Entertainment Gists
Wilder And Fury Battle in Stunning Draw At The WBC World Heavyweight Title Fight
Tyson Fury’s shot at completing a remarkable return to the top of world boxing saw him survive two knockdowns in an enthralling draw with WBC heavyweight champion Deontay Wilder in Los Angeles.
In one of the most thrilling heavyweight contests for years, the Briton was floored in the ninth round and brutally dropped in the 12th, somehow regaining his feet to survive for two minutes.
Fury had shown plenty of the evasive, counter-punching skill that made his name before his 30-month spell away from the sport and he enjoyed success in the middle rounds.
But in the 12th he lay motionless after a savage combination, barely making the count to see out the contest, which was scored 115-111 for Wilder, 114-112 for Fury and 113-113.
Fury – and much of the ringside media – felt he had won and had he stayed on his feet in the final three minutes, the WBC title would have been his.
After 36 minutes of the most tense and absorbing action, both men spoke of a rematch, which appears a certainty.
Fury, whose promoter Frank Warren claimed “everyone knows” his man had won, said: “We’re on away soil. I got knocked down but I still believe I won the fight. I’m showing total professionalism.
“The Gypsy King has returned. I’m a professional athlete who loves to fight. He is a fearsome fighter. The world knows the truth.”
Wilder said his two knockdowns meant he “definitely won the fight”.
“I don’t know if [a rematch] will be my next fight but would love it to be. We need to do it again.”
‘How did he get up?’
Those at ringside – who included boxing greats Floyd Mayweather, Evander Holyfield, Lennox Lewis and James ‘Buster’ Douglas, as well as actress Hayden Panettiere and footballer Zlatan Ibrahimovic – were left asking the same question after the fight: how did Tyson Fury get up?
The right hand and left hook Wilder landed cleanly in the final round looked to have ended the contest.
It would have been cruel. The 17,698 in the Staples Center had seen Fury contribute immensely, landing punches time and again and goading his rival.
Wilder’s ring walk was accompanied by his WBC belt being lowered into the ring under spotlight, while Fury worked pads with trainer Ben Davison, seemingly oblivious to the spectacle.
The Briton frustrated his big-hitting American counterpart but produced blows of his own, landing a stunning left-right in the seventh that prompted Wilder to give chase and swing to no avail as Fury evaded.
But the threat from a man with 39 knockout wins remained always in evidence, as some at ringside watched through their hands.
The power punches duly came, a chopping right hand behind Fury’s ear sending the Briton down in round nine. He held on, ducked, bravely punched back and survived, somehow.
And so to the 12th, three minutes few will forget. Wilder looked a little stunned to see his rival come back for more after crashing to the mat and the bell brought roars of appreciation from the crowd.
Slick and durable Fury is back
The noisy singing of God Save The Queen at the Staples Center was evidence of a healthy British support in the arena – and, indeed, Fury has re-emerged as something of a people’s champion after time spent away from the sport to overcome depression, during which he also accepted a backdated two-year UK Anti-Doping ban.
But two routine wins since his June return taught little, and his 10-stone weight drop proved more of a talking point than his performances.
Fury was an underdog with bookmakers, and his own team admitted this challenge had come six months sooner than they would have preferred. But he took a chance, knowing it could be a fleeting one, given the clamour for Wilder to face Anthony Joshua in a bout for all four world titles.
After this display, he has shown he is legitimately back in the mix. The man who held three world titles after his surprise victory over Wladimir Klitschko in 2015 showed his trademark body and head movement, and frequently flummoxed Wilder with his quick feet and counter-punching.
The jab was slick, his right hand landed frequently, and despite the dramatic weight loss, his punch resistance and durability were truly remarkable.
One of Wilder’s team likened Fury to WWE wrestler The Undertaker, such was his 12th-round ‘back-from-the-dead’ recovery.
It has been a remarkable three years. From world champion to depression, and ballooning to 28 stone, Fury is, somehow, back among the elite names of the glamour division.
Wilder-Fury II – Vegas? Wembley?
