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Qatar has imported hundreds of thousands of construction workers for the 2022 World Cup, with seven new stadiums being constructed specifically for the tournament

Workers in Qatar continue to be mistreated despite promises to improve rights ahead of the 2022 World Cup, Amnesty International says.

A new report from the human rights group says thousands of workers are going unpaid.

It adds that a new commission set up to help improve workers’ rights is failing to protect them.

Amnesty has urged Qatari authorities to “end the shameful reality of labour exploitation”.

“Despite the significant promises of reform which Qatar has made ahead of the 2022 World Cup, it remains a playground for unscrupulous employers,” said Stephen Cockburn, Amnesty International’s deputy director of global issues.

“Migrant workers often go to Qatar in the hope of giving their families a better life – instead many people return home penniless after spending months chasing their wages, with too little help from the systems that are supposed to protect them.”

The 80,000-seater Lusail Stadium will host the opening match and final
The 80,000-seater Lusail Stadium will host the opening match and final

The report, All work, no pay: The struggle of Qatar’s migrant workers for justice, cites the example of “several hundred” contractors who were forced to “return home penniless” after the companies employing them first stopped paying them then ceased to operate.

Amnesty’s research focused on firms not directly related to the World Cup.

Qatari authorities passed new laws to improve workers’ rights after signing an agreement with the United Nations’ International Labour Organisation in November 2017.

Those changes included ending the labour sponsorship system that forced foreign workers to seek their employer’s permission to change jobs or leave the country.

New legislation also introduced a temporary minimum wage, created a workers’ insurance fund and set up committees to address disputes.

However, Amnesty’s latest report states that several hundred migrant workers employed by three construction and cleaning companies were forced to return home without being paid.

Responding to Amnesty’s report, world football’s governing body Fifa say they take “World Cup workers’ rights very seriously” and in line with its human rights policy.

“We would like to note that, as confirmed by Amnesty International, the report does not concern World Cup sites. The Supreme Committee for Delivery & Legacy has also confirmed that the contractors referenced in the report have never been engaged on World Cup projects in Qatar,” Fifa said in a statement.

“We however acknowledge the importance of the new labour dispute committee as an important part of the broader labour rights reforms taking place in Qatar. We know that the Qatari authorities are working intensely in collaboration with the International Labour Organisation and other stakeholders with a view to further improve the effectiveness of this complex but vital mechanism.

“Fifa continues to engage with the Supreme Committee for Delivery and Legacy and other parties towards ensuring respect for the rights of workers who are involved in Fifa World Cup-related activities. Whenever an issue is identified within that scope, Fifa follows-up with its Qatari counterparts through the appropriate channels.”

The BBC has contacted the Qatari government for a response but following a similar report into workers’ rights in February, it said it “welcomes” the “continued interest and scrutiny” of its systems from Amnesty and claimed it penalised or banned 11,994 companies in 2018 for violating labour laws.

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Chadreek Renews Recording Contract with UK-Based Label SauceBoi Music

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Nigerian Afrobeats artist Chadreek (born Salau Qudus Emiola) has officially renewed his recording contract with SauceBoi Music, the UK-based label that has played a pivotal role in his career development.

The renewed agreement reinforces the longstanding partnership between the artist and the label. It positions Chadreek for the next phase of his career with enhanced support across music production, distribution, marketing, and international expansion.

Known for his smooth vocal delivery and consistent output, Chadreek has steadily cultivated a dedicated following through standout records including Ori Mi (featuring Seyi Vibez), Better Dayz, Awure, and his earlier project No Bad Vibe. The renewed deal is expected to accelerate his momentum as he prepares new music and broadens his presence across Africa and global markets.

A source close to the camp confirmed that both parties are fully aligned on a clear vision for the artist’s next chapter, with a strong emphasis on high-quality releases and strategic growth.

This renewal marks another significant milestone in Chadreek’s journey as he continues to establish his place within the Afrobeats landscape.

About Chadreek
Chadreek is a Nigerian singer and songwriter signed to SauceBoi Music. He is recognised for his distinctive voice and a growing catalogue of Afrobeats records that blend melody, emotion, and street energy.

About SauceBoi Music
SauceBoi Music is a UK-based record label committed to developing and promoting talent across the Afrobeats and broader African music scenes.

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Audio

YTJ Announces New Single “JO,”

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Rising Afro-fusion artist builds on the momentum of “Closer” with an energetic new release made for dance floors worldwide
Recoup Records announces the forthcoming release of “JO,” the new single from rising Afro-fusion artist YTJ, arriving on all major digital streaming platforms September 10, 2026.
The release follows the growing international success of YTJ’s previous single, “Closer,” which has generated more than 4 million combined YouTube views and surpassed 3 million audio streams within two months of release. The record has also received airplay across more than 70 radio stations and 30 television channels worldwide, while reaching No. 63 on YouTube Music in Nairobi, Kenya.
With “JO,” YTJ enters the next phase of his sound and creative direction.
Driven by infectious rhythm, vibrant production and an unmistakable celebratory energy, “JO” is an Afro-fusion record built for movement. The single pairs YTJ’s melodic approach with a polished, high-energy production designed to connect across clubs, parties, festivals and playlists globally.
The visual world surrounding the release reflects that same energy. Built around a striking red-lit aesthetic, the “JO” campaign presents a confident and elevated side of YTJ as he continues to expand his presence beyond his home market and reach new audiences internationally.
“My intention with ‘Closer’ was simply to make something that would connect with people, and the response went beyond what I imagined,” says YTJ. “With ‘JO,’ I wanted to take that energy somewhere new. This record is a celebration — and we’re just getting started.”»
“JO” arrives at a pivotal moment for YTJ. Following the momentum established by “Closer,” the new single signals an artist increasingly focused on creating music that bridges cultures while remaining rooted in the rhythm, melody and energy of contemporary African music.
For Recoup Records, the release represents another step in the label’s commitment to developing YTJ’s international profile and introducing his music to a broader global audience.
“JO” by YTJ is available across all major digital streaming platforms HERE

ABOUT YTJ
YTJ is an emerging Afro-fusion artist whose music blends contemporary African rhythms, melody and global influences. With a growing international audience and millions of streams and views across digital platforms, YTJ is building a sound and identity designed to travel beyond borders.
Following the international response to “Closer,” YTJ continues his next chapter with “JO,” expanding his creative vision while establishing himself as an emerging voice in the new generation of African music.
ABOUT RECOUP RECORDS
Recoup Records is an independent music company focused on artist development, music distribution and building globally competitive African talent. Through strategic releases, media partnerships and international promotion, the label works to connect its artists and music with audiences around the world.
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Entertainment Gists

Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?

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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

 

 

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.

The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.

And the big question now is:

Should Josh2Funny continue with music or go back to skits? 😂

Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.

One X user joked:

“Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”

Another simply said:

“This Josh2Funny Album no enter make he just go back skit abeg 😂”

But then came “Lembe.” 🔥

The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.

Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.

And it didn’t stop there.

‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED

On another day, “International” featuring Ice Prince generated its own buzz on X.

One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.

From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.

Whether you love the album or think he should return to skits, one thing is clear:

Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:

Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?

Music or Skits? Drop your answer! 👇

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