Entertainment Gists
Photos: Ooni of Ife Visits Wole Soyinka, Issue Joint Communique Saying, ‘Nigeria Can’t Survive Another Civil War’

The Ooni of Ife Ooni Adeyeye Enitan Ogunwusi, Ojaja II this weekend paid a visit to Nobel laureate Professor Wole Soyinka, Akogun of Isara, Akinlatun of Egba and they both issued a joint communique saying, ‘Nigeria can’t survive another civil war’.
After the meeting during which numerous challenges to the Nigerian quest for national cohesion and survival were examined in depth, they both agreed to the following;
The colonial contraption known as Nigeria cannot survive another upheaval in the nature of the Civil War of Biafran secession. All efforts must therefore be made to anticipate and douse socio-political flare-ups that advance the chances of a recurrence of such a conflict, no matter how reduced in scale, its devastating effects on Nigerian humanity and erosion of the prospects of continuance as a cohesive entity.
Among such issues of urgent import are the ongoing insurrectional movements that derive from religious fanaticism and intolerance, exemplified by Boko Haram and allied tendencies, as well as aspects of commercial enterprise, in which some groups consider themselves especially privileged, singular, and above laws and entitlements that are binding on other vectors of commercial and industrial undertaking. We have in mind destructive forms of social transactions that characterize groups such as nomadic cattle herdsmen, and their umbrella groupings in the nature of Myetti Allah.
We confess ourselves increasingly distressed and appalled, that the hitherto harmonious cohabitation, even routine collaboration, among the productive arms of society that Nigerians have taken for granted even from pre-colonial times, have deteriorated to unprecedented levels of barbarity, contempt for human lives and a defiant trampling on the civic entitlements of other productive vectors, such as farmers, the providers of both food and cash crops.
This abhorrent, yet consistent pattern of sectarian, and homicidal arrogance is obviously not merely counter-productive but inhuman, criminal and divisive. ‘We must stress that the present development is not new, nor has it lacked warnings. Numerous times, voices have been raised, and resistance mounted against the evolution of internal heirs to external colonialism, be this manifested by a military elite or by religious or economic groupings which flaunt their scant recognition of, or respect for human dignity, civic rights and sanctity of human life.
The state has cultivated the art of looking the other way – until forced to confront reality. ‘We re-affirm out commitment to the rights of every individual, every community, every collectivity of human beings as primary, and pre-eminent over and above all other parameters of human development or formal associations. ‘In this regard, the recent ultimatum delivered by a sectarian order to the president of this nation to set up the so-called RUGA cattle settlements across the entire nation within a stipulated time, despite national outcry, should be acknowledged as entitlement under the bounty of freedom of expression.
In return, we exercise ours, and call upon Nigerian nationals across state demarcations to defend the sanctity of their ancestral lands. This birthright has never been annulled, not even under colonial occupation. ‘We call on the Nigerian people to recognize that the internal colonization project is ever recurrent, that there are backward, primitive, undeveloped minds that have failed, and continue to fail to overcome delusions in this antiquated belief in sectarian domination as the key to social existence, a belief that despises peaceful cohabitation that is based on mutual respect, a spirit of egalitarian apportionment, and recognition of the dignified existence of others, including their antecedent modes of material production of the means of existence.
‘We pledge our commitment and the commitment of institutions to which we belong and with which we identify, to the protection and advance of our own enduring faith in a common humanity, a respect for the rights of others, but also declare an uncompromising embrace of responsibility for the defence and protection of the rights and egalitarian entitlements of our indigenous communities. Ohanaeze kicks as Ooni insists Igbo are from Ile-Ife(Opens in a new browser tab) ‘We call on all occupants of the nation space known as Nigeria to adopt all the foregoing as guiding principles for mutual co-existence and to transmit the same to their offspring and wards as foundation blocks for their very social awareness.
‘We charge the Nigerian people, both on state and community levels to convoke a series of frank encounters, across the various interests and concerns, to debate and determine in full freedom the future structure of their nation, most especially with a view to attaining a genuine, decentralized functional governance arrangement.
We propose a structure that enables the constitutive parts to progress at their own pace, determine their own priorities, and encourage creative exploitation of their resources for the benefit of their peoples. Such encounters will simultaneously address the numerous anomalies that plague the nation – from youth unemployment, infrastructural decay, insecurity and ethical collapse, to the untenable aspects of the protocols of the present constitution that supposedly bond the nation as one.
‘We consider it a primary imperative of nation existence that the constitutive parts of the nation take steps to preserve and enhance their distinct cultural identities, including tested and relevant pre-colonial values, their spiritual apprehension of phenomena and worship, all without detriment to the principles and ideals of mutual co-existence. To this end, we undertake to create state-of-the-Art Ethnic Museums for our people both at home and in the Diaspora where present and future generations can access their histories and cultures vividly, as living expressions of their very humanity, not simply as relics of eras vanished for ever or irrelevant to the present.
