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Nicolas Pepe’s goal came 190 seconds after Bukayo Saka’s opener

Arsenal scored two quick-fire team goals to extend Sheffield United’s point-less start to the Premier League season – although the Blades did manage their first goal.

The Gunners did not really get going until the 60th minute when Bukayo Saka celebrated his first England call-up with a header from Hector Bellerin’s cross.

Three minutes later they doubled their lead with Nicolas Pepe’s good run and finish into the bottom corner – finishing off a move with 19 passes.

They looked completely in control until David McGoldrick curled home the Blades’ first league goal of the season.

But it was not enough to affect the outcome and United have now lost seven consecutive top-flight games for the first time since 1975.

Mikel Arteta’s Arsenal move onto six points from three games, having lost 3-1 to champions Liverpool last Monday.

 

Gunners get the job done

It was far from Arsenal’s best performance of the season – but they made it four wins from four games in all competitions, against teams other than Liverpool.

They could have been down to 10 men in the first half when David Luiz pulled back Oliver Burke as the Scot chased onto a poor back-pass, with Bernd Leno coming out of his box to clear, but the referee and the VAR team did not deem any punishment necessary.

It took 28 minutes for the game’s first attempt as Eddie Nketiah flicked a header towards goal. That was the longest wait for a shot in any Premier League game in 2020.

The Gunners had the better chances in the first half but Pierre-Emerick Aubameyang forced a good diving save from Aaron Ramsdale and then hit an acrobatic volley at the goalkeeper.

Sheffield United had a red card let-off of their own as Sander Berge was only booked for a lunging tackle on Aubameyang, who was hurt but able to carry on.

Arsenal’s two strikes were worth the wait, the result of fine passing moves.

Aubameyang lifted a pass over the top to Bellerin, whose clipped cross was headed into the top corner by Saka at the far post.

And then substitute Pepe played a one-two with Bellerin before running at the Blades defence and slotting home via the base of the post.

Their main disappointment will have been losing a clean sheet and causing a few tense moments late on when the game looked safe.

Sheffield United’s worrying form continues

The Blades’ European dream was finished by three consecutive defeats at the end of last season – and that losing run has carried over into this campaign.

After failing to score in their opening three league games for the first time in their history, Chris Wilder spent a club-record £23.5m on Liverpool striker Rhian Brewster – although he was not registered in time to make his debut at Emirates Stadium.

They ended the game with six shots, as many as Arsenal, but few of them were clear chances.

McGoldrick’s high and wide effort was their only shot in the first half, but the Republic of Ireland striker did eventually hit the target with a fine 20-yard effort from George Baldock’s pass.

The 32-year-old has only scored three Premier League goals in his career, all against the big six – having netted twice against Chelsea last season.

But they would not have deserved an equaliser and begin a top-flight season with four defeats for the first time since 1966.

Will Wilder be involved in the transfer market on deadline day on Monday? He may have to be if they are to avoid second-season syndrome.

Match stats – Wilder’s worst run since Halifax in 2004

  • Arsenal have won nine of their past 11 home Premier League matches (D2) since a 2-1 defeat by Chelsea in Arteta’s first home game in charge in December.
  • Sheffield United have lost seven consecutive league matches for only the second time in their history, with their other seven-game losing run coming between August and September 1975.
  • Arsenal have won nine of their past 11 home league matches against Sheffield United (D2) since a 1-0 defeat in August 1971.
  • Pepe’s goal for Arsenal came after a build-up of 19 passes, the most before a Premier League goal this season; indeed, of the nine goals scored this season with 10 or more passes in the build-up, four have been scored by the Gunners.
  • Sheffield United manager Chris Wilder has lost seven consecutive league matches as a manager for the first time since a run of 10 defeats in a row as Halifax Town manager between February and April 2004.
  • Only Liverpool (34) have won more home Premier League points than Arsenal (29) since Arteta’s first home game in charge last December.
  • This was Burke’s 18th Premier League appearance, with the Sheffield United player yet to end on the winning side (D3 L15). Burke has played more games in the Premier League without winning than any other player in the history of the competition.
  • Sheffield United scored their first Premier League goal of the season, with McGoldrick’s goal their 31st attempt of the campaign.

What’s next?

