News
Hamas Had Not Planned To Attack Music Festival, Israeli Report Says
Israeli troops inspect the ravaged site of the attack on the Supernova desert music festival on October 10, 2023
First police investigation of Supernova festival also found Israeli forces responsible for some deaths.
Hamas fighters who attacked a music festival in Israel on October 7, killing hundreds, likely did not know in advance about the event and decided to target it on the spot, Israeli media has reported citing police and security sources.
According to a copy of the first Israeli police report into the attack, obtained this week by Israel’s Channel 12, Palestinian fighters had originally intended to attack nearby kibbutz Re’im as well as other villages near the Gaza border. They found out about the music festival with drones and from the air as they parachuted into Israel.
Some 4,400 people had reportedly been at the event that Saturday when Hamas broke through Israel’s high-security barrier – which includes radar system and underground sensors – and attacked military posts and villages in southern Israel, killing 1,200 people, mostly civilians, according to Israeli authorities.
This Saturday, Israeli newspaper Haaretz reported that the “growing assessment in Israel’s security establishment” based on the police investigation and on interrogations of captured Hamas members, is that the group had not planned to target the event.
While police found maps of the target locations on the bodies of killed Hamas members, none was of the festival location. An additional finding supporting the assessment, according to Haaretz, was that Hamas militants did not approach the festival from the direction of the border but from a nearby highway.
In addition, the event had originally been scheduled to take place on Thursday and Friday, with Saturday added to the programme only on Tuesday that week.
The report also found that most of the festival goers had managed to leave the event by the time Hamas showed up and the massacre began.
“The large majority of [people who were at the event] managed to flee following the decision to disperse the event made four minutes after the rocket attack,” according to a senior police source quoted by Haaretz.
The police investigation also found that an Israeli military helicopter opened fire on the assailants but also hit some people attending the festival. No further details were provided, Haaretz reported.
“An investigation into the incident revealed an [Israeli military] combat helicopter that arrived at the scene from the Ramat David base fired at the terrorists and apparently also hit some of the revelers there,” the news report cited an unnamed police official as saying.
The police report also revised the death toll from the attack to 364, including 17 police officers, up from 270. It put the number of kidnapped festival-goers at 40.
In response to the Hamas attacks, Israel launched a ground and air assault on the Gaza Strip that has killed more than 12,000 Palestinians, including 5,000 children, according to Palestinian health authorities. Much of the Gaza Strip lies in ruins and a total blockade that Israel has imposed on the territory has left its residents unable to get enough food, water, fuel and medical supplies, all now at critically low levels.
East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.
Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.
Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.
His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.
Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.
For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.
By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.
With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.
Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.
Audio
KenryWhite Releases “Kilometers” & “The King” A Powerful Double Release Celebrating Faith, Purpose, and the Journey to Greatness
Nigerian Afrofusion artist KenryWhite unveils his compelling two-track release, “Kilometers & The King,” a project that explores the realities of life’s journey while affirming identity, faith, and purpose.
Leading the release is “Kilometers,” an uplifting anthem that reflects on the distance between dreams and fulfillment. Through heartfelt lyrics, captivating melodies, and vibrant Afrobeats production, KenryWhite encourages listeners to embrace the process, remain resilient, and keep moving forward despite life’s challenges.
Complementing the project is “The King,” featuring Wonder J. The record is a bold declaration of confidence, royalty, and divine purpose, blending infectious Afrobeats rhythms with inspiring lyricism. Together, the duo delivers a record that celebrates self-belief, leadership, and the mindset required to overcome every obstacle.
With rich storytelling, memorable melodies, and contemporary African sounds, “Kilometers & The King” showcases KenryWhite’s artistic growth while delivering music that inspires, motivates, and connects with audiences across the globe.
Now available on all major streaming platforms, “Kilometers & The King” invites listeners to embrace the journey, recognize their worth, and walk confidently into their purpose.
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