Entertainment Gists
How G-Worldwide Severally Breached Contract Before Kiss Daniel Legally Terminated it – Lawyer Reveals Shocking Details

As the case between Nigerian singer, Kiss Daniel and his label G-Worldwide lingers on, more shocking details about his contract and the clause activated by the singer before the contract was terminated.
According to Kiss Daniel’s lawyers ‘L & A Legal consultants’,
Kiss Daniel did not walk out of his contract. He only terminated it as he is permitted to do under the contract. Is it now a sin for a party to exercise a right expressly conferred on him by law/contract? Is it the fault of Kiss Daniel that the contract has a termination clause that allows Kiss Daniel to terminate the contract? We should bear in mind that the contract was drafted by G-Worldwide Entertainment. Kiss Daniel scrupulously followed the provision of the contract. It is unfortunate that people are mixing this case up with that of other artists running away from a contract they signed. No! This is different. This is a case of an Artist insisting that the contract signed by the parties must be obeyed and enforced. Kiss Daniel is firm believer in rule of law and due process. This was why it was Kiss Daniel that went to court first. People should not confuse a case of properly terminated contract with cases of ill-advised artists who angrily walked out of their contract without following the laid down procedure under their contracts. Kiss Daniel’s case is a well thought out act. It is an exercise of right granted to him by the contract between him and his label. What do people want from Nigerian artist? If they don’t employ lawyers, people criticize them. Now that Kiss Daniel has employed one of the best I.P. law firm in Nigeria with a Professor of I.P. and a Senior Advocate of Nigeria (SAN), people are still calling him names for acting in accordance with his contract! When Artist don’t obey or assert their rights under their contracts, people abused them, yet the same people are abusing Kiss Daniel for obeying and enforcing the Termination Clause provided in his contract! Na wa o. This is not a Kiss Daniel’s fight alone. This is a fight for all Nigerian artists except we are saying only artists must obey and comply with contract but record label are free to do as they wish?
Finance:
Why is G-Worldwide afraid to grant Kiss Daniel unrestricted access to his account and books as provided by the contract? The whole relationship between a record label and an artist is about making money and sharing it. Finance and money is the crux of the matter. G-Worldwide did not sign Kiss Daniel because they love his face. They signed him because they think he can make money for them. And there is nothing wrong with that as long as they play by the rules. The only offence commented by Kiss Daniel was his effrontery/impudence by daring to ask his record label to render account! Kiss Daniel through his lawyer L & A – Legal Consultant appointed a firm of Chartered Accountant to inspect and audit G-Worldwide Entertainments books and account in respect of Kiss Daniel’s project as provided by the contract between the parties. Immediately the request was made, all hell was let loose. Why will a Record Label be afraid to allow their Artist to inspect their books of record? Especially, when the contract between the parties was drafted by the same record label and the contract contains a clause which specifically provided that the Record Label shall keep all accounts and shall allow the Artist or his representative unrestricted access to inspect and make copies of the records. See clause 7 of the contract between the parties which provide;
“Company shall maintain proper accounting books and or records at its principal office, in relation to revenue generated, or expenditure expended in the course of the performance of this Agreement. Such books and or records shall include, but shall not be limited to, any documents or records which evidence the receipt and or disbursements of royalties and other monies generated in the course of the performance of the Agreement.
The Artist shall, at any time during the term of this Agreement and upon prior written notice to Company, Artist or his/her designated representative shall gain unrestricted access to inspect the books and records of the Company relating to this Agreement and shall be entitled to make copies thereof.”
Based on above, Kiss Daniel’s lawyer wrote to G-Worldwide on the 18th of July 2017 saying thus:
“This is to inform you that in accordance with the Recording Contract between the parties, our client wishes to send his Accountants (WYZE Associates) to inspect/audit his accounts with your client.
Kindly confirm your convenient date from next week when the Accountants can come in for the inspection/audit.”
Of course they failed/refused to respond to the above email and only responded on the 25th of July 2017 (after several reminders) saying: saying:
“I somehow missed your initial email. Apologies. I will discuss your request with my client and will revert with a response before CoB tomorrow.”