Arsenal visit Manchester City in the league next Saturday (17:30 BST), while Sheffield United host fellow strugglers Fulham at 15:00 that day.

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PZEELEE__VIBEZ BIOGRAPHY: The Journey, Influences and Creative Evolution of a Nigerian Afrofusion Artiste

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From his roots in Ilesa, Osun State, to his growing presence in Nigeria’s contemporary music landscape, Fowowe Paul Akinbobola is building an artistic identity shaped by cultural heritage, musical diversity and creative exploration.

The Nigerian music industry continues to witness the emergence of a new generation of creative talents exploring different sounds, musical identities and approaches to storytelling. Among the artistes gradually establishing their presence within this evolving landscape is PzeeLee__Vibez, professionally known as Fowowe Paul Akinbobola, a Nigerian singer and songwriter whose musical direction reflects an appreciation for diverse influences and contemporary African sounds.

Also known as Omoluabi, PzeeLee__Vibez hails from Ilesa, Osun State, Nigeria. His artistic identity is rooted in a combination of cultural appreciation, personal creativity and an interest in the evolving possibilities of Afrobeats and Afrofusion. Through his music, he continues to explore different expressions, drawing from both established African musical traditions and contemporary influences.

Early Background and Creative Foundation

Beyond his developing career in music, PzeeLee__Vibez has an educational background that reflects a different dimension of his personality. He holds a Higher National Diploma in Agricultural and Bio-Environmental Engineering from Oyo State College of Agriculture and Technology, Igbo-Ora.

His academic journey demonstrates an experience outside the conventional entertainment pathway, highlighting the intersection between formal education and artistic ambition.

His appreciation for music is also connected to his family background. According to previously published accounts, his father, identified as Fere Jesu, was involved in gospel and highlife music, making an impression during the 1990s. This family connection provided an additional layer to his exposure to music and its cultural significance.

Beyond singing and songwriting, PzeeLee__Vibez has demonstrated creative interests in dancing and painting, suggesting an artistic personality that extends beyond musical performance.

Musical Influences and Artistic Identity

Musical development is often shaped by the artistes, sounds and experiences encountered throughout an individual’s journey. For PzeeLee__Vibez, his influences cut across different generations and musical traditions.

He has identified legendary Nigerian musician Fela Kuti and Jamaican reggae icon Bob Marley among his influences, alongside contemporary African music figures such as Burna Boy, Wizkid, Olamide and Davido.

These influences represent different approaches to music, ranging from socially conscious African rhythms and reggae traditions to contemporary Afrobeats, melodic songwriting and commercially driven African pop.

The combination of these influences provides an interesting foundation for understanding his creative direction.

Operating within the broader Afrobeats and Afrofusion landscape, PzeeLee__Vibez explores the possibilities of combining different musical elements while developing a sound that reflects his individual artistic expression.

Rather than limiting his creative identity to a single musical formula, his releases suggest an interest in experimentation, contemporary production and accessible musical storytelling.

Discography and Recorded Musical Journey

PzeeLee__Vibez’s recorded catalogue provides an insight into his developing musical journey, with releases that demonstrate his willingness to explore different sounds and creative approaches.

One of his documented releases is “SURPRISE”, a single that introduced listeners to his musical direction through an Amapiano-influenced production blended with traditional elements. Released in 2024 according to his Apple Music catalogue, the record received additional promotional attention in January 2025.

The release represented an important opportunity to introduce his music to a wider audience while establishing a foundation for subsequent projects.

He followed this with “POTENTIAL”, released in 2025, further extending his catalogue and maintaining his presence within the digital music space.

Another release, “NASA”, also appeared in his 2025 catalogue. The record explores romantic expression and provides another perspective on his approach to contemporary music and songwriting.

These releases collectively represent different stages of his developing catalogue, providing listeners with an opportunity to understand his musical interests and evolving creative direction.

Collaboration with Freezy West: The Story Behind “GenZ Luv”

An important development in his recent musical journey is his collaboration with Freezy West on the single “GenZ Luv”, produced by JADU and released on July 17, 2026.

The record explores modern romance through a contemporary musical perspective, drawing on youthful experiences, emotional connections and the changing language of relationships among a younger generation.

