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Champions League Final: UEFA ‘Responsible’ For Chaos Before Liverpool v Real Madrid in Paris

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Uefa bears “primary responsibility” for the chaotic scenes that “almost led to disaster” before last year’s Champions League final between Liverpool and Real Madrid, says an independent report.

Fans were penned in and teargassed outside Paris’s Stade de France as kick-off was delayed by 36 minutes.

“It is remarkable no one lost their life,” said the report, which Uefa commissioned after the 28 May final.

Uefa and French authorities initially blamed ticketless fans for the events.

The report says there is “no evidence” to support the “reprehensible” claims.

“The panel has concluded that Uefa, as event owner, bears primary responsibility for failures which almost led to disaster,” said the report.

While it said there was “contributory fault” from other bodies, the findings said European governing body Uefa was “at the wheel”.

“Uefa should have retained a monitoring and oversight role [of security], to ensure it all worked. It self-evidently did not,” the report added.

What else did the report find?

Uefa commissioned the independent report three days after the match – the showpiece of European club football which Liverpool went on to lose 1-0 – took place in the French capital.

The European governing body said a “comprehensive review” would examine a number of factors that include the decision-making, responsibility and behaviour of all parties involved in the final.

The investigation found eight key factors that “almost led to disaster” because of Uefa’s failure, which included:

  • a disproportionately large number of Liverpool supporters being directed to the Stade de France Saint-Denis train station
  • poor route planning between the train station and the stadium
  • inadequate entry mechanisms at the additional security perimeters
  • large groups of locals gaining entry to the stadium and a failure to police them
  • police using tear gas and pepper spray in the concourses

The investigation was chaired by Dr Tiago Brandao Rodrigues, a Portuguese politician, with the panel also including experts and consultants from legal, policing and event-management fields, along with representatives from football fan groups.

“The enthusiasm around the game rapidly turned into a real ‘near miss’ which was harmful to a significant number of fans from both clubs,” said Dr Rodrigues.

“This should never have happened at such an important sporting event, and it is unacceptable that it took place at the heart of the European continent.”

Uefa apologises to Liverpool fans

For many Liverpool fans, the incident and subsequent attribution of blame on supporters has evoked painful memories of the Hillsborough disaster.

Ninety-seven Liverpool supporters died as a result of the April 1989 disaster at Sheffield Wednesday’s stadium, where fans were crushed because of overcrowding in the Leppings Lane End at an FA Cup semi-final against Nottingham Forest.

After years of smear campaigns, a new inquest concluded in 2016 the behaviour of Liverpool supporters played no part in the deaths and those who died were unlawfully killed.

Families celebrated as they emerged from court, where jurors blamed police failures, stadium design faults, and a delayed response by the ambulance service.

Following the publication of the review into the Paris scenes, Uefa apologised “most sincerely” for the events which unfolded.

Uefa said it would also announce a “special refund scheme” for affected fans.

“In particular, I would like to apologise to the supporters of Liverpool,” Uefa general secretary Theodore Theodoridis said.

“For the experiences many of them had when attending the game and for the messages released prior to and during the game which had the effect of unjustly blaming them for the situation leading to the delayed kick-off.”

What have Liverpool and fans said?

Uefa initially aimed to publish the findings of the investigation by November last year.

The report was released on Monday, about an hour before Liverpool’s home game against Merseyside rivals Everton.

It was thought to be set for publication on Tuesday, but details of the investigation’s conclusions were reported by a number of media organisations earlier on Monday.

Liverpool said they had not received a copy of the report before seeing the stories in the media.

“It’s hugely disappointing that a report of such significance, such importance to football supporters’ lives and future safety, should be leaked and published in this way,” said the club.

“It’s been over eight months of work by the independent panel and it is only right and proper to publish the contents of the report to our supporters appropriately.

“We will await to receive a copy of the report and digest it thoroughly before making any further comment.”

Liverpool supporters’ group Spirit of Shankly was also unhappy the report had been leaked before being seen by the club and their supporters.

“It’s disappointing and insensitive to release a report of this magnitude without first releasing to supporters who were there,” a spokesman told the BBC.

What happened outside the Stade de France?

Uefa initially blamed the “late arrival” of fans for the problems, which delayed kick-off by more than half an hour.

Many Liverpool fans said they had been at the stadium hours before kick-off – scheduled for 21:00 local time – but were stopped from getting into the ground.

