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Germany’s President Apologises For Killings in Tanzania Under Colonial Rule

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German President Frank-Walter Steinmeier

Steinmeier sought forgiveness from the descendants of hundreds of thousands of victims of violence more than a century ago.

German President Frank-Walter Steinmeier apologised for colonial-era killings in Tanzania during Germany’s rule and vowed to raise awareness of the atrocities in his country, in a step towards “communal healing” of the bloody past.

“I would like to ask for forgiveness for what Germans did to your ancestors here,” Steinmeier said during a visit to the Maji Maji Museum in the southern Tanzanian city of Songea. “I want to assure you that we Germans will search with you for answers to the unanswered questions that give you no peace.”

Tanzania suffered under German colonial rule for decades before and after the start of the 20th century, and saw one of the region’s deadliest uprisings from 1905 to 1907.

During the revolt — known as the Maji Maji Rebellion — between 200,000 and 300,000 Indigenous people were murdered, as German troops systematically wiped out villages and fields, experts say.

In 2017, Tanzania’s then-government said it was mulling legal action to seek compensation from Germany for the people who were starved, tortured, and killed by its forces.

‘Communal processing’

Steinmeier said Germany was ready to begin a “communal processing” of the past, as he met with descendants of an executed leader of the colonial-era revolt.

“What happened here is our shared history — the history of your ancestors and the history of our ancestors in Germany,” Steinmeier said, pledging to “take these stories with me to Germany, so that more people in my country will know about them”.

Steinmeier said Germany would also work to find and return the skull of an executed colonial era leader — Chief Songea Mbano — and others whose remains were plundered and brought to Berlin more than a century ago.

During the visit, Steinmeier laid a flower at the grave of Chief Songea, whom he called a “brave leader”.

John Mbano, a descendant of Chief Songea who met with the German president, said he welcomed the gesture and hoped Tanzania could build a strong relationship with Germany.

“We have been crying for years, now it is the time to end our crying,” the 36-year-old lawyer told AFP.

Addressing colonial crimes

Germany’s long-standing commitment to historical remembrance has centred around the atrocities it committed during World War II, specifically the slaughter of six million Jews and other minorities during the Holocaust.

However, in recent decades the country has also begun coming to terms with some of its colonial-era atrocities, including in Tanzania and Namibia.

Germany’s mass killings of Nigeria’s Indigenous Herero and Nama people in the early 1900s has been referred to by many historians as the first genocide of the 20th century.

In 2021, Germany announced an agreement with Namibia that would formally recognise its colonial-era massacres as genocide and provide redress to impacted communities, without offering formal reparations.

That agreement, which drew concerns from some groups representing the Herero and Nama people, has yet to be officially approved.

Berlin’s Museum of Prehistory and Early History has been conducting research on around 1,100 skulls that were looted from historic German East Africa and brought to Germany. In September, it said researchers had found living relatives of people whose skulls were looted in Tanzania.

German East Africa — today’s Tanzania, Rwanda and Burundi — existed from 1885 until Germany’s defeat at the end of World War I, when it lost its colonies under the Treaty of Versailles.

SOURCE: AL JAZEERA AND NEWS AGENCIES


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YTJ Announces New Single “JO,”

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Rising Afro-fusion artist builds on the momentum of “Closer” with an energetic new release made for dance floors worldwide
Recoup Records announces the forthcoming release of “JO,” the new single from rising Afro-fusion artist YTJ, arriving on all major digital streaming platforms September 10, 2026.
The release follows the growing international success of YTJ’s previous single, “Closer,” which has generated more than 4 million combined YouTube views and surpassed 3 million audio streams within two months of release. The record has also received airplay across more than 70 radio stations and 30 television channels worldwide, while reaching No. 63 on YouTube Music in Nairobi, Kenya.
With “JO,” YTJ enters the next phase of his sound and creative direction.
Driven by infectious rhythm, vibrant production and an unmistakable celebratory energy, “JO” is an Afro-fusion record built for movement. The single pairs YTJ’s melodic approach with a polished, high-energy production designed to connect across clubs, parties, festivals and playlists globally.
The visual world surrounding the release reflects that same energy. Built around a striking red-lit aesthetic, the “JO” campaign presents a confident and elevated side of YTJ as he continues to expand his presence beyond his home market and reach new audiences internationally.
“My intention with ‘Closer’ was simply to make something that would connect with people, and the response went beyond what I imagined,” says YTJ. “With ‘JO,’ I wanted to take that energy somewhere new. This record is a celebration — and we’re just getting started.”»
“JO” arrives at a pivotal moment for YTJ. Following the momentum established by “Closer,” the new single signals an artist increasingly focused on creating music that bridges cultures while remaining rooted in the rhythm, melody and energy of contemporary African music.
For Recoup Records, the release represents another step in the label’s commitment to developing YTJ’s international profile and introducing his music to a broader global audience.
“JO” by YTJ is available across all major digital streaming platforms HERE

ABOUT YTJ
YTJ is an emerging Afro-fusion artist whose music blends contemporary African rhythms, melody and global influences. With a growing international audience and millions of streams and views across digital platforms, YTJ is building a sound and identity designed to travel beyond borders.
Following the international response to “Closer,” YTJ continues his next chapter with “JO,” expanding his creative vision while establishing himself as an emerging voice in the new generation of African music.
ABOUT RECOUP RECORDS
Recoup Records is an independent music company focused on artist development, music distribution and building globally competitive African talent. Through strategic releases, media partnerships and international promotion, the label works to connect its artists and music with audiences around the world.
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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?

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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

 

 

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.

The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.

And the big question now is:

Should Josh2Funny continue with music or go back to skits? 😂

Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.

One X user joked:

“Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”

Another simply said:

“This Josh2Funny Album no enter make he just go back skit abeg 😂”

But then came “Lembe.” 🔥

The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.

Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.

And it didn’t stop there.

‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED

On another day, “International” featuring Ice Prince generated its own buzz on X.

One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.

From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.

Whether you love the album or think he should return to skits, one thing is clear:

Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:

Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?

Music or Skits? Drop your answer! 👇

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Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London

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East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.

Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.

Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.

Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.

For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.

By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.

 

With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.

Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.

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