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US Sales of Palestinian Keffiyehs Soar, Even As Wearers Targeted

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Izzat Hirbawi shows different keffiyeh fabric colours in a textile factory in Hebron in the Israeli-occupied West Bank on January 24

An uptick of keffiyeh sales points to a growing trend of pro-Palestinian solidarity in the United States.

A growing number of Americans are donning the keffiyeh, the distinctive patterned scarf that’s closely linked with Palestinians, to demand a ceasefire to Israel’s attacks on Gaza or to signal their support for Palestinians.

Sales of the scarves have jumped since the Israel-Hamas war began in October, US distributors say, even as keffiyehs have been forcibly removed by security forces at some protests and wearers report being targeted for verbal and physical abuse.

“It was like a light switch. All of a sudden, we had hundreds of people on the website simultaneously and buying whatever they could,” said Azar Aghayev, the US distributor for Hirbawi, which opened in 1961 and is the only manufacturer of keffiyehs left in the Israeli-occupied West Bank.

“In two days, the stock that we had was just gone, and not just gone, it was oversold.”

Hirbawi, which has patented its brand, sells scarves internationally via its US and German websites and on Amazon. All 40 variations on the US website, which include many in bright colours as well as the traditional black and white, are sold out, Aghayev said.

A person on board a bus wearing a Palestinian keffiyeh gestures to a protester during a rally held in support of Palestinians in Staten Island, New York, the US, on November 14 

Unit sales of keffiyeh scarves have risen 75 percent in the 56 days between October 7 and December 2 on Amazon.com compared with the previous 56 days, data from e-commerce analytics firm Jungle Scout showed.

Searches for “Palestinian scarf for women” rose by 159 percent in the three months to December 4 compared with the previous three months; searches for “military scarf shemagh,” “keffiyeh palestine” and “keffiyeh” rose 333 percent, 75 percent, and 68 percent, respectively.

The keffiyeh, with its fishing net pattern, is common throughout the Arab world, with roots dating as far back as 3100 BC. It first came to symbolise Palestinian resistance during the 1936 Arab Revolt against British rule and later became the signature headgear of Palestine Liberation Organization leader Yasser Arafat.

While Hirbawi is the best-known manufacturer, others include small artisans and global copycats; luxury goods maker Louis Vuitton sold a version in 2021.

US supporters of the Palestinians and Israel have faced threats and attacks since the Middle East conflict began, with Jewish Americans seeing an increase in anti-Semitism and Muslim Americans an uptick in Islamaphobia.

Hazami Barmada, 38, a former United Nations official who lives in Virginia, wore a keffiyeh recently as she protested outside the White House and in Washington’s Georgetown neighbourhood in support of a ceasefire in Gaza.

Donning the scarf felt like a “superpower,” she said, reconnecting her with her Palestinian heritage and offering a symbolic link to children in Gaza. But she believes it also attracts verbal abuse. “I’m taking a calculated risk,” said Barmada.

Security target, Vermont shooting

At New York City’s Rockefeller Center Christmas tree lighting in November, one attendee who wore a keffiyeh had it yanked off by a security guard – a moment captured in a Reuters photograph.

The security officer approached protesters at the front of the crowd who had a banner, a Palestinian flag, and a keffiyeh worn by one demonstrator. The guard grabbed all three items, taking the keffiyeh from around the neck of the protester, photographer Eduardo Munoz said.

The Council on American-Islamic Relations has documented several instances of people targeted for wearing a keffiyeh, from a father assaulted on a Brooklyn playground to a Harvard University graduate student who was told she was wearing a “terrorist” scarf.

A security guard takes a Palestinian keffiyeh from a pro-Palestinian demonstrator during the lighting of the Rockefeller Center Christmas tree in New York City, the US, on November 29 

In the most serious incident, three college students of Palestinian descent – two wearing keffiyehs – were shot in Burlington, Vermont, while taking a walk last month. Hisham Awartani, 20, is paralysed from the chest down. Authorities have charged a suspect with attempted murder in the shootings and are investigating whether it was a hate-motivated crime.