As usual, they failed to respond on the 26th of July 2017 as promised and Kiss Daniel’s lawyers had to send another reminder by way of email and telephone call before they finally responded on the 1st of August 2017 saying:
“Regarding the date for the “audit”, can we agree on a date in late August or early September? An earlier date will not be ideal- Emperor Geezy is getting married on Saturday and will be unavailable for some time after the wedding (for obvious reasons).”
And Kiss Daniel’s lawyers responded by saying:
“It is our understanding that we are dealing with a company (G-World Entertainment Ltd) and not an individual. Therefore, the unavailability of Emperor Geezy would not affect the audit. Please note that the audit will only involve G World Accountants and our Accountants. Therefore, the presence of Emperor Geezy is not very important at this stage. In view of the above, we can schedule the audit to an earlier date. Kindly confirm when our Accountants can come for the audit within this week or next week.”
Is G-worldwide Entertainment Limited a proper record label? Is it a proper limited liability company? Or is it merely a one man show without corporate structure, office and supporting staff? Can anybody name the A & R officer of G-worldwide Entertainment Limited?
Anyway, G-worldwide Entertainments Limited responded by creating a new excuse when they stated thus in their email of 4th of August 2017:
“While the company is happy to assist your client’s accountants with their audit request, unfortunately due to ongoing activities involving the relevant company’s personnel, the time proposed by you will not be convenient for the company (whose assistance you require to carry out the audit).
In the circumstance, we suggest that we should agree on a day in the last week of August for the audit exercise. We will wait for you to propose a specific date during the said period for the audit.”
Even though it was clear to Kiss Daniel and his team that G-worldwide Entertainments Limited was trying to frustrate the inspection/audit, they went ahead to conceded to the end of the month proposed by G-worldwide Entertainments Limited and sent them a mail on the on the 7th of August 2017 saying:
“Our accountants will be available on 28th and 29th August 2017 for the audit. Kindly confirm that the dates. Also confirm your client’s address.”
Again, G-worldwide Entertainments Limited failed/refused to confirm the dates for the inspection or the venue as requested and after several reminders they only on the 28th of August 2017, which is one of the dates fixed for the inspection and agreed to the 29th of August 2017 for the said inspection/audit. Thereby giving Kiss Daniel and his team less than 24 hours’ notice and which means the audit can only be done in one day instead of two dates proposed. Of course, any experience person knows that such audit can hardly be completed in one day. It was all a grand design to frustrate the audit.
Unfortunately, when the inspection/audit finally held, Kiss Daniel’s Accountant was denied unrestricted access to the “books/records” in clear breach of the unambiguous provisions of clause 7 of the Contract (as posted above). Kiss Daniel’s Accountant were surprised that Label did not come to the venue of the inspection/audit with any physical books, receipts, invoices e.t.c. but only brought a mere laptop! And even refused to allow Kiss Daniel’s Accountant to make a copy of the said “books/records” contrary to the contract. It was also discovered that the representative sent by G-worldwide Entertainment Limited and who brought the laptop is not an accountant and did not know anything about the transactions recorded in the laptop. He could not answer any of the questions/queries posted to him by Kiss Daniel’s Accountant.
Based on the above breaches (failure to allow unrestricted access and to make copies of the books of account as provided in clause 7 of the Record contract), Kiss Daniel’s lawyers gave G-worldwide Entertainment Limited 14 days’ notice to remedy the breach as provided by Clause 16 of the Contract and when they failed to do so within the 14days, the Artist through his lawyer proceeded to terminate the contract as provided in clause 14.2 of the contract, which provides that:
“Either party may terminate this contract by written notice to the other at any time if that other party:
commits a breach of this contract and, in the case of a breach capable of remedy, he fails to remedy the breach within fourteen (14) days of being required to do so in writing.”
Unfortunately, when Kiss Daniel’s lawyer gave G-worldwide Entertainments Limited notice of the breach on 11th and 19th of September 2017, G-worldwide Entertainments Limited failed and refused to cure and remedy the breach within the 14 days allowed by the contract and Kiss Daniel was forced to comply with the contract by terminating it as required by the contract.
