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US Returns Benin Bronzes Stolen By British Colonial Forces To Nigeria

A bronze sculpture called the Head of a King or Oba is among 31 culturally precious objects returned to the Nigerian government on October 11, 2022
Thousands of Benin Bronzes are scattered in museums worldwide after being looted by Britain in the late 19th century.
A bronze sculpture of a West African king that was in the collection of a Rhode Island museum for more than 70 years is among 31 culturally precious objects that have been returned to the Nigerian government.
The sculpture, called the Head of a King, or Oba, which was held at the Rhode Island School of Design Museum (RISD) was among the objects transferred to the Nigerian National Collections during a ceremony at the Smithsonian Institution in Washington, DC on Tuesday.
The Benin Bronzes were stolen in 1897 when British colonial forces ransacked and looted the kingdom of Benin, which is now in modern-day Nigeria.
“In 1897 the ‘Head of an Oba’ was stolen from the Royal Palace of Oba Ovonranwmen,” RISD Museum Interim Director Sarah Ganz Blythe said in a statement.
“The RISD Museum has worked with the Nigerian National Commission for Museums and Monuments to repatriate this sculpture to the people of Nigeria where it belongs,” Blythe said.
The pieces that were stolen in the late 19th century included 29 that the Smithsonian Institution’s Board of Regents voted in June to return to Nigeria and one object from the National Gallery of Art, officials said.
“Today, we address a historic injustice by returning the Benin Bronzes, magnificent examples of Benin’s culture and history,” Lonnie Bunch III, founding director of the Smithsonian National Museum of African American History and Culture, wrote on Twitter.
“Through this repatriation, we acknowledge a legacy of cultural theft and do our part to return African culture to Africans.”
Today, we address a historic injustice by returning the Benin Bronzes, magnificent examples of Benin's culture and history. Through this repatriation, we acknowledge a legacy of cultural theft and do our part to return African culture to Africans.
Shown here: bronze plaque. pic.twitter.com/E4vWQG8SFi
— Lonnie G. Bunch III (@SmithsonianSec) October 11, 2022
The Head of a King, which is believed to date to the 1700s, was given to the RISD Museum by Lucy Truman Aldrich in 1939. It had been acquired in a 1935 sale of objects from the Benin Kingdom from the Knoedler Gallery in New York, the museum said in a statement.
A French customs stamp on the interior suggests it had been held in a French collection.
The RISD Museum said the sculpture is almost certainly one of the looted objects, even though it has not been able to trace the piece to a specific French or British collection.
The bronze head represents an oba, or king, of the Edo people of Benin, West Africa. The sculptures were commissioned by an incoming king to honour a predecessor and were placed on ancestral altars in the royal palace, the museum said.
The repatriation is part of a worldwide movement by cultural institutions to return artefacts stolen during colonial wars.
In August, Germany signed an agreement to transfer ownership of the Benin Bronzes in its museums to Nigeria. The collection was described as the most extensive transfer of museum artefacts from a colonial context to date and covers 512 objects which ended up in Berlin in the aftermath of the 1897 looting.
The same month, the Horniman Museum and Gardens in London announced it would transfer a collection of 72 Benin Bronzes to the Nigerian government.
Abba Isa Tijani, director-general of Nigeria’s National Commission for Museums and Monuments, said she hoped the latest transfer would inspire other museums to return African artefacts.
“We hope for great collaborations with these museums and institutions and we have already opened promising discussions with them concerning this,” he said in a statement.
“The entire world is welcome to join in this new way of doing things. A way free from rancours and misgivings. A way filled with mutual respect.”
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Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London


East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.
Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.
Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.
Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.
For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.
By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.
With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.
Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.
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Afrocentric Music Festival Invites 1,000 Music Artists!

Audio
KenryWhite Releases “Kilometers” & “The King” A Powerful Double Release Celebrating Faith, Purpose, and the Journey to Greatness

Nigerian Afrofusion artist KenryWhite unveils his compelling two-track release, “Kilometers & The King,” a project that explores the realities of life’s journey while affirming identity, faith, and purpose.
Leading the release is “Kilometers,” an uplifting anthem that reflects on the distance between dreams and fulfillment. Through heartfelt lyrics, captivating melodies, and vibrant Afrobeats production, KenryWhite encourages listeners to embrace the process, remain resilient, and keep moving forward despite life’s challenges.
Complementing the project is “The King,” featuring Wonder J. The record is a bold declaration of confidence, royalty, and divine purpose, blending infectious Afrobeats rhythms with inspiring lyricism. Together, the duo delivers a record that celebrates self-belief, leadership, and the mindset required to overcome every obstacle.
With rich storytelling, memorable melodies, and contemporary African sounds, “Kilometers & The King” showcases KenryWhite’s artistic growth while delivering music that inspires, motivates, and connects with audiences across the globe.
Now available on all major streaming platforms, “Kilometers & The King” invites listeners to embrace the journey, recognize their worth, and walk confidently into their purpose.
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