
Japan’s Naomi Osaka cemented her place as the outstanding star of the women’s game by beating American Jennifer Brady in the Australian Open final to win her fourth Grand Slam title.
Osaka, 23, is unbeaten in major finals after a 6-4 6-3 win in Melbourne.
Osaka edged the first set when Brady, in her first Grand Slam final, paid for some glaring errors in the final game.
The third seed seized control from that point, racing 4-0 ahead in the second set before sealing a deserved victory.
Osaka has now won two Australian Open titles after also triumphing at Melbourne Park in 2019, with her other Grand Slam successes coming at the US Open in 2018 and 2020.
She has not suffered a defeat since February 2020 after extending her winning run to 21 matches.
Osaka’s face lit up with a wide grin, raising her racquet above her head, when she clinched the title on her first match point after Brady looped a return long.
Around 7,500 fans were allowed to watch the final on Rod Laver Arena and Osaka lapped up the acclaim after her US Open victory came behind closed doors.
“It feels incredible to have fans, I played the last Grand Slam without fans, to have this energy means a lot,” said Osaka as she clutched the Daphne Akhurst Trophy.
Osaka is the first women’s player to win her first four Grand Slam finals since Monica Seles in 1991.
And asked if she could reach double figures in slam titles, Osaka replied: “I’m taking it in sections. Right now, I’m trying to go for five. After five I would think about maybe dividing the 10, so maybe seven or eight.
“I like to take things not big picture. I know that the people that I’m playing against are the best players in the world and, if my time comes to win another Grand Slam, it will come.”

Osaka proves again why she is seen as ‘an inspiration’
Softly-spoken Osaka has emerged as the sport’s biggest star in recent times and illustrated that yet again with another Grand Slam victory.
On the court, her clean hitting and clear thinking has proved too much for her opponents to handle.
Off the court, she has grown into one of the world’s most marketable athletes and found her voice to become a prominent social activist.
“I feel like the biggest thing that I want to achieve is playing long enough to play a girl that said that I was once her favourite player,” said Osaka.
“I think that’s the coolest thing that could ever happen to me. I just think that that’s how the sport moves forward.”
In her runners-up speech, Brady said Osaka was “an inspiration to us all”.
“What she is doing for the game is amazing. I hope young girls are watching and inspired by what she is doing,” Brady said.
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Hard-court dominance achieved – next challenge clay and grass

Osaka was the clear favourite in the final at Melbourne Park, although a relatively serene path to the final also featured moments where she showed her fight and spirit.
In the fourth round against 2020 runner-up Garbine Muguruza, Osaka had to see off two match points before going on to win, as well as coming through some tricky moments against 23-time Grand Slam winner Serena Williams in the semi-finals.
While her level against Brady was not always at its highest, she still had enough quality in the key moments.
That was most evident at 5-4 in the first set when her relentless pressure forced Brady into the errors which proved pivotal.
And more brilliance enabled Osaka to make a fast start in the second set from which Brady could not recover.
A sweet cross-court backhand winner brought up more break points for a 2-0 lead, taking the first opportunity when another deep return bamboozled Brady into some clumsy footwork.
From that point, Osaka’s confidence further grew and she quickly went a double break up.
While Brady did claw one back, Osaka never looked like relinquishing another and served out the Championship to love.
The next question for Osaka will be whether she can transfer this hard-court dominance onto the clay and grass surfaces.
Success has not yet arrived at the French Open and Wimbledon, but her next ambition – once she has celebrated this success – will be trying to change that in the next few months and over the coming years.”
“I feel like I have to get comfortable on those surfaces,” Osaka said. “I didn’t play juniors, so I didn’t grow up playing on grass at all.
“I honestly think I’d have better luck on clay, because I think last year I didn’t play bad at all. It’s just something that I have to get more used to.”
💪👍💪👍💪🙏🙏@naomiosaka 💪💪👍👍👍👍💪💪💪🇯🇵🇯🇵🇯🇵🇯🇵🇯🇵💪💪👍👍🇯🇵🇯🇵🇯🇵🙏🙏🙏🙏👍👍👍 https://t.co/zHviAOvyKO
— Kei Nishikori (@keinishikori) February 20, 2021
Brady comes up short but hopes for ‘many more’ major finals
While it was not the outcome Brady wanted, the 25-year-old American has plenty of positives to build on after reaching her first Grand Slam final.
It was quite remarkable the 22nd seed even made the second week in Melbourne, having been the only singles player forced into a ‘hard’ quarantine on arrival in Australia to do so.
Stuck in her room for 14 days without leaving, the former college player had to hit balls against a mattress propped up against the wall, come up with inventive footwork drills and borrow an exercise bike and treadmill from Tennis Australia.
She also admitted to stopping watching Netflix so she would not “do anything other than lay in bed”.
Solid serving is the bedrock of her game and that helped her work her way through a kind draw where she did not face anyone inside the top 20 until Osaka.
Brady lost to Osaka when they met in a high-quality US Open semi-final last September and suffered the same fate as she struggled to impose her service game.
The match swung away from Brady in that decisive 10th game of the opening set.
After having regained her fluency following a scrappy start, a double fault at 40-30 gave Osaka hope and Brady then got caught out by a return hitting the baseline to give Osaka a set point out of nowhere.
Brady planted an easy forehand into the net and, ultimately, that sloppy game cost her the match.
Groans from the crowd as Brady grimaced and shook her head reinforced the point.
“It wasn’t meant to be, but hopefully there’s many more,” said Brady, who will rise to 15th in the world after being outside the top 50 a year ago.
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Entertainment Gists
Druppythekid Set to release New Two-Track Pack

Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.
Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.
On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.
Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.
No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.
Entertainment Gists
Who Is Chinwe Zoe? The Nigerian Gospel Singer Behind “Undeniable

Chinwe Zoe, a Nigerian gospel singer and songwriter, began recording music in December 2025 after years of singing in church and at home. Less than a year later, she has released three singles, including “Chinwendum”, featuring gospel singer Frank Edwards, “Undeniable” and “Jesus Don Win”, her October 2026 release produced by Masterkraft.
For Zoe, the decision to record was connected to a personal experience that changed how she viewed her life and faith. She has described it as a near-death experience that left her with a renewed sense of gratitude. “In that moment, when I thought it was over, God showed me mercy,” she said. “He gave me victory. And that victory was too loud to keep inside.”
Her debut, “Chinwendum”, was released in December 2025 with Frank Edwards featured on the record. She followed it with “Undeniable” on May 7, 2026. The song’s official video has recorded more than 460,000 views on YouTube. In October, she released “Jesus Don Win”, produced by Masterkraft, with a video directed by Avalon Okpe.
Zoe’s approach to songwriting draws on personal experiences and scripture. She has said that she does not begin the process by searching for a melody, but by waiting for a message that she can develop into a song. She describes a process in which an experience or scripture stays with her until it takes musical form. The melody follows, and she hums it before committing anything to writing.
Her guiding principle is that a gospel song should be accessible to listeners while remaining suitable for congregational worship. “It should be simple enough for a child to sing and strong enough for a choir to carry,” she said.
Zoe has identified CeCe Winans, Nathaniel Bassey and Dunsin Oyekan among the musicians whose work has influenced her. She sings in English and Igbo, and occasionally in Pidgin, drawing on the worship tradition in her musical expression.
“Every song I sing comes from a place I have lived,” she said. “My pain taught me how to worship, my joy taught me how to praise.”
Her music has also begun attracting an online audience. Her YouTube channel has recorded more than 627,000 views across nine videos, while her Spotify monthly listeners have been reported at approximately 6,500. Her Audiomack profile is verified. Zoe records under her own imprint, H2 Records, with distribution through ONErpm. She made her first public performance at the 2026 Annual Virtuous Women Network conference in Enugu, where she performed “Undeniable”.
Outside music, she has spoken about her interest in soul winning and described it as connected to her musical work. She has also said that she wants her songs to encourage listeners facing difficult circumstances. “I want my songs to shift mindsets from worry to worship,” she said. “Whenever anxiety comes, whenever life tries to make you feel small, I want you to hear my sound in your spirit and declare victory over your life.”
Entertainment Gists
N8TAN Announces ‘UPRISING EP’ — A Story of Rising From the Streets to the Top

Nigerian artist N8TAN is set to unveil his highly anticipated ‘UPRISING EP’, a body of work that chronicles his journey from the streets to the heights of his musical ambition.
Built around themes of struggle, resilience, ambition, survival, and triumph, UPRISING captures the realities of an artist determined to turn adversity into momentum. The project reflects N8TAN’s experiences, the challenges that shaped him, and the relentless drive that continues to push him forward.
More than a collection of songs, UPRISING is presented as a story of transformation—from navigating the streets and confronting uncertainty to finding purpose, embracing growth, and rising toward the top.
With its blend of raw storytelling, infectious energy, and personal perspective, the EP offers listeners an intimate look into N8TAN’s world while reinforcing his determination to carve out his own place in the music industry.
‘UPRISING EP’ is a statement of elevation: a reminder that where you start does not have to determine where you finish.
As N8TAN continues to build his musical identity, UPRISING marks another significant chapter in his journey—and an invitation for listeners to rise with him.
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