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How A Rejected Thanksgiving Speech Forged An Indigenous Holiday Tradition

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A man kneels in prayer on Cole's Hill in Plymouth, as a flame burns in front of a plaque turned green with age.

Indigenous peoples and allies come together on Cole’s Hill in Plymouth, Massachusetts, to hold a National Day of Mourning, timed to coincide with the US holiday of Thanksgiving

Indigenous leader Mahtowin Monro speaks about how the National Day of Mourning offers a corrective to settler myths in the US.

When Mahtowin Monro thinks back to the Thanksgivings of her childhood, she remembers the pageants.

It was an elementary school tradition to divide the class in two, with some children dressed as Pilgrims — in bonnets and tall hats — and others assigned to represent Indigenous peoples, with paper feathers and headbands.

Together, they were meant to act out the holiday myth: that early settlers in the United States embraced their newfound Indigenous neighbours with open arms and a hearty feast.

But even as a child, Monro could sense that depiction was wrong. Now, she helps lead a ceremony meant to honour the real history of Indigenous peoples in North America — a history she believes Thanksgiving plays a part in erasing.

On the fourth Thursday of November, timed to the US Thanksgiving holiday, she and other members of the group United American Indians of New England (UAINE) gather in Plymouth, Massachusetts, to hold a National Day of Mourning.

The event is part protest, part remembrance, part spiritual ceremony. It not only acknowledges the ongoing violence against Indigenous people but also brings together speakers on a range of issues, from environmental destruction to fishing rights.

Men in an archival photo stand in a drum circle on Cole's Hill, Massachusetts.
An archival photo from 1986 shows participants in a drum circle at the National Day of Mourning in Plymouth, Massachusetts

Monro, who identifies as Oglala Sioux, attended her first National Day of Mourning in the mid-1980s and said she was instantly hooked.

“It was, to me, so amazing,” Monro said. “I really liked the idea that there were Native people in New England — some of whom had been told growing up that they were extinct — that were there speaking about their history and what was going on with them now.”

It was at the ceremony that she met the late Indigenous leader Wamsutta Frank James, who would eventually be the grandfather to her twin children.

An Aquinnah Wampanoag man, James was among the founders of the National Day of Mourning in 1970.

At the time, he had been invited to speak at the 350th anniversary of the Pilgrims’ arrival to Plymouth — but event organisers revoked the offer after screening his remarks, which referenced the atrocities committed against Indigenous peoples.

“Our lands have fallen into the hands of the aggressor. We have allowed the white man to keep us on our knees,” Frank wrote in his suppressed speech.

“What has happened cannot be changed, but today we must work towards a more humane America, a more Indian America, where men and nature once again are important.”

Rejected from the anniversary event, Frank instead organised a protest on Cole’s Hill, overlooking Plymouth Bay — a tradition Monro and her daughter Kisha James carry on to this day.

Monro spoke to Al Jazeera about her memories of Frank and why reimagining holidays can be a tool for empowerment.

This interview has been edited for length and clarity.

Wamsutta Frank James lifts a fist in solidarity as he marches in a black-and-white 1972 photo. A banner behind him reads: United Indians of New England.
Wamsutta Frank James participates in a 1972 march with members of the United American Indians of New England

Al Jazeera: Why do you think that they approached Wamsutta to speak? And what were they expecting him to say?

Mahtowin Monro: Well, he was very well known in the area as the head of the Federated Eastern Indian League. He was quite prominent. And I think there was this idea that he was going to come and praise the Pilgrims.

They thought that he would come and say, “Oh, we’re so grateful that the Pilgrims came, and we all got along, and everything has been great.”

He wrote his speech along with his wife. I want to give her credit. It wasn’t just him. But he very carefully used Pilgrim sources such as Mourt’s Relation and other things they had written. He certainly couldn’t go and praise the Pilgrims, but he also felt it was important to tell the truth about what had happened.

Thanksgiving was not a happy time for him or other Wampanoag people because it represents a celebration of the invasion and all the devastation that would follow for Indigenous people in the region. So he was very clear about that.

