Wales were eliminated in the second round of Euro 2020 as they were thrashed by Denmark, whose inspiring journey at the tournament continues to the quarter-finals.
Backed by a fervent and almost exclusively Danish crowd, Kasper Hjulmand’s side led as Kasper Dolberg curled in a fine 27th-minute strike from the edge of the penalty area.
Dolberg struck again in the 48th minute as he seized on a defensive error from Wales substitute Neco Williams to smash in from close range.
That goal deflated Wales, who never looked like clawing their way back into the game as Joakim Maehle added a late third for the jubilant Danes.
Substitute Harry Wilson was then shown a straight red card for a late foul on Maehle before Martin Braithwaite struck a fourth goal in added time as Wales’ campaign ended miserably.
Robert Page’s men had performed well to get out of a difficult Group A which also featured Italy, Switzerland and Turkey, but this impressive Danish side proved a challenge too far.
Denmark had already provided the uplifting story of these finals, showing admirable resolve to reach this stage having been galvanised by midfielder Christian Eriksen’s recovery from a cardiac arrest.
The next stop on their fairytale voyage will be Baku for a last-eight tie with the Netherlands or the Czech Republic next Saturday.
As for Wales, they will return home exhausted but, in time, proud of their efforts in reaching the knockout stages again in only their third appearance at a major tournament.
Wales’ long road comes to an end
Wales’ journey to this point had been long and arduous. Where Denmark had the luxury of playing all three of their group games at home in Copenhagen, Page’s side had travelled to the tournament’s eastern outpost in Baku for two matches before facing Italy in Rome.
This was effectively a third away game from four for Wales and, initially, they seemed to relish the challenge as they made a purposeful start to the game.
Captain Gareth Bale looked dangerous on the right, cutting inside on to his left foot and sending a 20-yard shot wobbling just wide before finding space again to creating openings for his fellow attackers.
That proved to be a false dawn as Dolberg’s excellent goal changed the game.
From that point Wales found themselves retreating further into their own half in the face of pressure, as well as having to contend with an injury to right-back Connor Roberts and a yellow card for striker Kieffer Moore which curbed his threat as a physical pivot to the attack.
Moore felt aggrieved at not winning a free-kick in the build-up to Denmark’s second goal as he was manhandled by Simon Kjaer, who he was adjudged to have fouled for his booking earlier.
But the goal was still largely Wales’ own doing as Williams’ attempted clearance fell to Dolberg, who had the simple task of finishing inside the box.
That was a body blow to Wales, who seemed devoid of energy and ideas as they tried in vain to mount a comeback.
A two-goal defeat would have been disappointing enough, but a wretched final five minutes saw them fall apart, conceding two late strikes and Wilson’s red card bringing their campaign to a thoroughly depressing conclusion.
Denmark’s home from home
Denmark not only had the advantage of having thousands of fans with them in Amsterdam, but also the backing of locals and neutrals at the Johan Cruyff Arena, Eriksen’s former home when he played for Ajax.
Pre-match estimates of 5,000 Danes were way off – almost every single one of the 16,000 people inside the stadium was wearing their colours and giving this game the strong sense of a home fixture for Hjulmand’s side.
Denmark were initially a little slow to make that advantage count but, once Dolberg put them in front, they took total control.
Dolberg, another former Ajax player, was a handful for Wales’ centre-backs, while he was well supported in wide areas by fellow forwards Mikkel Damsgaard and Braithwaite.
It was Barcelona striker Braithwaite who made the key pass for the second goal, surging past Joe Rodon and firing in the low cross which Williams diverted into Dolberg’s path.
Denmark were now utterly dominant, giving their fans further reason to cheer when Maehle, unmarked at the back post, fired into the top corner.
The Danish supporters had to wait to celebrate Braithwaite’s injury-time goal. Initially disallowed for offside, a VAR decision meant they could continue their party and progress in the tournament.
The stats
- Wales have lost consecutive major tournament matches for the first time in their history
- Wales are the first team to receive two red cards in a single edition of the European Championship since Russia and Switzerland in 2004.
- Denmark are the first team to score 4+ goals in consecutive matches in European Championship history.
- Mikkel Damsgaard has been involved in seven goals in his six appearances in all competitions for the Danes
- Denmark have registered consecutive wins within a single major tournament for the first time since the 1986 World Cup.