This termination therefore was not only in obedience to law and the contract between the parties but was also a self defence by Kiss Daniel to prevent “baboon dey work, monkey dey chop”. Why is G-worldwide Entertainments Limited afraid of rendering accounts? Should Kiss Daniel continue to work under G-worldwide Entertainments Limited and receive whatever was giving to him without allowing his accountant to audit the books? Is it an offence for an artist to enforce the rights granted him by the contract drafted by the Record label? the laywer wrote.
Entertainment Gists
Druppythekid Set to release New Two-Track Pack

Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.
Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.
On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.
Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.
No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.
Entertainment Gists
Who Is Chinwe Zoe? The Nigerian Gospel Singer Behind “Undeniable

Chinwe Zoe, a Nigerian gospel singer and songwriter, began recording music in December 2025 after years of singing in church and at home. Less than a year later, she has released three singles, including “Chinwendum”, featuring gospel singer Frank Edwards, “Undeniable” and “Jesus Don Win”, her October 2026 release produced by Masterkraft.
For Zoe, the decision to record was connected to a personal experience that changed how she viewed her life and faith. She has described it as a near-death experience that left her with a renewed sense of gratitude. “In that moment, when I thought it was over, God showed me mercy,” she said. “He gave me victory. And that victory was too loud to keep inside.”
Her debut, “Chinwendum”, was released in December 2025 with Frank Edwards featured on the record. She followed it with “Undeniable” on May 7, 2026. The song’s official video has recorded more than 460,000 views on YouTube. In October, she released “Jesus Don Win”, produced by Masterkraft, with a video directed by Avalon Okpe.
Zoe’s approach to songwriting draws on personal experiences and scripture. She has said that she does not begin the process by searching for a melody, but by waiting for a message that she can develop into a song. She describes a process in which an experience or scripture stays with her until it takes musical form. The melody follows, and she hums it before committing anything to writing.
Her guiding principle is that a gospel song should be accessible to listeners while remaining suitable for congregational worship. “It should be simple enough for a child to sing and strong enough for a choir to carry,” she said.
Zoe has identified CeCe Winans, Nathaniel Bassey and Dunsin Oyekan among the musicians whose work has influenced her. She sings in English and Igbo, and occasionally in Pidgin, drawing on the worship tradition in her musical expression.
“Every song I sing comes from a place I have lived,” she said. “My pain taught me how to worship, my joy taught me how to praise.”
Her music has also begun attracting an online audience. Her YouTube channel has recorded more than 627,000 views across nine videos, while her Spotify monthly listeners have been reported at approximately 6,500. Her Audiomack profile is verified. Zoe records under her own imprint, H2 Records, with distribution through ONErpm. She made her first public performance at the 2026 Annual Virtuous Women Network conference in Enugu, where she performed “Undeniable”.
Outside music, she has spoken about her interest in soul winning and described it as connected to her musical work. She has also said that she wants her songs to encourage listeners facing difficult circumstances. “I want my songs to shift mindsets from worry to worship,” she said. “Whenever anxiety comes, whenever life tries to make you feel small, I want you to hear my sound in your spirit and declare victory over your life.”
Entertainment Gists
N8TAN Announces ‘UPRISING EP’ — A Story of Rising From the Streets to the Top

Nigerian artist N8TAN is set to unveil his highly anticipated ‘UPRISING EP’, a body of work that chronicles his journey from the streets to the heights of his musical ambition.
Built around themes of struggle, resilience, ambition, survival, and triumph, UPRISING captures the realities of an artist determined to turn adversity into momentum. The project reflects N8TAN’s experiences, the challenges that shaped him, and the relentless drive that continues to push him forward.
More than a collection of songs, UPRISING is presented as a story of transformation—from navigating the streets and confronting uncertainty to finding purpose, embracing growth, and rising toward the top.
With its blend of raw storytelling, infectious energy, and personal perspective, the EP offers listeners an intimate look into N8TAN’s world while reinforcing his determination to carve out his own place in the music industry.
‘UPRISING EP’ is a statement of elevation: a reminder that where you start does not have to determine where you finish.
As N8TAN continues to build his musical identity, UPRISING marks another significant chapter in his journey—and an invitation for listeners to rise with him.
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