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Report Finds London’s Met Police ‘Racist, Misogynist, Homophobic’

The review by Baroness Louise Casey, commissioned in the wake of Sarah Everard’s murder, is ‘rigorous, stark and unsparing’
Independent review was commissioned after a young woman was raped and killed by a serving officer.
Britain’s biggest police force is institutionally racist, misogynist and homophobic, according to an independent review commissioned after a young woman was raped and killed by a serving officer.
The Metropolitan Police Service, which has more than 34,000 officers, must “change itself” or risk being broken up, the report published on Tuesday said.
It has failed to protect the public from officers who abuse women, organisational changes have put women and children at greater risk and female officers and staff routinely experience sexism, the report added.
It found that there are racist officers and staff and a “deep-seated homophobia” exists in the organisation.
The review by Baroness Louise Casey, commissioned in the wake of Sarah Everard’s murder, is “rigorous, stark and unsparing”, she said.
Metropolitan Police Commissioner Sir Mark Rowley said he accepts the “diagnosis” of prejudice in the force, but would not use the term institutional because he views it as politicised and ambiguous.
Baroness Casey said she was disappointed that he would not accept the term, but said she will wait to see what action the force takes in the coming weeks and months.
The finding that the force is institutionally racist echoes that of the Macpherson Inquiry in 1999, which took place after Stephen Lawrence’s murder and the abject failures in how the Met investigated his death. Lawrence, 18, bled to death after being stabbed by a gang of white youths in an unprovoked attack while waiting for a bus in southeast London in April 1993.
Five people were initially acquitted of the crime after a police investigation became so bungled it led to Macpherson. Since then the force has remained largely white and male, the review found.
The Met was also accused of homophobia over the failure to stop serial killer Stephen Port after he took the life of his first victim and went on to murder three more men, but force bosses denied there was an issue.
‘Lost faith in policing’
Relatives of the victims have called for a public inquiry into the force in the wake of the report.
“It is not our job as the public to keep ourselves safe from the police. It is the police’s job to keep us safe as the public,” said Casey, an expert on victims’ rights and social welfare who led the review. “Far too many Londoners have now lost faith in policing to do that.”
The 363-page report also found that violence against women and girls has not been taken as seriously as other forms of violence.
It said there is widespread bullying in the Met, with a fifth of staff with protected characteristics – for example, race, sexuality or disability – being victimised.
“Female officers and staff routinely face sexism and misogyny,” the report said. “The Met has not protected its female employees or members of the public from police perpetrators of domestic abuse, nor those who abuse their position for sexual purposes.
“Despite the Met saying violence against women and girls is a priority, it has been treated differently from ‘serious violence’.
“In practice, this has meant it has not been taken as seriously in terms of resourcing and prioritisation.”
The report concluded there are “systemic and fundamental problems in how the Met is run” and the problem with the force is not its size but “inadequate management”.
The review made 16 recommendations and said the changes need to be made by the Met, the Mayor’s Office for Policing and Crime and the Home Office to “create a radically improved new London Metropolitan Police Service”.
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Biography Of AfroGospel Singer ADEBISI

ADELIYI ADEBISI, professionally known as ADEBISI and also recognized as ADEXBARCA, is a UK-based gospel musician, praise leader, songwriter, and music producer dedicated to leading people into authentic worship through music.
With a passion for creating songs that inspire gratitude, faith, and heartfelt praise, ADEBISI has steadily built a growing reputation as one of the emerging voices in contemporary African gospel music. His sound blends Afro-gospel rhythms with powerful worship, delivering songs that resonate across cultures, generations, and languages.
Beyond recording music, ADEBISI actively ministers as a psalmist, leading worship in partnership with churches, ministries, and gospel events across the United Kingdom. His ministry is centered on creating an atmosphere where people can encounter God through sincere praise and worship.
Over the years, he has released a number of inspiring gospel songs, including Ese Baba, Oluwatamilore, Halleluyah, Give Praise to God, and Jelenke Praise. His latest single, “Receive My Praise (Baba Gbo Ope Mi)”, continues that journey with a vibrant Afro-gospel worship sound that celebrates thanksgiving and wholehearted devotion to God.
As both a songwriter and producer, ADEBISI remains committed to creating original congregational praise music that ministers to listeners worldwide. His mission is simple yet profound: to lead God’s people into genuine, heartfelt praise—one song at a time.
His music is available on all major digital streaming platforms, including Spotify, Apple Music, Audiomack, Boomplay, SoundCloud, and YouTube.
Connect with ADEBISI
- TikTok: @adexbarca
- Instagram: @adexbarca1
- YouTube: @adexbarca
- Facebook: Adebisiofficial
Search “ADEBISI” on all major music streaming platforms to discover his growing catalogue of praise and worship music.
News
OJ Sular Announces the Release of His Breakthrough Single, “Money Vibe”

