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Transgender Man Who Gave Birth Slams Nurses Who Call Him ‘Mom’

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Transgender man who gave birth slams nurses who call him

A transgender man has complained that nurses insisted on calling him “mom” during his pregnancy despite being a man.

 

Bennett Kaspar-Williams, 37, from Los Angeles, was born biologically female. He first realised he was trans around ten years ago, in 2011, but didn’t begin his transition until three years later.

Then six years later, in 2017 he found Malik, his future husband, who he married in 2019.

When they decided to have kids, Bennett stopped the testosterone hormone therapy he’d been on for several years to enable his ovaries to function.

Bennett, who has had gender reassigning surgery on the top half of his body but not on his genitalia, eventually decided that he would be comfortable trying to conceive and carrying a child.

 

Transgender man who gave birth slams nurses who call him

 

He fell pregnant naturally soon after they started trying. He found out he was pregnant in March 2020 and the couple welcomed their son Hudson, via Cesarean section, in October 2020.

But in the process of having little Hudson, Bennett Kaspar-Williams was troubled by the constant misgendering of him by hospital staff who insisted on calling him a “mom”.

 

Transgender man who gave birth slams nurses who call him

Bennett said: “I always knew it was a possibility that my body might achieve pregnancy, but it wasn’t something I ever wanted to do until I learned how to separate the function of my body from any notions of gender.

“Once I learned to think of my body as a tool and not a collection of gendered stereotypes, I realized that I could both be the person I wanted to and bring a child into the world.

“No one can ever really know whether having children is possible until you try – being born with a uterus doesn’t make conceiving or carrying a certainty.

 

“That’s why it’s so important that we stop defining ‘womanhood’ in terms of

‘motherhood’, because it’s a false equivalency that all women can become mothers, that all mothers carry their children, or that all people who carry children are mothers.

“‘None of those things are universally true.”

 

Transgender man who gave birth slams nurses who call him

 

But while in the hospital, Bennett says he was constantly misgendered, despite having a beard and a flat chest.

“The only thing that made me dysphoric about my pregnancy was the misgendering that happened to me when I was getting medical care for my pregnancy,” he said.

 

Transgender man who gave birth slams nurses who call him

 

“The business of pregnancy – and yes, I say business, because the entire institution of pregnancy care in America is centred around selling this concept of ‘motherhood’ – is so intertwined with gender that it was hard to escape being misgendered.

 

“Even with a full beard, a flat chest, and a ‘male’ gender marker on all my identification, people could not help but default to calling me ‘mom’, ‘mother’, or ‘ma’am’.

“That was what made me dysphoric.

 

Transgender man who gave birth slams nurses who call him

 

“Nothing about being pregnant felt ‘feminine’ to me – in fact, I think carrying a child, isolated due to the pandemic, and facing all the hospitals and appointments alone was the absolute toughest, bravest thing I’ve ever done.

“Nothing feels stronger than being able to say I’m a dad who created my own child.”

He continued: “To my son, there’s nothing more natural and normal than having a Dada and a Papa, and when he’s old enough, he will also come to know that his Dada was the one who carried him and took care of him so he could come into this world.

“Children see love, they see patience, and they see commitment.

“My son will no doubt accept that he came from me, just as he accepts all the other love and beauty around him – with open arms.”

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YTJ Announces New Single “JO,”

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Rising Afro-fusion artist builds on the momentum of “Closer” with an energetic new release made for dance floors worldwide
Recoup Records announces the forthcoming release of “JO,” the new single from rising Afro-fusion artist YTJ, arriving on all major digital streaming platforms September 10, 2026.
The release follows the growing international success of YTJ’s previous single, “Closer,” which has generated more than 4 million combined YouTube views and surpassed 3 million audio streams within two months of release. The record has also received airplay across more than 70 radio stations and 30 television channels worldwide, while reaching No. 63 on YouTube Music in Nairobi, Kenya.
With “JO,” YTJ enters the next phase of his sound and creative direction.
Driven by infectious rhythm, vibrant production and an unmistakable celebratory energy, “JO” is an Afro-fusion record built for movement. The single pairs YTJ’s melodic approach with a polished, high-energy production designed to connect across clubs, parties, festivals and playlists globally.
The visual world surrounding the release reflects that same energy. Built around a striking red-lit aesthetic, the “JO” campaign presents a confident and elevated side of YTJ as he continues to expand his presence beyond his home market and reach new audiences internationally.
“My intention with ‘Closer’ was simply to make something that would connect with people, and the response went beyond what I imagined,” says YTJ. “With ‘JO,’ I wanted to take that energy somewhere new. This record is a celebration — and we’re just getting started.”»
JO” arrives at a pivotal moment for YTJ. Following the momentum established by “Closer,” the new single signals an artist increasingly focused on creating music that bridges cultures while remaining rooted in the rhythm, melody and energy of contemporary African music.
For Recoup Records, the release represents another step in the label’s commitment to developing YTJ’s international profile and introducing his music to a broader global audience.
JO” by YTJ is available across all major digital streaming platforms HERE

ABOUT YTJ
YTJ is an emerging Afro-fusion artist whose music blends contemporary African rhythms, melody and global influences. With a growing international audience and millions of streams and views across digital platforms, YTJ is building a sound and identity designed to travel beyond borders.
Following the international response to “Closer,” YTJ continues his next chapter with “JO,” expanding his creative vision while establishing himself as an emerging voice in the new generation of African music.
ABOUT RECOUP RECORDS
Recoup Records is an independent music company focused on artist development, music distribution and building globally competitive African talent. Through strategic releases, media partnerships and international promotion, the label works to connect its artists and music with audiences around the world.
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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?

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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

 

 

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.

The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.

And the big question now is:

Should Josh2Funny continue with music or go back to skits? 😂

Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.

One X user joked:

Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”

Another simply said:

“This Josh2Funny Album no enter make he just go back skit abeg 😂”

But then came “Lembe.” 🔥

The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.

Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.

And it didn’t stop there.

‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED

On another day, “International” featuring Ice Prince generated its own buzz on X.

One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.

From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.

Whether you love the album or think he should return to skits, one thing is clear:

Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:

Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?

Music or Skits? Drop your answer! 👇

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Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London

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East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.

Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.

Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.

Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.

For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.

By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.

 

With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.

Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.

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