The gates opened at 18:00 local time and fans had been told to arrive early to ease congestion.

But Liverpool supporters arriving shortly after that time said already-large crowds were not moving through a ticket checkpoint and led to fans being crammed in underpasses outside the stadium.

Five minutes before kick-off, at 20:55, Uefa announced that the start of the match was delayed “for security reasons” until 21:15.

Eyewitnesses said the French police began to use pepper spray, causing the crowd to stampede backwards and leaving some of them vomiting as others rushed for water from neighbouring bars to ease the pain.

At 21:14 Uefa announced a further delay to kick-off. Eventually, the match began at 21:36.

France’s interior and sports ministers acknowledged difficulties in managing crowds at the final but initially pointed blame at Liverpool fans and local youths trying to force their way into the stadium.

French sports minister Amelie Oudea-Castera said Liverpool had let their supporters “out in the wild”, prompting Liverpool chairman Tom Werner to demand an apology for her comments.

Shortly after the events, a spokesperson for France’s independent police commissioner’s union (SICP), Mathieu Valet, told the BBC’s Newshour that “supporters without tickets or with fake tickets were not the main problem”.

He said it was down to “three or four hundred French and undocumented delinquents” who had gained access to the stadium’s concourse.

“It’s clear that we needed more police – we didn’t have enough on the ground,” he said.

Timeline of the day's events
Timeline of the day’s events

Audio

YTJ Announces New Single “JO,”

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Rising Afro-fusion artist builds on the momentum of “Closer” with an energetic new release made for dance floors worldwide
Recoup Records announces the forthcoming release of “JO,” the new single from rising Afro-fusion artist YTJ, arriving on all major digital streaming platforms September 10, 2026.
The release follows the growing international success of YTJ’s previous single, “Closer,” which has generated more than 4 million combined YouTube views and surpassed 3 million audio streams within two months of release. The record has also received airplay across more than 70 radio stations and 30 television channels worldwide, while reaching No. 63 on YouTube Music in Nairobi, Kenya.
With “JO,” YTJ enters the next phase of his sound and creative direction.
Driven by infectious rhythm, vibrant production and an unmistakable celebratory energy, “JO” is an Afro-fusion record built for movement. The single pairs YTJ’s melodic approach with a polished, high-energy production designed to connect across clubs, parties, festivals and playlists globally.
The visual world surrounding the release reflects that same energy. Built around a striking red-lit aesthetic, the “JO” campaign presents a confident and elevated side of YTJ as he continues to expand his presence beyond his home market and reach new audiences internationally.
“My intention with ‘Closer’ was simply to make something that would connect with people, and the response went beyond what I imagined,” says YTJ. “With ‘JO,’ I wanted to take that energy somewhere new. This record is a celebration — and we’re just getting started.”»
“JO” arrives at a pivotal moment for YTJ. Following the momentum established by “Closer,” the new single signals an artist increasingly focused on creating music that bridges cultures while remaining rooted in the rhythm, melody and energy of contemporary African music.
For Recoup Records, the release represents another step in the label’s commitment to developing YTJ’s international profile and introducing his music to a broader global audience.
“JO” by YTJ is available across all major digital streaming platforms HERE

ABOUT YTJ
YTJ is an emerging Afro-fusion artist whose music blends contemporary African rhythms, melody and global influences. With a growing international audience and millions of streams and views across digital platforms, YTJ is building a sound and identity designed to travel beyond borders.
Following the international response to “Closer,” YTJ continues his next chapter with “JO,” expanding his creative vision while establishing himself as an emerging voice in the new generation of African music.
ABOUT RECOUP RECORDS
Recoup Records is an independent music company focused on artist development, music distribution and building globally competitive African talent. Through strategic releases, media partnerships and international promotion, the label works to connect its artists and music with audiences around the world.
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Entertainment Gists

Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?

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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

 

 

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.

The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.

And the big question now is:

Should Josh2Funny continue with music or go back to skits? 😂

Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.

One X user joked:

“Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”

Another simply said:

“This Josh2Funny Album no enter make he just go back skit abeg 😂”

But then came “Lembe.” 🔥

The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.

Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.

And it didn’t stop there.

‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED

On another day, “International” featuring Ice Prince generated its own buzz on X.

One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.

From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.

Whether you love the album or think he should return to skits, one thing is clear:

Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:

Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?

Music or Skits? Drop your answer! 👇

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Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London

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East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.

Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.

Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.

Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.

For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.

By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.

 

With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.

Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.

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