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Ukraine’s Allies Fall Short of Russia’s On Arms Help, Raising 2024 Risks

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Ukrainian President Volodymyr Zelenskyy

Ukrainian President Volodymyr Zelenskyy reacts during his end-of-the-year news conference in Kyiv, Ukraine, December 19, 2023

Europe is supplying Ukraine only a fraction of the shells it needs, while North Korea has stepped up for Russia. That, say analysts, raises challenges for Kyiv next year.

In March of this year, Ukraine asked its European allies for a quarter of a million shells a month. Its full battle plan, then-Defence minister Oleksiy Reznikov said, required at least 350,000. Ukraine was then rationing itself to just 110,000 a month and needed Europe to help make up the difference.

The European Union pledged a million shells within a year – a third of what Ukraine had requested. By the end of November, it had delivered 300,000 from the stockpiles of European armies. It has four months to make up the difference, but further deliveries have to come from new production, said Josep Borrell, the EU’s foreign policy chief.

Astonishingly, after almost two years of war on European soil, the EU has not taken stock of continental production capacity. “We would like to know today where we are and what can be the rhythm of production for this second track,” said Borrell on November 14 at a gathering of EU defence ministers.

Russia, too, has been firing more shells than it can produce, and in September reached out for help to North Korea. Within a month, North Korea had delivered 1,000 containers worth of ammunition, said White House spokesperson John Kirby. Estonian military intelligence chief Col Ants Kiviselg said that translated into 300,000-350,000 shells — the same amount as that delivered by the EU to Ukraine, but in one month instead of eight.

A Washington Post analysis of satellite photography suggested the number was higher because ships had been plying the route between the North Korean free trade zone port of Rason to Russia’s port of Dunai since August.

Russia may have received additional North Korean shells via rail. The Center for Strategic and International Studies (CSIS) said satellite imagery showing that rail traffic between North Korea and Russia had “dramatically” increased since Russian President Vladimir Putin met North Korean leader Kim Jong Un in September.

“To the West’s great surprise, Russia proved more adept at securing what it wanted from the outside, including from China,” Yiorgos Margaritis, professor emeritus of history at the Aristotelian University of Thessaloniki, who has been monitoring the balance of artillery, told Al Jazeera. “The quantity of shells North Korea promised – 10 million – is monstrous. And they’ve already provided a 10th of that.”

“[Russia] is well supplied, it does not care for the amount of losses, and it has third-party support which is not in doubt. All of these three elements are not the same on the Ukrainian side,” Jens Bastian, a fellow with the German Institute for International and Security Affairs, told Al Jazeera.

The EU has been left fumbling for an answer. Borrell has suggested its defence industry default on contracts to overseas clients, who are currently buying 40 percent of its production.

The US response was quicker and more dynamic. In February it decided to increase artillery shell production sixfold – a level not seen since the Korean War – to replenish stocks sent to Ukraine, supply Ukraine with more, and build up stocks for future conflicts.

According to a New York Times report, the US Army was buying 14,400 shells a month in September 2022, when it tripled that, and in January 2023 doubled it again, to 90,000. But it will still take US defence contractors until the end of next year to reach that production capacity.

What is the matter with Europe?

The EU says it will match the US’s orderbook of a roughly million rounds of artillery ammunition, including missiles, per year by spring.

“I am responsible for the production capacity of ammunition, so I can confirm that the goal of producing more than a million ammunition rounds annually … can be achieved,” EU internal market commissioner Thierry Breton was reported to have said at an EU defence ministers’ meeting on November 14.

For that to happen, governments must place orders, he said.

“It is the member states who must place the order for this ammunition, who must produce it, and who must ensure that it is produced primarily for Ukraine. All this is in the hands of the member countries,” said Breton.

Yet, by December 6, EU members had placed orders for only 60,000 of the one million shells they promised Ukraine, Reuters news agency reported. Orders take a long time to fulfil, making it doubtful that the EU will come through by March on even the limited ones that have been placed. For example, German steel and weapons manufacturer Rheinmetall said on December 3 it had received a 142-million-euro ($156mn) order for shells intended for Ukraine, but these would be delivered in 2025.

The EU’s lamentable state of coordination on defence has many reasons, say experts.

Unlike areas such as banking, the green energy transition and transport, where EU member states have closely coordinated policies led by Brussels, defence and foreign policy remain national competencies.

“We do not have an integrated European defence industry and also an integrated European defence policy, and Ukraine has highlighted that for two years,” said Bastian. “Mr Borrell is making clear that the failure at the EU level is also a failure of individual countries who do not have … the capacity to produce at scale within a defined period of time,” he said.

