News
Transgender Man Who Gave Birth Slams Nurses Who Call Him ‘Mom’

A transgender man has complained that nurses insisted on calling him “mom” during his pregnancy despite being a man.
Bennett Kaspar-Williams, 37, from Los Angeles, was born biologically female. He first realised he was trans around ten years ago, in 2011, but didn’t begin his transition until three years later.
Then six years later, in 2017 he found Malik, his future husband, who he married in 2019.
When they decided to have kids, Bennett stopped the testosterone hormone therapy he’d been on for several years to enable his ovaries to function.
Bennett, who has had gender reassigning surgery on the top half of his body but not on his genitalia, eventually decided that he would be comfortable trying to conceive and carrying a child.

He fell pregnant naturally soon after they started trying. He found out he was pregnant in March 2020 and the couple welcomed their son Hudson, via Cesarean section, in October 2020.
But in the process of having little Hudson, Bennett Kaspar-Williams was troubled by the constant misgendering of him by hospital staff who insisted on calling him a “mom”.

Bennett said: “I always knew it was a possibility that my body might achieve pregnancy, but it wasn’t something I ever wanted to do until I learned how to separate the function of my body from any notions of gender.
“Once I learned to think of my body as a tool and not a collection of gendered stereotypes, I realized that I could both be the person I wanted to and bring a child into the world.
“No one can ever really know whether having children is possible until you try – being born with a uterus doesn’t make conceiving or carrying a certainty.
“That’s why it’s so important that we stop defining ‘womanhood’ in terms of
‘motherhood’, because it’s a false equivalency that all women can become mothers, that all mothers carry their children, or that all people who carry children are mothers.
“‘None of those things are universally true.”

But while in the hospital, Bennett says he was constantly misgendered, despite having a beard and a flat chest.
“The only thing that made me dysphoric about my pregnancy was the misgendering that happened to me when I was getting medical care for my pregnancy,” he said.

“The business of pregnancy – and yes, I say business, because the entire institution of pregnancy care in America is centred around selling this concept of ‘motherhood’ – is so intertwined with gender that it was hard to escape being misgendered.
“Even with a full beard, a flat chest, and a ‘male’ gender marker on all my identification, people could not help but default to calling me ‘mom’, ‘mother’, or ‘ma’am’.
“That was what made me dysphoric.

“Nothing about being pregnant felt ‘feminine’ to me – in fact, I think carrying a child, isolated due to the pandemic, and facing all the hospitals and appointments alone was the absolute toughest, bravest thing I’ve ever done.
“Nothing feels stronger than being able to say I’m a dad who created my own child.”
He continued: “To my son, there’s nothing more natural and normal than having a Dada and a Papa, and when he’s old enough, he will also come to know that his Dada was the one who carried him and took care of him so he could come into this world.
“Children see love, they see patience, and they see commitment.
“My son will no doubt accept that he came from me, just as he accepts all the other love and beauty around him – with open arms.”
News
Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London


East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.
Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.
Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.
Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.
For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.
By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.
With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.
Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.
News
Afrocentric Music Festival Invites 1,000 Music Artists!

Audio
KenryWhite Releases “Kilometers” & “The King” A Powerful Double Release Celebrating Faith, Purpose, and the Journey to Greatness

Nigerian Afrofusion artist KenryWhite unveils his compelling two-track release, “Kilometers & The King,” a project that explores the realities of life’s journey while affirming identity, faith, and purpose.
Leading the release is “Kilometers,” an uplifting anthem that reflects on the distance between dreams and fulfillment. Through heartfelt lyrics, captivating melodies, and vibrant Afrobeats production, KenryWhite encourages listeners to embrace the process, remain resilient, and keep moving forward despite life’s challenges.
Complementing the project is “The King,” featuring Wonder J. The record is a bold declaration of confidence, royalty, and divine purpose, blending infectious Afrobeats rhythms with inspiring lyricism. Together, the duo delivers a record that celebrates self-belief, leadership, and the mindset required to overcome every obstacle.
With rich storytelling, memorable melodies, and contemporary African sounds, “Kilometers & The King” showcases KenryWhite’s artistic growth while delivering music that inspires, motivates, and connects with audiences across the globe.
Now available on all major streaming platforms, “Kilometers & The King” invites listeners to embrace the journey, recognize their worth, and walk confidently into their purpose.
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