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Palestinian Refugees in Lebanon Mourn, Fear For Family in War-torn Gaza

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Mohammad Aby Swareh, at the entrance of his mother Fatmeh's home, with his youngest son Jamal.

Mohammad Aby Swareh at the entrance of his mother Fatmeh’s home, with his youngest son Jamal, in Beddawi refugee camp, northern Lebanon, November 29, 2023

‘I’m not sleeping. I cry all night,’ says Fatmeh, whose daughter and grandkids are trapped under Israeli bombardment.

Tripoli, Lebanon – When the humanitarian pause started in Gaza, Fatmeh Abu Swareh hadn’t heard from her daughter Wafaa in nearly two weeks.

“I’m not sleeping. I sit here at 3am and cry. I cry all night… all day,” she said a few days before the pause in her living room in Beddawi, a Palestinian refugee camp northeast of Tripoli, Lebanon’s second-largest city.

She feared the worst for her daughter and four grandchildren. Once the pause was implemented, Wafaa finally got through to her mother, but things are still tough.

“My daughter doesn’t have food or anything to drink,” she said. “Even with the truce, they’re scared of the [Israeli] planes.”

More than 15,000 people have been killed by Israel in Gaza since October 7, including at least 6,000 children. The Israeli assault was ostensibly in retribution for a Hamas-led attack into Israel that killed 1,200 people, mostly civilians, and captured more than 200.

Fatmeh Abu Swareh
                  Fatmeh Abu Swareh hasn’t been able to sleep for weeks 

The Palestinian death toll is certainly higher than 15,000 as there are likely thousands of people still missing under the rubble of destroyed buildings.

Checking for new ‘martyrs’ daily

Some 210,000 Palestinian refugees live in Lebanon, most still in the refugee camps set up for their forebears who arrived during the Nakba in 1948, fleeing violent Zionist gangs.

Beddawi has about 20,000 people living in it, all of them transfixed by the news coming out of Gaza since October 7.

The news has deeply impacted everyone, with physical and emotional signs of stress proliferating. It has also boosted national pride, with a huge uptick in sales of Palestinian flags and keffiyehs.

Everyone is suffering, but especially those with family in Gaza. Ducking into a clothing shop to get away from the noisy street outside, Ossama Najjar, 47, stood with his back to the enticingly stacked jeans.

Ossama Najjar in a blue jacket
         Ossama Najjar has lost count of the family members killed in Gaza 

He’s not interested. He has lost count of the family members lost in Gaza, he said.

“Every day, I look online for the Ministry of Health lists with names of people from the Najjar family who were martyred,” he said. Among the dead were a cousin and an uncle.

Mustafa Abu Harb worries often about his own uncle and cousin in Gaza. The clean-shaven Fatah official for north Lebanon sits in his office with framed photos of Yasser Arafat and his successor as Palestinian Authority president, Mahmoud Abbas, over his shoulders.

“I’m talking to you here but my heart is there with my uncle and cousin,” he said from behind his desk, slumping slightly in his crisp blue shirt and grey blazer.

“They’re killing the future generations of Palestine,” he said, fighting back tears.

Fatah member Ahmad Hasan Alaaraj, also in the office, lost six family members in Gaza since October 7.

Mustafa Abu Harb, Fatah official, at his office
                   Mustafa Abu Harb, Fatah official, at his office in Baddawi 

He was overcome by emotion several times while Abu Harb spoke and was only able to add: “Most people here have someone [in Gaza].”

Generational communal pain, solidarity

On a normal day, Najjar works in aluminium. But since October 7, “No one is working,” he said animatedly, his brow covered in sweat despite the sun beginning to set on this cool autumn afternoon.

“All our attention is on Gaza. Everything on Facebook is Gaza.”

While many others in Beddawi have lost relatives, even those without family in Gaza are suffering.

Dr Ali Wehbe, Palestinian Red Crescent director in north Lebanon, said the constant news barrage of death and destruction in Gaza was impacting his patients. From his office in the Safad Hospital, he said many patients now had high blood pressure while others reported increased psychological distress.

Wehbe doesn’t have family in Gaza but has colleagues he studied with overseas and are now on the ground there, and he worries about them.

Dr Ali Wehbe, Palestinian Red Crescent director
Dr Ali Wehbe, Palestinian Red Crescent director in north Lebanon, at Safad Hospital 

“We were in touch but then the electricity went out,” he said.

The feelings of helplessness have also manifested in an uptick in national solidarity.

At a small bridal shop in the camp, Nadia Mahmoud Moussa stood next to a tapestry shaped like Palestine, each region embroidered in a pattern representing local traditions.

Moussa pointed to a turquoise section, decorated with flowers and small pink, grey, blue and orange lozenges. “Here’s Gaza,” she said.

Before October 7, Moussa sold bridal dresses and hired out musical troupes to perform Palestinian traditions like the dabkeh, a Levantine folk dance, or zaffeh, an animated singing, drumming and dancing procession performed at weddings.

Black dresses embroidered in traditional Palestinian tatreez still hang from racks in her shop but now her big sellers are keffiyehs and Palestinian flags as people sought to express their solidarity by displaying national symbols.