The collaboration brings together two creative personalities, with PzeeLee__Vibez and Freezy West contributing to a record designed around contemporary romantic expression.

Beyond its musical presentation, “GenZ Luv” represents another opportunity for PzeeLee__Vibez to expand his creative network, explore collaborative possibilities and connect with listeners through a subject that remains relevant across generations.

The release also attracted media attention, including coverage by The Poise Nigeria, which highlighted the collaboration and its contemporary romantic theme.

Beyond Music: A Multifaceted Creative Personality

While music remains central to his public identity, PzeeLee__Vibez’s interests in dancing and painting reveal a broader appreciation for artistic expression.

These creative interests provide additional perspectives on his personality and suggest an individual whose understanding of entertainment extends beyond recording songs.

In an industry where visual presentation, performance, identity and musical creativity increasingly intersect, such interests can provide opportunities for artistic development and audience engagement.

His journey also reflects the experiences of emerging Nigerian artistes navigating an increasingly competitive music environment, where talent must be supported by consistency, creative development, strategic collaborations and effective audience engagement.

Career Development and the Road Ahead

The contemporary Nigerian music industry offers opportunities for artistes to reach audiences beyond geographical boundaries through digital streaming platforms, collaborations and online media exposure.

For emerging artistes such as PzeeLee__Vibez, building a sustainable career requires more than releasing individual records. It involves establishing a recognisable musical identity, developing a consistent catalogue and creating meaningful connections with listeners.

His releases, including “SURPRISE”, “POTENTIAL”, “NASA” and “GenZ Luv”, provide an early picture of an artiste exploring his creative possibilities while gradually expanding his musical presence.

His background, diverse musical influences and interest in different creative disciplines offer useful context for understanding the direction of his artistic development.

As he continues to explore new sounds, collaborations and opportunities, the next phase of his journey will be important in determining how his musical identity develops within Nigeria’s expanding Afrobeats and Afrofusion scene.

For PzeeLee__Vibez, the journey is one of continued creative exploration, musical growth and the pursuit of a distinctive place within an industry defined by constant evolution.

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“Lagos Gave Me My Greatest Successes and Deepest Heartbreak”: Cuppy Opens Up in New IFEOLUWA Documentary

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On her birthday, Florence Ifeoluwa Otedola invites viewers beyond the public image and into a more personal story of home, family, identity and purpose.

For years, Nigerians have known Florence “Cuppy” Otedola as the internationally recognised DJ and philanthropist with the famous pink hair and vibrant public personality. This birthday, she is inviting audiences to see a side of her that rarely takes centre stage.

Released on 11 November 2026, her new 12 minute documentary, IFEOLUWA, follows Cuppy back to Lagos, the city that shaped her and remains close to her heart. It is also, as the film explores, a place connected to some of her greatest successes and deepest heartbreak.

The title IFEOLUWA means “The Love of God”. Rather than another glamorous birthday celebration, Cuppy is marking the occasion by sharing a more reflective portrait of the woman behind the spotlight. The film explores womanhood, ambition, identity, belonging and the ongoing process of becoming.

There are tender moments, too. Viewers see Cuppy not just as a public figure, but as a daughter, sister and granddaughter. Her time with her grandmother offers an especially intimate glimpse of the affection and family ties at the heart of her story.

The documentary also captures an evolution that audiences may already have noticed. The signature pink hair has given way to a new look and a more grounded chapter, with faith, education and service increasingly central to how Cuppy speaks about her future. It is not a rejection of music, but a fuller picture of the person behind it.

Her philanthropic work remains an important part of that picture. Through the Cuppy Foundation, she has helped raise more than $17 million to support displaced children in Nigeria in partnership with Save the Children. She has also established education funds at the University of Oxford, New York University and King’s College London to help students overcome financial barriers, particularly those from Africa.

Alongside this work, Cuppy remains active as an international DJ, with performances including Glastonbury, Wireless Festival and Cannes Lions, as well as events during United Nations General Assembly week.

At its heart, IFEOLUWA is about more than a familiar celebrity image. It is a personal homecoming and an invitation to understand how family, faith, Lagos and lived experience are shaping Cuppy’s next chapter.

Watch IFEOLUWA on YouTube

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Druppythekid Set to release New Two-Track Pack

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Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.

Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.

On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.

Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.

No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.

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