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New York Arrests, Violent Attack in California As Gaza Campus Protests Rage

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Demonstrations continue to face police crackdown as protesters vow to more pressure on universities.

Demonstrations against Israel’s war on Gaza have continued to rage at universities across the United States, in a night capped by mass arrests in New York and an attack by counter-protesters in California.

In New York, the NYPD said it had arrested 282 people at Columbia University and the City College of New York into Tuesday night into Wednesday morning. That came as police cleared students who had occupied Columbia University Hamilton Hall since April 30.

The building had been dubbed building “Mandela Hall” when students took similar action in support of South African liberation in 1985. This time around, protesters named the building “Hind’s Hall” in honour of six-year-old Hind Rajab, who was killed alongside her family by Israeli forces in Gaza.

Columbia University student journalist Meghnad Bose told Al Jazeera he was inside the university gates when he witnessed the police “arresting pro-Palestinian protesters who had lined up right [in front of] the gates to prevent the NYPD from coming in”.

“I saw firsthand how the police dispersed those protests, arrested them and sometimes got pretty aggressive in making sure the protesters went away,” he said.

In a post on X, Kaz Daughtry, the deputy commissioner of operations at the New York Police Department (NYPD), said that Columbia University had requested the police to help “take back their campus”.

He said the police were “dispersing the unlawful encampment and persons barricaded inside of university buildings and restoring order”.

Meanwhile, at the University of California Los Angeles (UCLA), pro-Israel counter-protesters sought to tear down a pro-Palestine encampment, with witnesses saying the assailants threw objects at those taking part in the demonstration.

Sergio Olmos, an investigative journalist reporting from the UCLA campus, told Al Jazeera that he witnessed several hundred counterprotesters as they tried to tear down walls set up by the pro-Palestine encampment.

He described counterprotesters trying to hit the pro-Palestine protesters with sticks and in some cases throwing glass bottles.

Witnesses said the incident went on for about two hours. In a post on X, the Los Angeles Police Department said it had responded to the scene “at the request of UCLA, due to multiple acts of violence within the large encampment on their campus”.

Reporting from Los Angeles, Al Jazeera’s Rob Reynolds said despite the violence “the encampment is still there, and the student protesters, despite this attack, have stood their ground. They haven’t fled”.

“This has happened before, although on a smaller scale; for example, over the weekend, particularly on Sunday night, the camp was attacked in a similar fashion,” he said.

Ongoing protests

Protests have been common across US campuses since the October 7 Hamas attack on southern Israel, and throughout the nearly eight-month Israeli war in Gaza, which has killed 34,568 Palestinians and left the enclave on the brink of famine.

However, the latest surge in demonstrations began nearly two weeks ago amid outrage over Columbia University President Minouche Shafik’s testimony to a US congressional committee, in which critics alleged she kowtowed to lawmakers while sidelining students at the university.

Among an array of demands, several protest movements have called for their schools to divest from Israel or weapons manufacturers related to the war. They have accused administrators across the country of weaponising public safety and disingenuous claims of “antisemitism” to crack down on protests.

The most recent bout of arrests also included at 14 protesters at Tulane University in New Orleans, as well as arrests at the University of South Florida and University of Wisconsin, Madison.

The protests have resonated far beyond US borders.

On Wednesday, Francesca Albanese, the UN special rapporteur on the occupied Palestinian territory, said she was “horrified by the violent actions of police at US universities smashing protests against an ongoing genocide perpetrated by a foreign country”.

In a post on X, she said: “such a dystopian reality. May students and faculty members be safe. May the genocide end. May justice and reason prevail.”

In Los Angeles, Mayor Karen Bass called the UCLA violence “absolutely abhorrent and inexcusable”.

For his part, New York City Mayor Eric Adams defended the police crackdown, claiming the protest at Columbia was “led by individuals who were not affiliated with the university”, a claim the police have yet to back up.

“There is a movement to radicalise young people. And I’m not going to wait until it is done to acknowledge the existence of it,” Adams said.

Meanwhile, the Jewish Voice for Peace (JVP) group condemned both the NYPD and Columbia University’s actions.

Stefanie Fox, the group’s executive director said, the school was on the wrong side of history once again as it was “in its oppression of the student anti-war movement of 1968, and wrong again in its oppression of the student movement against South African apartheid in 1985”.

SOURCE: AL JAZEERA

Audio

YTJ Announces New Single “JO,”

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Rising Afro-fusion artist builds on the momentum of “Closer” with an energetic new release made for dance floors worldwide
Recoup Records announces the forthcoming release of “JO,” the new single from rising Afro-fusion artist YTJ, arriving on all major digital streaming platforms September 10, 2026.
The release follows the growing international success of YTJ’s previous single, “Closer,” which has generated more than 4 million combined YouTube views and surpassed 3 million audio streams within two months of release. The record has also received airplay across more than 70 radio stations and 30 television channels worldwide, while reaching No. 63 on YouTube Music in Nairobi, Kenya.
With “JO,” YTJ enters the next phase of his sound and creative direction.
Driven by infectious rhythm, vibrant production and an unmistakable celebratory energy, “JO” is an Afro-fusion record built for movement. The single pairs YTJ’s melodic approach with a polished, high-energy production designed to connect across clubs, parties, festivals and playlists globally.
The visual world surrounding the release reflects that same energy. Built around a striking red-lit aesthetic, the “JO” campaign presents a confident and elevated side of YTJ as he continues to expand his presence beyond his home market and reach new audiences internationally.
“My intention with ‘Closer’ was simply to make something that would connect with people, and the response went beyond what I imagined,” says YTJ. “With ‘JO,’ I wanted to take that energy somewhere new. This record is a celebration — and we’re just getting started.”»
“JO” arrives at a pivotal moment for YTJ. Following the momentum established by “Closer,” the new single signals an artist increasingly focused on creating music that bridges cultures while remaining rooted in the rhythm, melody and energy of contemporary African music.
For Recoup Records, the release represents another step in the label’s commitment to developing YTJ’s international profile and introducing his music to a broader global audience.
“JO” by YTJ is available across all major digital streaming platforms HERE

ABOUT YTJ
YTJ is an emerging Afro-fusion artist whose music blends contemporary African rhythms, melody and global influences. With a growing international audience and millions of streams and views across digital platforms, YTJ is building a sound and identity designed to travel beyond borders.
Following the international response to “Closer,” YTJ continues his next chapter with “JO,” expanding his creative vision while establishing himself as an emerging voice in the new generation of African music.
ABOUT RECOUP RECORDS
Recoup Records is an independent music company focused on artist development, music distribution and building globally competitive African talent. Through strategic releases, media partnerships and international promotion, the label works to connect its artists and music with audiences around the world.
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Entertainment Gists

Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?

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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

 

 

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.

The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.

And the big question now is:

Should Josh2Funny continue with music or go back to skits? 😂

Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.

One X user joked:

“Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”

Another simply said:

“This Josh2Funny Album no enter make he just go back skit abeg 😂”

But then came “Lembe.” 🔥

The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.

Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.

And it didn’t stop there.

‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED

On another day, “International” featuring Ice Prince generated its own buzz on X.

One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.

From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.

Whether you love the album or think he should return to skits, one thing is clear:

Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:

Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?

Music or Skits? Drop your answer! 👇

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Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London

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East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.

Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.

Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.

Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.

For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.

By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.

 

With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.

Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.

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