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Jack Grealish and former Everton midfielder Ross Barkley were among the scorers

Ollie Watkins scored a first-half hat-trick and Jack Grealish had a hand in five goals as Aston Villa deservedly stunned champions Liverpool with one of the most unbelievable scorelines in Premier League history.

Villa’s record signing Watkins had never scored a Premier League goal before kick-off and 45 minutes later he had the match ball, as the home side took advantage of Liverpool’s high line and individual mistakes.

Captain Grealish scored their final two goals after assisting three.

It is the first time Liverpool have conceded seven goals since 1963 and is only their fourth Premier League defeat since 3 January 2019. Villa, who escaped relegation on the final day of last season, overtake them in the table with their best start since 1962.

Villa’s first was the result of a huge error by Adrian. The Reds stand-in keeper passed the ball straight to Grealish, who cut it back for Watkins to side-foot in from eight yards.

Watkins’ second was excellent as he cut in from the left and smashed into the top corner.

Mohamed Salah looked to have restored order when he scored for the Reds, but John McGinn’s deflected volley two minutes later put Villa’s lead back to two.

It got even better when Watkins headed in from Trezeguet’s cross to become the first player to score a Premier League hat-trick against Liverpool since Dimitar Berbatov for Manchester United 10 years ago.

Villa debutant Ross Barkley, a boyhood Evertonian, was excellent and added a fifth after the break from just outside the box – from Grealish’s third assist.

Salah made it 5-2 from Roberto Firmino’s pass on the hour-mark but then Grealish smashed in Villa’s sixth before latching onto McGinn’s raking pass to add another.

This is the first time in 18 attempts that Villa have beaten the reigning champions at home – the last was a 3-2 win over Arsenal in December 1998.

There have already been many surprising results this season – including Tottenham’s 6-1 win at Manchester United earlier on Sunday – but none can beat this for sheer shock value.

“We never dreamed of getting a result like this,” Villa boss Dean Smith.

“The performance was outstanding from start to finish. We created an awful lot of chances against an exceptional defence and team. We had to work very hard.”

The game that defies all logic

This is a result which makes no sense – apart from the fact Aston Villa were remarkable and clinical and Liverpool were unbelievably bad.

A team who almost got relegated last season beat the defending champions – who barely ever lose – 7-2.

It is one thing to identify Liverpool’s weaknesses but quite another to take advantage of them in such a sensational way.

Villa are now unbeaten in seven league games, including the run that saw them stay up at the end of last season, and have won all three league matches this season.

Dean Smith’s side managed to get in behind Liverpool’s high defensive line with ease in the first half and Watkins, who was the Championship’s top scorer last season and cost Villa a club record £28m, was the chief beneficiary.

He took advantage of Adrian’s error for the first with his left foot and chased onto Grealish’s pass before cutting inside Joe Gomez and firing home with his right.

Watkins got his perfect hat-trick – in more ways than one – before the break, nodding into an empty net after Barkley’s deep free-kick was collected by Trezeguet who clipped the ball into the six-yard box. He also crashed an effort onto the crossbar as Villa chased an eighth goal late on.

“We have carried on the momentum from the end of last season but we have added quality to that,” Villa boss Smith said. “People have questioned Ollie Watkins’ price. That has probably trebled now.”

Three more goals followed in an equally frenetic second half. Grealish picked out Barkley, whose 20-yard strike was helped into the top right-hand corner by a flick off the leg of Trent Alexander-Arnold. Grealish then scored via a Fabinho deflection before running onto a McGinn pass to add a famous seventh.

What now for Villa? With a performance like this and three wins from three their thoughts will be a lot, lot higher than a relegation battle.

What on earth was that from Liverpool?

Liverpool were missing first-choice goalkeeper Alisson through injury and Sadio Mane and Thiago, who have both tested positive for coronavirus. But nothing could excuse this performance, surely the worst of manager Jurgen Klopp’s illustrious era.

Even last year when they put out their under-23 team to face Villa in the Carabao Cup, as the first team contested the Club World Cup, that only ended in a 5-0 defeat.

Liverpool were completed wretched. The tone was set from the moment Adrian overhit a simple pass to Joe Gomez, which went straight to Grealish to set up the opener.

Adrian has made five errors directly leading to goals in his 21 appearances for Liverpool – as many as first-choice Alisson has in 92 games. Klopp revealed after the game that Alisson is likely to miss several games with a shoulder injury.

Several of Villa’s goals took advantage of Liverpool’s high defensive line. They just could not deal with the guile of Grealish and Barkley and the finishing of Watkins.

Salah’s double will count for nothing.

Will Klopp treat this game as a one-off anomaly, or will the the manner of the defeat be more of a concern for the German?

“You have to say that Villa did very well,” Klopp told BBC Sport. “They were very physical, very smart and very direct, we were not.