By today’s standards, his suppressed speech is actually pretty tame. People now would say things even more forcefully, but the state wanted to see his remarks in advance. And when he sent them, they said, “Oh no, you can’t go and give that.”

A black-and-white archival photo shows Wamsutta Frank James in the centre of a march holding an Indigenous blanket, as two of his fellow activists walk beside him.
Wamsutta Frank James, centre, carries the remains of a Wampanoag ancestor he retrieved from a Pilgrim museum in Plymouth, Massachusetts, in 1974 

Al Jazeera: How do you think that the rejection of the speech shaped him as a person and as a leader?

Monro: Certainly he was not going to go give a speech that would be palatable to these state officials. He was not going to give a speech in praise of the Pilgrims and all the good that they had supposedly done for Indigenous peoples, when that was completely counter to any historical reality.

He had been somebody whose family had suffered a lot of discrimination. I’ll give you an example. He was, we believe, the first Native man to graduate from the New England Conservatory of Music. He was an incredibly talented musician, a trumpet player.

When he got to the end of his courses at the New England Conservatory, he was told by his primary teacher, who cared about him very much: “You’re the best trumpet player in this class, but no symphony orchestra in the country will hire you because of the colour of your skin.”

And that was true because he was dark-skinned. At the time, all the orchestras in the country were all white, right? So, given all his talent, he couldn’t get a job.

He experienced tremendous discrimination in his life, as did his family. All his siblings, all of them would talk about how they had to run faster and study harder and do everything better to try to overcome all the prejudice that they dealt with.

I think that’s why he felt strongly — well before 1970 — that it was important for Indigenous people in the region to be united and to work together to assert themselves as Indigenous people and to demand respect from the white people.

Two men walk down a city street in an undated black-and-white archival photo.
Wamsutta Frank James, left, helped to found the National Day of Mourning after his speech for a 1970 Thanksgiving celebration was suppressed 

Al Jazeera: You and your daughter Kisha are very much keeping his legacy alive and keeping this ceremony alive. How did he inspire you? How did he shape your work today?

Monro: I learned everything about the Day of Mourning from him — how to do things and what the traditions were, that sort of thing. I spent many hours talking to him about that, to understand them more fully.

I didn’t at the time know that I would end up being a leader in the organization, but certainly it led to that. And he was very supportive. He also felt that it would be important to have more women out front. To be honest, although women had always done a lot of the work, they weren’t necessarily out front as speakers or leaders within the organization.

What I learned from him is to just keep doing this, because it’s really important to do this kind of educational work and speak truth to power and tell the truth about our history.

Wamsutta Frank James, wearing glasses and a broad hat, speaks in front of the statue of Wampanoag leader Massasoit in a black-and-white photo
A photo, dated 1970, shows Wamsutta Frank James speaking on Cole Hill in Plymouth, Massachusetts 

Al Jazeera: There’s this larger push to question holidays like Thanksgiving and Columbus Day and, in some cases, reimagine those holidays entirely. Why is it important to interrogate holidays and question the history that they celebrate?

Monro: Our organization obviously does more in the year than just organising the National Day of Mourning. One of the things that we do is we do work on Indigenous Peoples’ Day campaigns — that is, campaigns to abolish Columbus Day and celebrate Indigenous Peoples’ Day instead.

We’ve been doing that for several years now. In Massachusetts, for instance, we have managed to get resolutions passed in at least 30 towns. But we’re also trying to get it passed on a statewide basis.

The celebration of [European explorer Christopher] Columbus is really harmful. It gives us the idea that Native people were these passive people, just waiting for Columbus to arrive — just waiting to be discovered — when, in fact, they had many, many different cultures and were perfectly successful on their own.

But it continues to be presented that Columbus and all the Europeans who came somehow brought civilisation to us. All of this is really damaging. It is damaging if you’re a kid and you’re Native. You know, Columbus was a genocidal maniac. We don’t hide that from our kids.

It is damaging not just to our kids but any kid to learn nonsense like that. It’s the worst kind of settler colonial nonsense. It erases us and presents their version of history as the only true history. So these things are really embedded throughout American culture, and it’s really important to resist that and to call it out.