Nigerian Afrobeats artist and songwriter OJ Sular is bringing his energy, ambition, and street-inspired sound to listeners with the release of his single, Money Vibe. The track reflects his journey, determination, and vision of success while showcasing the unique style that continues to define his growing career.
Born Ojukwu Samuel Arinzechukwu on March 6, 2004, OJ Sular hails from Eha Amufu in Isi Uzo Local Government Area of Enugu State, Nigeria. Widely recognized by his stage names OJ Sular and Big OJ, he has steadily built a reputation as a versatile performer whose music blends Afrobeats, Afropop, Hip Hop, and Drill.
OJ Sular attended Ogbaete Primary School, Eha Ohuala Secondary School, and later Amaenyi Boys Secondary School in Anambra State. His passion for music developed at an early age, leading him to pursue a professional career built on authentic storytelling and energetic performances.
Money Vibe marks one of the defining records in OJ Sular’s musical journey. Originally gaining attention in 2019, the song introduced audiences to his signature sound and earned him recognition among fans who appreciate music that celebrates hard work, ambition, and the determination to rise above life’s challenges. His growing popularity has also earned him the nickname “King of the Street.”
Speaking about the song, OJ Sular said:
“Money Vibe represents the mindset of never giving up. It is about believing in yourself, staying focused on your goals, and working until your dreams become reality. I want listeners to feel motivated every time they hear the song.”
Beyond his work as a recording artist, OJ Sular is the founder of OJ Entertainment, an independent record label dedicated to promoting creativity and supporting emerging talent. His commitment to artistic independence continues to shape his career and vision for the future.
As one of the promising young voices emerging from Nigeria’s vibrant music scene, OJ Sular continues to connect with audiences through honest lyrics, memorable melodies, and performances that reflect both his personal experiences and his aspirations.

Money Vibe is now available on major digital streaming platforms worldwide @ https://ffm.to/oj-sular-money-vibe
About OJ Sular
OJ Sular, born Ojukwu Samuel Arinzechukwu, is a Nigerian singer, songwriter, and recording artist from Enugu State. Known for blending Afrobeats, Afropop, Hip Hop, and Drill, he has established himself as an independent artist with a growing fan base. Performing under the names OJ Sular and Big OJ, he is also the founder of OJ Entertainment, where he continues to create music that inspires, entertains, and represents the voice of a new generation.
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Turn Up Alert: The Scar Online Radio and Jägermeister Set Lagos Alight with Electrolytes

It was the very first edition of Electrolytes, and somehow it already felt like a classic. The doors barely opened before the energy took over: glow foam drifting through the crowd, Jäger Energizers passed from hand to hand, strangers becoming dance partners within minutes. This was Lagos nightlife doing what it does best.

DJ Bellami, DJ SKB, DJ Valentino, Big Riki, DJ Instinct, DJ Spizzy, DJ OTB, DJ Xnel, Yanfssss, ReBellyus, Bus yi, and Ephraim (Talking Drummer) kept the crowd moving all night while Hypeman Holyfaze and Toby Shang made sure they stayed locked in from one set to the next. Together, they served up a seamless mix of Afrobeats, Amapiano, House, and global sounds that had guests dancing well into the early hours.
The night was elevated further Jägermeister, Belaire, Lightspeed, MyFlex Tickets, and Buzz & Bants, all of whom helped shape a complete celebration of music, culture, and connection. The event also had backing from The Scar Production, The Scar Bookings, and SDGV Audio. Between signature drink moments, Jäger Energizers making their way through the crowd, and a smoothly run event experience, there was something to enjoy at every turn.
The Scar Radio was founded in 2020 by Fabulous Fabuyi Adeniyi and operates from its studio in Lagos, with network branches in the United States and the United Kingdom. It is part of The Scar Global Group, which includes The Scar Production, The Scar Bookings, SCAR XYZ, and The Scar Accessories. Over the years, the radio station has served as a home for global talents and a launch pad for budding creatives and artistes.
Watch The Electrolytes Party Highlights below:
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Audio5 years agoSimi – Happy Birthday ft. Adekunle Gold, DeJa
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Audio5 years agoRuger – Bounce
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Mixtapes4 years agoMixtape: DJ DimpleNipple – The Best Of Amapiano Thrills
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Editorials3 years agoSa’eedah Imam On Creating Her Imprint In The Nigerian Music Industry As An Emerging Creative Writer