“We had big chances which we did not use, but when you concede seven I’m not sure you can say it would have been 7-7. We made too many mistakes and massive ones obviously. It started with the first goal and around the goals we made massive mistakes.”

Liverpool’s leakiest start since 1937 – match stats

  • Aston Villa have won their opening three league games to a season for the first time since the 1962-63 campaign.
  • This was the first time Liverpool have conceded seven goals in a match in all competitions since April 1963 in a 7-2 league defeat at Tottenham, while it was the second time Aston Villa have netted seven times in a single Premier League game, after a 7-1 win over Wimbledon in February 1995.
  • Liverpool are the first reigning English top-flight champions to ship seven goals in a league match since Arsenal against Sunderland in September 1953.
  • Aston Villa have won four consecutive home Premier League matches for the first time since October 2007.
  • Liverpool’s 11 goals conceded is their most after four games of a league season since 1937-38 (also 11).
  • Since the start of last season, Aston Villa’s Ollie Watkins has scored more league goals than any other player in England’s top four tiers (29, including play-offs).
  • Watkins was the 10th player to score a Premier League hat-trick against Liverpool, and the first since Dimitar Berbatov in September 2010.
  • Jack Grealish is only the second Aston Villa player to assist three goals in a single Premier League game, after James Milner v Burnley in February 2010.
  • Mohamed Salah has now scored against 25 of the 26 sides he has appeared against in the Premier League for Liverpool (96%) – the best ratio of any player in the competition for the club.

What’s next?

Following the international break, Liverpool visit Everton in the Merseyside derby on Saturday, 17 October, with Villa at Leicester the same day.

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PZEELEE__VIBEZ BIOGRAPHY: The Journey, Influences and Creative Evolution of a Nigerian Afrofusion Artiste

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From his roots in Ilesa, Osun State, to his growing presence in Nigeria’s contemporary music landscape, Fowowe Paul Akinbobola is building an artistic identity shaped by cultural heritage, musical diversity and creative exploration.

The Nigerian music industry continues to witness the emergence of a new generation of creative talents exploring different sounds, musical identities and approaches to storytelling. Among the artistes gradually establishing their presence within this evolving landscape is PzeeLee__Vibez, professionally known as Fowowe Paul Akinbobola, a Nigerian singer and songwriter whose musical direction reflects an appreciation for diverse influences and contemporary African sounds.

Also known as Omoluabi, PzeeLee__Vibez hails from Ilesa, Osun State, Nigeria. His artistic identity is rooted in a combination of cultural appreciation, personal creativity and an interest in the evolving possibilities of Afrobeats and Afrofusion. Through his music, he continues to explore different expressions, drawing from both established African musical traditions and contemporary influences.

Early Background and Creative Foundation

Beyond his developing career in music, PzeeLee__Vibez has an educational background that reflects a different dimension of his personality.

His academic journey demonstrates an experience outside the conventional entertainment pathway, highlighting the intersection between formal education and artistic ambition.

His appreciation for music is also connected to his family background. According to previously published accounts, his father, identified as Fere Jesu, was involved in gospel and highlife music, making an impression during the 1990s. This family connection provided an additional layer to his exposure to music and its cultural significance.

Beyond singing and songwriting, PzeeLee__Vibez has demonstrated creative interests in dancing and painting, suggesting an artistic personality that extends beyond musical performance.

Musical Influences and Artistic Identity

Musical development is often shaped by the artistes, sounds and experiences encountered throughout an individual’s journey. For PzeeLee__Vibez, his influences cut across different generations and musical traditions.

He has identified legendary Nigerian musician Fela Kuti and Jamaican reggae icon Bob Marley among his influences, alongside contemporary African music figures such as Burna Boy, Wizkid, Olamide and Davido.

These influences represent different approaches to music, ranging from socially conscious African rhythms and reggae traditions to contemporary Afrobeats, melodic songwriting and commercially driven African pop.

The combination of these influences provides an interesting foundation for understanding his creative direction.

Operating within the broader Afrobeats and Afrofusion landscape, PzeeLee__Vibez explores the possibilities of combining different musical elements while developing a sound that reflects his individual artistic expression.

Rather than limiting his creative identity to a single musical formula, his releases suggest an interest in experimentation, contemporary production and accessible musical storytelling.

Discography and Recorded Musical Journey

PzeeLee__Vibez’s recorded catalogue provides an insight into his developing musical journey, with releases that demonstrate his willingness to explore different sounds and creative approaches.

One of his documented releases is “SURPRISE”, a single that introduced listeners to his musical direction through an Amapiano-influenced production blended with traditional elements. Released in 2024 according to his Apple Music catalogue, the record received additional promotional attention in January 2025.

The release represented an important opportunity to introduce his music to a wider audience while establishing a foundation for subsequent projects.

He followed this with “POTENTIAL”, released in 2025, further extending his catalogue and maintaining his presence within the digital music space.