A woman closes her eyes and wraps her arms around another woman, who leans into her comrade, seemingly overcome with emotion. In the foreground, the feet of a bronze statue of Massasoit are visible.
Participants in 2004’s National Day of Mourning stand in front of the statue of Massasoit, a Wampanoag leader, on Cole’s Hill in Plymouth, Massachusetts

Al Jazeera: Have you ever heard any pushback about the National Day of Mourning? And how do you address misconceptions or concerns that you hear?

Monro: Well, we address them individually, or sometimes we don’t address them at all.

There are people who absolutely resist any truth-telling. They don’t want to hear about the genocide of Indigenous people. They want to have this very pretty George-Washington-and-cherry-pie kind of history that doesn’t tell the truth.

So we’re not going to change their minds and really don’t waste our time fighting with them. But there are a lot of other people: settlers who’ve grown up with all this mythology, with all this nonsense. When they start to find out the truth, they’re actually pretty mad that they were lied to for so long.

So I think it’s really important for non-Native people to experience being with Native people and listening to us and getting a better understanding. They don’t understand whose land they are on. And believe me, we make that clear.

SOURCE: AL JAZEERA


Audio

YTJ Announces New Single “JO,”

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Rising Afro-fusion artist builds on the momentum of “Closer” with an energetic new release made for dance floors worldwide
Recoup Records announces the forthcoming release of “JO,” the new single from rising Afro-fusion artist YTJ, arriving on all major digital streaming platforms September 10, 2026.
The release follows the growing international success of YTJ’s previous single, “Closer,” which has generated more than 4 million combined YouTube views and surpassed 3 million audio streams within two months of release. The record has also received airplay across more than 70 radio stations and 30 television channels worldwide, while reaching No. 63 on YouTube Music in Nairobi, Kenya.
With “JO,” YTJ enters the next phase of his sound and creative direction.
Driven by infectious rhythm, vibrant production and an unmistakable celebratory energy, “JO” is an Afro-fusion record built for movement. The single pairs YTJ’s melodic approach with a polished, high-energy production designed to connect across clubs, parties, festivals and playlists globally.
The visual world surrounding the release reflects that same energy. Built around a striking red-lit aesthetic, the “JO” campaign presents a confident and elevated side of YTJ as he continues to expand his presence beyond his home market and reach new audiences internationally.
“My intention with ‘Closer’ was simply to make something that would connect with people, and the response went beyond what I imagined,” says YTJ. “With ‘JO,’ I wanted to take that energy somewhere new. This record is a celebration — and we’re just getting started.”»
“JO” arrives at a pivotal moment for YTJ. Following the momentum established by “Closer,” the new single signals an artist increasingly focused on creating music that bridges cultures while remaining rooted in the rhythm, melody and energy of contemporary African music.
For Recoup Records, the release represents another step in the label’s commitment to developing YTJ’s international profile and introducing his music to a broader global audience.
“JO” by YTJ is available across all major digital streaming platforms HERE

ABOUT YTJ
YTJ is an emerging Afro-fusion artist whose music blends contemporary African rhythms, melody and global influences. With a growing international audience and millions of streams and views across digital platforms, YTJ is building a sound and identity designed to travel beyond borders.
Following the international response to “Closer,” YTJ continues his next chapter with “JO,” expanding his creative vision while establishing himself as an emerging voice in the new generation of African music.
ABOUT RECOUP RECORDS
Recoup Records is an independent music company focused on artist development, music distribution and building globally competitive African talent. Through strategic releases, media partnerships and international promotion, the label works to connect its artists and music with audiences around the world.
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Entertainment Gists

Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?

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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

 

 

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.

The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.

And the big question now is:

Should Josh2Funny continue with music or go back to skits? 😂

Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.

One X user joked:

“Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”

Another simply said:

“This Josh2Funny Album no enter make he just go back skit abeg 😂”

But then came “Lembe.” 🔥

The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.

Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.

And it didn’t stop there.

‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED

On another day, “International” featuring Ice Prince generated its own buzz on X.

One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.

From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.

Whether you love the album or think he should return to skits, one thing is clear:

Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:

Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?

Music or Skits? Drop your answer! 👇

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Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London

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East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.

Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.

Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.

Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.

For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.

By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.

 

With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.

Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.

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