Tamara Tamimi, the mother of one of the students, Kinnan Abdalhamid, told CBS News last week that she believed they would not have been targeted if they had not been “dressed the way that they were and speaking Arabic.”

Students for Justice in Palestine (SJP), a group at the centre of US campus activism since Hamas attacked Israel on October 7, has been encouraging students to “wear your keffiyeh” in solidarity with the students shot in Vermont in the week after the incident.

Still, in Houston, Texas, SJP member Anna Rajagopal said she and other members had not worn their keffiyeh outside spaces they considered friendly to Arabs and Muslims since October, after people waving Israeli flags surrounded a cafe they were in, screaming insults.

“Myself and a friend have been cognizant of taking off our keffiyehs after leaving Palestinian, Arab spaces to be safe,” said Rajagopal, 23, a freelance writer who graduated from Rice University in May and is also a member of Jewish Voice for Peace, a group that advocates for Palestinian independence.

Demand is unabated, though, sellers say. “If we could stock 20,000 keffiyehs, we would have sold them,” said Morgan Totah, founder of Handmade Palestine, a group based in the Palestinian city of Ramallah that sells local artisans’ wares online.

SOURCE: REUTERS


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YTJ Announces New Single “JO,”

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Rising Afro-fusion artist builds on the momentum of “Closer” with an energetic new release made for dance floors worldwide
Recoup Records announces the forthcoming release of “JO,” the new single from rising Afro-fusion artist YTJ, arriving on all major digital streaming platforms September 10, 2026.
The release follows the growing international success of YTJ’s previous single, “Closer,” which has generated more than 4 million combined YouTube views and surpassed 3 million audio streams within two months of release. The record has also received airplay across more than 70 radio stations and 30 television channels worldwide, while reaching No. 63 on YouTube Music in Nairobi, Kenya.
With “JO,” YTJ enters the next phase of his sound and creative direction.
Driven by infectious rhythm, vibrant production and an unmistakable celebratory energy, “JO” is an Afro-fusion record built for movement. The single pairs YTJ’s melodic approach with a polished, high-energy production designed to connect across clubs, parties, festivals and playlists globally.
The visual world surrounding the release reflects that same energy. Built around a striking red-lit aesthetic, the “JO” campaign presents a confident and elevated side of YTJ as he continues to expand his presence beyond his home market and reach new audiences internationally.
“My intention with ‘Closer’ was simply to make something that would connect with people, and the response went beyond what I imagined,” says YTJ. “With ‘JO,’ I wanted to take that energy somewhere new. This record is a celebration — and we’re just getting started.”»
“JO” arrives at a pivotal moment for YTJ. Following the momentum established by “Closer,” the new single signals an artist increasingly focused on creating music that bridges cultures while remaining rooted in the rhythm, melody and energy of contemporary African music.
For Recoup Records, the release represents another step in the label’s commitment to developing YTJ’s international profile and introducing his music to a broader global audience.
“JO” by YTJ is available across all major digital streaming platforms HERE

ABOUT YTJ
YTJ is an emerging Afro-fusion artist whose music blends contemporary African rhythms, melody and global influences. With a growing international audience and millions of streams and views across digital platforms, YTJ is building a sound and identity designed to travel beyond borders.
Following the international response to “Closer,” YTJ continues his next chapter with “JO,” expanding his creative vision while establishing himself as an emerging voice in the new generation of African music.
ABOUT RECOUP RECORDS
Recoup Records is an independent music company focused on artist development, music distribution and building globally competitive African talent. Through strategic releases, media partnerships and international promotion, the label works to connect its artists and music with audiences around the world.
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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?

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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

 

 

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.

The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.

And the big question now is:

Should Josh2Funny continue with music or go back to skits? 😂

Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.

One X user joked:

“Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”

Another simply said:

“This Josh2Funny Album no enter make he just go back skit abeg 😂”

But then came “Lembe.” 🔥

The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.

Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.

And it didn’t stop there.

‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED

On another day, “International” featuring Ice Prince generated its own buzz on X.

One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.

From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.

Whether you love the album or think he should return to skits, one thing is clear:

Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:

Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?

Music or Skits? Drop your answer! 👇

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Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London

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East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.

Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.

Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.

Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.

For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.

By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.

 

With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.

Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.

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