followed this with “POTENTIAL”, released in 2025, further extending his catalogue and maintaining his presence within the digital music space.
Another release, “NASA”, also appeared in his 2025 catalogue. The record explores romantic expression and provides another perspective on his approach to contemporary music and songwriting.
These releases collectively represent different stages of his developing catalogue, providing listeners with an opportunity to understand his musical interests and evolving creative direction.
Collaboration with Freezy West: The Story Behind “GenZ Luv”
An important development in his recent musical journey is his collaboration with Freezy West on the single “GenZ Luv”, produced by JADU and released on July 17, 2026.
The record explores modern romance through a contemporary musical perspective, drawing on youthful experiences, emotional connections and the changing language of relationships among a younger generation.
The collaboration brings together two creative personalities, with PzeeLee__Vibez and Freezy West contributing to a record designed around contemporary romantic expression.
Beyond its musical presentation, “GenZ Luv” represents another opportunity for PzeeLee__Vibez to expand his creative network, explore collaborative possibilities and connect with listeners through a subject that remains relevant across generations.
The release also attracted media attention, including coverage by The Poise Nigeria, which highlighted the collaboration and its contemporary romantic theme.
Beyond Music: A Multifaceted Creative Personality
While music remains central to his public identity, PzeeLee__Vibez’s interests in dancing and painting reveal a broader appreciation for artistic expression.
These creative interests provide additional perspectives on his personality and suggest an individual whose understanding of entertainment extends beyond recording songs.
In an industry where visual presentation, performance, identity and musical creativity increasingly intersect, such interests can provide opportunities for artistic development and audience engagement.
His journey also reflects the experiences of emerging Nigerian artistes navigating an increasingly competitive music environment, where talent must be supported by consistency, creative development, strategic collaborations and effective audience engagement.
Career Development and the Road Ahead
The contemporary Nigerian music industry offers opportunities for artistes to reach audiences beyond geographical boundaries through digital streaming platforms, collaborations and online media exposure.
For emerging artistes such as PzeeLee__Vibez, building a sustainable career requires more than releasing individual records. It involves establishing a recognisable musical identity, developing a consistent catalogue and creating meaningful connections with listeners.
His releases, including “SURPRISE”, “POTENTIAL”, “NASA” and “GenZ Luv”, provide an early picture of an artiste exploring his creative possibilities while gradually expanding his musical presence.
His background, diverse musical influences and interest in different creative disciplines offer useful context for understanding the direction of his artistic development.
As he continues to explore new sounds, collaborations and opportunities, the next phase of his journey will be important in determining how his musical identity develops within Nigeria’s expanding Afrobeats and Afrofusion scene.
For PzeeLee__Vibez, the journey is one of continued creative exploration, musical growth and the pursuit of a distinctive place within an industry defined by constant evolution.
Entertainment Gists
“Lagos Gave Me My Greatest Successes and Deepest Heartbreak”: Cuppy Opens Up in New IFEOLUWA Documentary

On her birthday, Florence Ifeoluwa Otedola invites viewers beyond the public image and into a more personal story of home, family, identity and purpose.
For years, Nigerians have known Florence “Cuppy” Otedola as the internationally recognised DJ and philanthropist with the famous pink hair and vibrant public personality. This birthday, she is inviting audiences to see a side of her that rarely takes centre stage.
Released on 11 November 2026, her new 12 minute documentary, IFEOLUWA, follows Cuppy back to Lagos, the city that shaped her and remains close to her heart. It is also, as the film explores, a place connected to some of her greatest successes and deepest heartbreak.

The title IFEOLUWA means “The Love of God”. Rather than another glamorous birthday celebration, Cuppy is marking the occasion by sharing a more reflective portrait of the woman behind the spotlight. The film explores womanhood, ambition, identity, belonging and the ongoing process of becoming.
There are tender moments, too. Viewers see Cuppy not just as a public figure, but as a daughter, sister and granddaughter. Her time with her grandmother offers an especially intimate glimpse of the affection and family ties at the heart of her story.
The documentary also captures an evolution that audiences may already have noticed. The signature pink hair has given way to a new look and a more grounded chapter, with faith, education and service increasingly central to how Cuppy speaks about her future. It is not a rejection of music, but a fuller picture of the person behind it.

Her philanthropic work remains an important part of that picture. Through the Cuppy Foundation, she has helped raise more than $17 million to support displaced children in Nigeria in partnership with Save the Children. She has also established education funds at the University of Oxford, New York University and King’s College London to help students overcome financial barriers, particularly those from Africa.
Alongside this work, Cuppy remains active as an international DJ, with performances including Glastonbury, Wireless Festival and Cannes Lions, as well as events during United Nations General Assembly week.
At its heart, IFEOLUWA is about more than a familiar celebrity image. It is a personal homecoming and an invitation to understand how family, faith, Lagos and lived experience are shaping Cuppy’s next chapter.
Watch IFEOLUWA on YouTube
Entertainment Gists
Druppythekid Set to release New Two-Track Pack

Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.
Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.
On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.
Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.
No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.
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