A map of Palestine showing the different style stitches
       A map of historic Palestine in stitches at Nadia Mahmoud Moussa’s shop 

“We’re all living this pain,” she said. “We pray for patience and resilience. From kids to the elderly, we are now learning what it means to be martyrs.”

Back in Abu Swareh’s living room, she wipes away tears between pained sentences. Her daughter has already had at least one brush with death, she said, when the house next to hers was hit by an Israeli attack.

“It destroyed the whole house,” Abu Swareh said.

Even if her daughter and grandchildren survive the attacks, there is an extreme lack of food and water, which has led her daughter and her family to resort to drinking saltwater.

A less-than-ideal ceasefire

On Friday, November 24, a humanitarian pause between Israel and Hamas went into effect. As Israel and Hamas traded captives and prisoners, the pause has been extended twice, most recently on Wednesday evening.

A mural on a building showing a map of Palestine
A mural on a building in Beddawi was painted during the first intifada. Renovations avoided painting over it to keep it intact

Asked if the pause provided any relief, Najjar was dismissive. “There’s supposed to be aid coming in but there’s still no food or water or help on the ground,” he said. “And with the winter conditions, it’ll only get worse.”

Najjar said the images he’s seen in the media recall other humanitarian catastrophes like Yemen and Somalia.

“I hope the Arab countries, the West, and the rest of the world start to genuinely support Gaza,” he added. “Right now, it’s all talk.”

Back at the Abu Swareh residence on Thursday, Fatmeh knew her relief counted for little as the fighting could restart at any moment. Furthermore, the acts of aggression haven’t entirely stopped, she said. “Today, they shot at them from [Israeli] ships in the sea.”

Reports from Palestinian media said Israeli navy boats shot missiles at the coast of Gaza.

Nearby, sat Fatmeh’s son, Mohammad. He sat quietly until his mother encouraged him to speak. He started, but laboured over his words, choosing them carefully.

“This ceasefire is meaningless,” he eventually said. “It’s a ceasefire without a ceasefire.”

On the morning of Friday, December 1, fighting resumed in Gaza.

Additional reporting by Rita Kabalan in Beirut.

Clogs with the Palestinian stitch
                 Clogs with the Palestinian tatreez at Nadia Mahmoud Moussa’s shop 

SOURCE: AL JAZEERA

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YTJ Announces New Single “JO,”

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Rising Afro-fusion artist builds on the momentum of “Closer” with an energetic new release made for dance floors worldwide
Recoup Records announces the forthcoming release of “JO,” the new single from rising Afro-fusion artist YTJ, arriving on all major digital streaming platforms September 10, 2026.
The release follows the growing international success of YTJ’s previous single, “Closer,” which has generated more than 4 million combined YouTube views and surpassed 3 million audio streams within two months of release. The record has also received airplay across more than 70 radio stations and 30 television channels worldwide, while reaching No. 63 on YouTube Music in Nairobi, Kenya.
With “JO,” YTJ enters the next phase of his sound and creative direction.
Driven by infectious rhythm, vibrant production and an unmistakable celebratory energy, “JO” is an Afro-fusion record built for movement. The single pairs YTJ’s melodic approach with a polished, high-energy production designed to connect across clubs, parties, festivals and playlists globally.
The visual world surrounding the release reflects that same energy. Built around a striking red-lit aesthetic, the “JO” campaign presents a confident and elevated side of YTJ as he continues to expand his presence beyond his home market and reach new audiences internationally.
“My intention with ‘Closer’ was simply to make something that would connect with people, and the response went beyond what I imagined,” says YTJ. “With ‘JO,’ I wanted to take that energy somewhere new. This record is a celebration — and we’re just getting started.”»
“JO” arrives at a pivotal moment for YTJ. Following the momentum established by “Closer,” the new single signals an artist increasingly focused on creating music that bridges cultures while remaining rooted in the rhythm, melody and energy of contemporary African music.
For Recoup Records, the release represents another step in the label’s commitment to developing YTJ’s international profile and introducing his music to a broader global audience.
“JO” by YTJ is available across all major digital streaming platforms HERE

ABOUT YTJ
YTJ is an emerging Afro-fusion artist whose music blends contemporary African rhythms, melody and global influences. With a growing international audience and millions of streams and views across digital platforms, YTJ is building a sound and identity designed to travel beyond borders.
Following the international response to “Closer,” YTJ continues his next chapter with “JO,” expanding his creative vision while establishing himself as an emerging voice in the new generation of African music.
ABOUT RECOUP RECORDS
Recoup Records is an independent music company focused on artist development, music distribution and building globally competitive African talent. Through strategic releases, media partnerships and international promotion, the label works to connect its artists and music with audiences around the world.
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Entertainment Gists

Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?

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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

 

 

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.

The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.

And the big question now is:

Should Josh2Funny continue with music or go back to skits? 😂

Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.

One X user joked:

“Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”

Another simply said:

“This Josh2Funny Album no enter make he just go back skit abeg 😂”

But then came “Lembe.” 🔥

The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.

Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.

And it didn’t stop there.

‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED

On another day, “International” featuring Ice Prince generated its own buzz on X.

One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.

From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.

Whether you love the album or think he should return to skits, one thing is clear:

Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:

Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?

Music or Skits? Drop your answer! 👇

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Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London

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East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.

Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.

Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.

Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.

For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.

By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.

 

With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.

Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.

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