Another release, “NASA”, also appeared in his 2025 catalogue. The record explores romantic expression and provides another perspective on his approach to contemporary music and songwriting.

These releases collectively represent different stages of his developing catalogue, providing listeners with an opportunity to understand his musical interests and evolving creative direction.

Collaboration with Freezy West: The Story Behind “GenZ Luv”

An important development in his recent musical journey is his collaboration with Freezy West on the single “GenZ Luv”, produced by JADU and released on July 17, 2026.

The record explores modern romance through a contemporary musical perspective, drawing on youthful experiences, emotional connections and the changing language of relationships among a younger generation.

The collaboration brings together two creative personalities, with PzeeLee__Vibez and Freezy West contributing to a record designed around contemporary romantic expression.

Beyond its musical presentation, “GenZ Luv” represents another opportunity for PzeeLee__Vibez to expand his creative network, explore collaborative possibilities and connect with listeners through a subject that remains relevant across generations.

The release also attracted media attention, including coverage by The Poise Nigeria, which highlighted the collaboration and its contemporary romantic theme.

Beyond Music: A Multifaceted Creative Personality

While music remains central to his public identity, PzeeLee__Vibez’s interests in dancing and painting reveal a broader appreciation for artistic expression.

These creative interests provide additional perspectives on his personality and suggest an individual whose understanding of entertainment extends beyond recording songs.

In an industry where visual presentation, performance, identity and musical creativity increasingly intersect, such interests can provide opportunities for artistic development and audience engagement.

His journey also reflects the experiences of emerging Nigerian artistes navigating an increasingly competitive music environment, where talent must be supported by consistency, creative development, strategic collaborations and effective audience engagement.

Career Development and the Road Ahead

The contemporary Nigerian music industry offers opportunities for artistes to reach audiences beyond geographical boundaries through digital streaming platforms, collaborations and online media exposure.

For emerging artistes such as PzeeLee__Vibez, building a sustainable career requires more than releasing individual records. It involves establishing a recognisable musical identity, developing a consistent catalogue and creating meaningful connections with listeners.

His releases, including “SURPRISE”, “POTENTIAL”, “NASA” and “GenZ Luv”, provide an early picture of an artiste exploring his creative possibilities while gradually expanding his musical presence.

His background, diverse musical influences and interest in different creative disciplines offer useful context for understanding the direction of his artistic development.

As he continues to explore new sounds, collaborations and opportunities, the next phase of his journey will be important in determining how his musical identity develops within Nigeria’s expanding Afrobeats and Afrofusion scene.

For PzeeLee__Vibez, the journey is one of continued creative exploration, musical growth and the pursuit of a distinctive place within an industry defined by constant evolution.

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“Lagos Gave Me My Greatest Successes and Deepest Heartbreak”: Cuppy Opens Up in New IFEOLUWA Documentary

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On her birthday, Florence Ifeoluwa Otedola invites viewers beyond the public image and into a more personal story of home, family, identity and purpose.

For years, Nigerians have known Florence “Cuppy” Otedola as the internationally recognised DJ and philanthropist with the famous pink hair and vibrant public personality. This birthday, she is inviting audiences to see a side of her that rarely takes centre stage.

Released on 11 November 2026, her new 12 minute documentary, IFEOLUWA, follows Cuppy back to Lagos, the city that shaped her and remains close to her heart. It is also, as the film explores, a place connected to some of her greatest successes and deepest heartbreak.

The title IFEOLUWA means “The Love of God”. Rather than another glamorous birthday celebration, Cuppy is marking the occasion by sharing a more reflective portrait of the woman behind the spotlight. The film explores womanhood, ambition, identity, belonging and the ongoing process of becoming.

There are tender moments, too. Viewers see Cuppy not just as a public figure, but as a daughter, sister and granddaughter. Her time with her grandmother offers an especially intimate glimpse of the affection and family ties at the heart of her story.

The documentary also captures an evolution that audiences may already have noticed. The signature pink hair has given way to a new look and a more grounded chapter, with faith, education and service increasingly central to how Cuppy speaks about her future. It is not a rejection of music, but a fuller picture of the person behind it.

Her philanthropic work remains an important part of that picture. Through the Cuppy Foundation, she has helped raise more than $17 million to support displaced children in Nigeria in partnership with Save the Children. She has also established education funds at the University of Oxford, New York University and King’s College London to help students overcome financial barriers, particularly those from Africa.

Alongside this work, Cuppy remains active as an international DJ, with performances including Glastonbury, Wireless Festival and Cannes Lions, as well as events during United Nations General Assembly week.

At its heart, IFEOLUWA is about more than a familiar celebrity image. It is a personal homecoming and an invitation to understand how family, faith, Lagos and lived experience are shaping Cuppy’s next chapter.

Watch IFEOLUWA on YouTube

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Druppythekid Set to release New Two-Track Pack

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Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.

Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.

On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.

Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.

No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.

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