Wilder showed why he is champion. Even when frustrated by his opponent, he found a way to deliver crucial blows. His performance – and this captivating bout – will do his profile no harm in the US.
The heavyweight scene has stagnated in the country but Warren said Las Vegas would be desperate for a rematch, while a UK meeting would undoubtedly sell out a stadium.
Fury earned a reported £7m for his work, Wilder £3m more. Both men remain undefeated. They will earn even more when it happens again.
And Fury found time to call out IBF, WBO and WBA champion Anthony Joshua, saying: “We’re the best two heavyweights on the planet. There is another heavyweight who is a chicken. Joshua where are you?”
Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.
Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.
On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.
Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.
No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.
Chinwe Zoe, a Nigerian gospel singer and songwriter, began recording music in December 2025 after years of singing in church and at home. Less than a year later, she has released three singles, including “Chinwendum”, featuring gospel singer Frank Edwards, “Undeniable” and “Jesus Don Win”, her October 2026 release produced by Masterkraft.
For Zoe, the decision to record was connected to a personal experience that changed how she viewed her life and faith. She has described it as a near-death experience that left her with a renewed sense of gratitude. “In that moment, when I thought it was over, God showed me mercy,” she said. “He gave me victory. And that victory was too loud to keep inside.”
Her debut, “Chinwendum”, was released in December 2025 with Frank Edwards featured on the record. She followed it with “Undeniable” on May 7, 2026. The song’s official video has recorded more than 460,000 views on YouTube. In October, she released “Jesus Don Win”, produced by Masterkraft, with a video directed by Avalon Okpe.
Zoe’s approach to songwriting draws on personal experiences and scripture. She has said that she does not begin the process by searching for a melody, but by waiting for a message that she can develop into a song. She describes a process in which an experience or scripture stays with her until it takes musical form. The melody follows, and she hums it before committing anything to writing.
Her guiding principle is that a gospel song should be accessible to listeners while remaining suitable for congregational worship. “It should be simple enough for a child to sing and strong enough for a choir to carry,” she said.
Zoe has identified CeCe Winans, Nathaniel Bassey and Dunsin Oyekan among the musicians whose work has influenced her. She sings in English and Igbo, and occasionally in Pidgin, drawing on the worship tradition in her musical expression.
“Every song I sing comes from a place I have lived,” she said. “My pain taught me how to worship, my joy taught me how to praise.”
Her music has also begun attracting an online audience. Her YouTube channel has recorded more than 627,000 views across nine videos, while her Spotify monthly listeners have been reported at approximately 6,500. Her Audiomack profile is verified. Zoe records under her own imprint, H2 Records, with distribution through ONErpm. She made her first public performance at the 2026 Annual Virtuous Women Network conference in Enugu, where she performed “Undeniable”.
Outside music, she has spoken about her interest in soul winning and described it as connected to her musical work. She has also said that she wants her songs to encourage listeners facing difficult circumstances. “I want my songs to shift mindsets from worry to worship,” she said. “Whenever anxiety comes, whenever life tries to make you feel small, I want you to hear my sound in your spirit and declare victory over your life.”
Nigerian artist N8TAN is set to unveil his highly anticipated ‘UPRISING EP’, a body of work that chronicles his journey from the streets to the heights of his musical ambition.
Built around themes of struggle, resilience, ambition, survival, and triumph, UPRISING captures the realities of an artist determined to turn adversity into momentum. The project reflects N8TAN’s experiences, the challenges that shaped him, and the relentless drive that continues to push him forward.
More than a collection of songs, UPRISING is presented as a story of transformation—from navigating the streets and confronting uncertainty to finding purpose, embracing growth, and rising toward the top.
With its blend of raw storytelling, infectious energy, and personal perspective, the EP offers listeners an intimate look into N8TAN’s world while reinforcing his determination to carve out his own place in the music industry.
‘UPRISING EP’ is a statement of elevation: a reminder that where you start does not have to determine where you finish.
As N8TAN continues to build his musical identity, UPRISING marks another significant chapter in his journey—and an invitation for listeners to rise with him.
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