Lack of coordination in foreign policy is just as challenging. “We don’t have one defined, shared threat perception, and therefore the countries have different priorities,” said Minna Alander, a research fellow at the Finnish Institute of International Affairs.

“Not everyone shares the view that Russia is an existential threat to Europe,” she told Al Jazeera.

Europe’s divestment from heavy industry, including metals production, which reached a climax during the COVID-19 pandemic, contributed to a slim supply of raw materials for weapons.

“If you want to build a bridge, 80 percent of your steel is going to come from China, India and one or two other countries in the east. The same applies for weapons production,” said Margaritis. “If you want to increase steel production, you need to make enormous changes,” he said, including the provision of cheap energy and plentiful labour.

If Europe does not maintain at least some self-sufficiency in heavy industry, it risks its own security, say experts.

“Europe needs an epochal shift in political thinking, coupled with significantly higher defence spending and a determined effort to reset public perceptions of the need for strong defence,” Bastian Giegerich, director-general of the International Institute for Strategic Studies, a London-based think tank, and Tim Lawrenson, a defence industry consultant, recently wrote.

“None of these requirements currently looks assured. Unless they are met, however, NATO’s vaunted deterrent may falter. Russia may no longer perceive Europe as having credible defences and become tempted to attack a NATO member.”

SOURCE: AL JAZEERA
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YTJ Announces New Single “JO,”

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Rising Afro-fusion artist builds on the momentum of “Closer” with an energetic new release made for dance floors worldwide
Recoup Records announces the forthcoming release of “JO,” the new single from rising Afro-fusion artist YTJ, arriving on all major digital streaming platforms September 10, 2026.
The release follows the growing international success of YTJ’s previous single, “Closer,” which has generated more than 4 million combined YouTube views and surpassed 3 million audio streams within two months of release. The record has also received airplay across more than 70 radio stations and 30 television channels worldwide, while reaching No. 63 on YouTube Music in Nairobi, Kenya.
With “JO,” YTJ enters the next phase of his sound and creative direction.
Driven by infectious rhythm, vibrant production and an unmistakable celebratory energy, “JO” is an Afro-fusion record built for movement. The single pairs YTJ’s melodic approach with a polished, high-energy production designed to connect across clubs, parties, festivals and playlists globally.
The visual world surrounding the release reflects that same energy. Built around a striking red-lit aesthetic, the “JO” campaign presents a confident and elevated side of YTJ as he continues to expand his presence beyond his home market and reach new audiences internationally.
“My intention with ‘Closer’ was simply to make something that would connect with people, and the response went beyond what I imagined,” says YTJ. “With ‘JO,’ I wanted to take that energy somewhere new. This record is a celebration — and we’re just getting started.”»
“JO” arrives at a pivotal moment for YTJ. Following the momentum established by “Closer,” the new single signals an artist increasingly focused on creating music that bridges cultures while remaining rooted in the rhythm, melody and energy of contemporary African music.
For Recoup Records, the release represents another step in the label’s commitment to developing YTJ’s international profile and introducing his music to a broader global audience.
“JO” by YTJ is available across all major digital streaming platforms HERE

ABOUT YTJ
YTJ is an emerging Afro-fusion artist whose music blends contemporary African rhythms, melody and global influences. With a growing international audience and millions of streams and views across digital platforms, YTJ is building a sound and identity designed to travel beyond borders.
Following the international response to “Closer,” YTJ continues his next chapter with “JO,” expanding his creative vision while establishing himself as an emerging voice in the new generation of African music.
ABOUT RECOUP RECORDS
Recoup Records is an independent music company focused on artist development, music distribution and building globally competitive African talent. Through strategic releases, media partnerships and international promotion, the label works to connect its artists and music with audiences around the world.
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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?

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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

 

 

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.

The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.

And the big question now is:

Should Josh2Funny continue with music or go back to skits? 😂

Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.

One X user joked:

“Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”

Another simply said:

“This Josh2Funny Album no enter make he just go back skit abeg 😂”

But then came “Lembe.” 🔥

The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.

Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.

And it didn’t stop there.

‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED

On another day, “International” featuring Ice Prince generated its own buzz on X.

One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.

From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.

Whether you love the album or think he should return to skits, one thing is clear:

Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:

Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?

Music or Skits? Drop your answer! 👇

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Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London

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East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.

Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.

Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.

Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.

For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.

By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.

 

With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.

Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.

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