The Royal Spanish Football Federation (RFEF) has ruled that La Liga games cannot be played on Fridays and Mondays without its approval.
The first three rounds of matches for the 2019-20 season had already been scheduled by La Liga, with Athletic Bilbao hosting champions Barcelona in the season opener on Friday, 16 August.
But the RFEF’s competition judge has now rescheduled those fixtures.
“Spanish football fans do not want games on these days,” the RFEF said.
“Especially on Mondays, it is very difficult for fans to enjoy games.”
In February, Alaves supporters held a mock funeral during their La Liga win over Levante in protest at the match being switched to Monday night for live TV coverage.
La Liga said the ruling threatens their 2bn euro broadcast deals and a court hearing has been set for 7 August.
Changes made by the RFEF mean the season will now open with Athletic-Barcelona a day later than originally planned, on Saturday, 17 August, with all other fixtures scheduled for Saturdays or Sundays.
“With this illegal conduct RFEF officials are generating confusion in the national and international broadcast space, which accounts for 2bn euros in annual rights income for La Liga,” said La Liga president Javier Tebas.
“These officials have no idea of the consequences of their irresponsible acts. This has no purpose, nothing will change, this only creates confusion, which is the only thing they know how to do.”
This is the latest in a long-running row between the two organisations.
They clashed over La Liga’s failed bid to play Girona’s home league game against Barcelona in Miami in January, after the RFEF did not give approval for the game.
So who decides the fixtures?
At the moment, both organisations say they do.
La Liga called the RFEF’s move “an attack” and said it is “the only competent organisation to set schedules and dates in the national professional football competition”.
It claims the judge’s ruling changes nothing and “the schedules already indicated by La Liga for the first days of the competition will be those in which the matches will be played”.
The RFEF said the judge made the ruling “due to the incompatibilities detected between the approved calendar and the days and established schedules”.
In a statement after Friday’s ruling, the RFEF claimed responsibility for setting the days of the fixtures.
“Setting the schedules is a competency of the League, while the days are of the RFEF,” it said.
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Entertainment Gists
Meet the Man Who Turned Hype Into a Science: Emmy Blaq, Nigeria’s G.O.A.T. of Hype
If you have ever been at a Nigerian event and found yourself on your feet before the main act even stepped on stage, there is a good chance a hype man was responsible. But not just any hype man. Emmy Blaq, born Ikechukwu Emmanuel Chima and raised in Auchi, Edo State, has spent the last few years quietly becoming the most talked-about name in that profession, and the Nigerian press has taken notice. Punch, Vanguard, The Guardian Nigeria, The Nation, and Independent Newspaper have all sat down with him, and every conversation leads back to the same thing: this man does not just make noise; he makes moments.
What makes Emmy Blaq different is the journey behind the energy. Before the stages, the collaborations with Waje on her “Waje 2.0” album, DJ Consequence, and DJ Kaywise on the massively streamed “Joor Party Mix” series, he was repairing generators, cutting hair, and sewing clothes in Auchi. His first professional hype gig happened at a local fast food spot called Valchi, and the crowd response that night changed everything. He told The Nation directly: “My passion for entertainment and desire to make people happy led me into the craft.” Punch also captured his bigger mission when he said that hype men deserve more than what they currently earn, a statement that sparked a real conversation across Nigerian entertainment circles.
With over 1.7 million TikTok followers, 23.6 million TikTok likes, a viral “Wife Material” challenge that landed on Pulse Nigeria’s top ten social media moments of 2021, and an international performance at the Cameroon International Music Festival that Cameroonian media described as electrifying, Emmy Blaq is not building toward something. He is already there. The G.O.A.T. of Hype is not a title he gave himself and hoped would stick. It is one the rooms keep confirming every single time he grabs the mic.
MANAGER PROFILE
Uncle Wisdom is a Lagos-based music executive and visionary leader known for blending structure, strategy, and creativity in artist management. With a background in Mathematics and Statistics from UNICROSS formerly, Cross River University Of Technology. He brings analytical precision into talent development, positioning artists for both creative excellence and commercial success.
CAREER JOURNEY
Began his career in 2017 as an event coordinator for Eksu Olofofo, where he gained foundational experience in live events and audience engagement. By 2018, he transitioned into full-time artist management, driven by a clear goal to build a more structured and results-oriented system within the music industry.
In 2019, Started working as a road manager for Barry Jhay, gaining hands-on experience in touring, logistics, and artist operations, a refined career and mental awareness coach . He was also instrumental behind Barry Jhay’s 2025 sold-out homecoming concert, a key moment that fueled momentum for a successful UK tour, including sold-out shows in London and Birmingham.
PHLOX MGMT
Founded from the ground up, Phlox Mgmt is a forward-thinking management company focused on Career coaching, A&R, artist development, and strategic positioning. The company is built on a clear philosophy:
Develop the sound. Define the brand. Position the artist to win.
Phlox Mgmt has connections with @Roadgod_of Roadgod Agency and connects artists with top-tier producers, engineers, and creatives, ensuring a refined sound and strong market presence. The company continues to grow as a trusted platform for emerging and established talent.
INDUSTRY NETWORK & COLLABORATIONS
Uncle Wisdom has built valuable relationships across the industry, working with and alongside talents such as:
Barry Jhay • Asake • Ceeza Milli • Berri Tiga • Laime • Spellz • and many others
LEADERSHIP APPROACH
John Wisdom operates with a long-term vision, focusing on structure, consistency, and execution. His approach goes beyond traditional management he builds systems around artists that support sustainable growth, strong branding, and global competitiveness.
CONTACT & SOCIALS
Instagram & X: @Johnwisdm @phlox_mgmt
TikTok: @unclewisdom7
Email: phloxentertainment@gmail.com
Phone: 08038448478 | 09015668027
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