Entertainment Gists
RUAN-Badkid.96: The Unfiltered Voice Recommitting African Sound to Truth

RUAN-Badkid.96 is a Nigerian recording artist whose music refuses to live inside a single genre. Blending Afrobeat, Afrofusion, trap, hip-hop, melodic rap, R&B, and global influences, he creates records that move effortlessly between raw street energy, soulful storytelling, and infectious melodies. Whether delivering hard-hitting bars, emotional love songs, or rhythm-driven African records, his sound is defined by authenticity rather than limitation.
Inspired by both African culture and international music, RUAN-Badkid.96 embraces the confidence and ambition of global hip-hop while staying deeply connected to his roots. His lyrics explore love, heartbreak, betrayal, friendship, social injustice, hope, and the everyday realities of life. He doesn’t create music to follow trends, he creates music to reflect truth, emotion, and human experience.
Behind his fearless image is an artist who believes in kindness, equality, justice, and genuine human connection. His appearance may be intimidating, but his message is rooted in compassion and authenticity. Every record carries a piece of his journey, proving that strength and vulnerability can exist in the same voice.
For RUAN-Badkid.96, music is more than entertainment, it’s a language, a testimony, and a lifelong mission to connect with people through honesty, versatility, and unforgettable sound.
Entertainment Gists
Meet the Man Who Turned Hype Into a Science: Emmy Blaq, Nigeria’s G.O.A.T. of Hype
If you have ever been at a Nigerian event and found yourself on your feet before the main act even stepped on stage, there is a good chance a hype man was responsible. But not just any hype man. Emmy Blaq, born Ikechukwu Emmanuel Chima and raised in Auchi, Edo State, has spent the last few years quietly becoming the most talked-about name in that profession, and the Nigerian press has taken notice. Punch, Vanguard, The Guardian Nigeria, The Nation, and Independent Newspaper have all sat down with him, and every conversation leads back to the same thing: this man does not just make noise; he makes moments.
What makes Emmy Blaq different is the journey behind the energy. Before the stages, the collaborations with Waje on her “Waje 2.0” album, DJ Consequence, and DJ Kaywise on the massively streamed “Joor Party Mix” series, he was repairing generators, cutting hair, and sewing clothes in Auchi. His first professional hype gig happened at a local fast food spot called Valchi, and the crowd response that night changed everything. He told The Nation directly: “My passion for entertainment and desire to make people happy led me into the craft.” Punch also captured his bigger mission when he said that hype men deserve more than what they currently earn, a statement that sparked a real conversation across Nigerian entertainment circles.
With over 1.7 million TikTok followers, 23.6 million TikTok likes, a viral “Wife Material” challenge that landed on Pulse Nigeria’s top ten social media moments of 2021, and an international performance at the Cameroon International Music Festival that Cameroonian media described as electrifying, Emmy Blaq is not building toward something. He is already there. The G.O.A.T. of Hype is not a title he gave himself and hoped would stick. It is one the rooms keep confirming every single time he grabs the mic.
Entertainment Gists
Uncle Wisdom The Mind Behind The Motion – Talent Manager/A&R
MANAGER PROFILE
Uncle Wisdom is a Lagos-based music executive and visionary leader known for blending structure, strategy, and creativity in artist management. With a background in Mathematics and Statistics from UNICROSS formerly, Cross River University Of Technology. He brings analytical precision into talent development, positioning artists for both creative excellence and commercial success.
CAREER JOURNEY
Began his career in 2017 as an event coordinator for Eksu Olofofo, where he gained foundational experience in live events and audience engagement. By 2018, he transitioned into full-time artist management, driven by a clear goal to build a more structured and results-oriented system within the music industry.
In 2019, Started working as a road manager for Barry Jhay, gaining hands-on experience in touring, logistics, and artist operations, a refined career and mental awareness coach . He was also instrumental behind Barry Jhay’s 2025 sold-out homecoming concert, a key moment that fueled momentum for a successful UK tour, including sold-out shows in London and Birmingham.
PHLOX MGMT
Founded from the ground up, Phlox Mgmt is a forward-thinking management company focused on Career coaching, A&R, artist development, and strategic positioning. The company is built on a clear philosophy:
Develop the sound. Define the brand. Position the artist to win.
Phlox Mgmt has connections with @Roadgod_of Roadgod Agency and connects artists with top-tier producers, engineers, and creatives, ensuring a refined sound and strong market presence. The company continues to grow as a trusted platform for emerging and established talent.
INDUSTRY NETWORK & COLLABORATIONS
Uncle Wisdom has built valuable relationships across the industry, working with and alongside talents such as:
Barry Jhay • Asake • Ceeza Milli • Berri Tiga • Laime • Spellz • and many others
LEADERSHIP APPROACH
John Wisdom operates with a long-term vision, focusing on structure, consistency, and execution. His approach goes beyond traditional management he builds systems around artists that support sustainable growth, strong branding, and global competitiveness.
CONTACT & SOCIALS
Instagram & X: @Johnwisdm @phlox_mgmt
TikTok: @unclewisdom7
Email: phloxentertainment@gmail.com
Phone: 08038448478 | 09015668027
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