- Kasper Dolberg became the second Denmark player to score two goals in a knockout game at a major tournament after Henrik Larsen v Netherlands at Euro 1992.
Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.
Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.
On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.
Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.
No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.
Chinwe Zoe, a Nigerian gospel singer and songwriter, began recording music in December 2025 after years of singing in church and at home. Less than a year later, she has released three singles, including “Chinwendum”, featuring gospel singer Frank Edwards, “Undeniable” and “Jesus Don Win”, her October 2026 release produced by Masterkraft.
For Zoe, the decision to record was connected to a personal experience that changed how she viewed her life and faith. She has described it as a near-death experience that left her with a renewed sense of gratitude. “In that moment, when I thought it was over, God showed me mercy,” she said. “He gave me victory. And that victory was too loud to keep inside.”
Her debut, “Chinwendum”, was released in December 2025 with Frank Edwards featured on the record. She followed it with “Undeniable” on May 7, 2026. The song’s official video has recorded more than 460,000 views on YouTube. In October, she released “Jesus Don Win”, produced by Masterkraft, with a video directed by Avalon Okpe.
Zoe’s approach to songwriting draws on personal experiences and scripture. She has said that she does not begin the process by searching for a melody, but by waiting for a message that she can develop into a song. She describes a process in which an experience or scripture stays with her until it takes musical form. The melody follows, and she hums it before committing anything to writing.
Her guiding principle is that a gospel song should be accessible to listeners while remaining suitable for congregational worship. “It should be simple enough for a child to sing and strong enough for a choir to carry,” she said.
Zoe has identified CeCe Winans, Nathaniel Bassey and Dunsin Oyekan among the musicians whose work has influenced her. She sings in English and Igbo, and occasionally in Pidgin, drawing on the worship tradition in her musical expression.
“Every song I sing comes from a place I have lived,” she said. “My pain taught me how to worship, my joy taught me how to praise.”
Her music has also begun attracting an online audience. Her YouTube channel has recorded more than 627,000 views across nine videos, while her Spotify monthly listeners have been reported at approximately 6,500. Her Audiomack profile is verified. Zoe records under her own imprint, H2 Records, with distribution through ONErpm. She made her first public performance at the 2026 Annual Virtuous Women Network conference in Enugu, where she performed “Undeniable”.
Outside music, she has spoken about her interest in soul winning and described it as connected to her musical work. She has also said that she wants her songs to encourage listeners facing difficult circumstances. “I want my songs to shift mindsets from worry to worship,” she said. “Whenever anxiety comes, whenever life tries to make you feel small, I want you to hear my sound in your spirit and declare victory over your life.”
Nigerian artist N8TAN is set to unveil his highly anticipated ‘UPRISING EP’, a body of work that chronicles his journey from the streets to the heights of his musical ambition.
Built around themes of struggle, resilience, ambition, survival, and triumph, UPRISING captures the realities of an artist determined to turn adversity into momentum. The project reflects N8TAN’s experiences, the challenges that shaped him, and the relentless drive that continues to push him forward.
More than a collection of songs, UPRISING is presented as a story of transformation—from navigating the streets and confronting uncertainty to finding purpose, embracing growth, and rising toward the top.
With its blend of raw storytelling, infectious energy, and personal perspective, the EP offers listeners an intimate look into N8TAN’s world while reinforcing his determination to carve out his own place in the music industry.
‘UPRISING EP’ is a statement of elevation: a reminder that where you start does not have to determine where you finish.
As N8TAN continues to build his musical identity, UPRISING marks another significant chapter in his journey—and an invitation for listeners to rise with him.
-
Audio10 years agoPage – Day Break Everywhere Burst
-
Audio5 years agoShadykarz – Forever
-
Audio10 years agoJuniorboy ft. 9ice – IRAPADA
-
Entertainment Gists6 years agoEx-Beauty Queen, Sandra Benede Shares Sexy Photo
-
Audio5 years agoSimi – Happy Birthday ft. Adekunle Gold, DeJa
-
Audio5 years agoRuger – Bounce
-
Mixtapes4 years agoMixtape: DJ DimpleNipple – The Best Of Amapiano Thrills
-
Editorials4 years agoSa’eedah Imam On Creating Her Imprint In The Nigerian Music Industry As An Emerging Creative Writer