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Gaza’s Aqsa Hospital Warns Patients, Babies May End Up in Mass Graves Soon

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A baby in an incubator at Al-Aqsa Martyrs Hospital

Al-Aqsa Martyrs Hospital warns that patients’ next transfer will be to mass graves if Israeli aggression continues.

The steady churn of dialysis machines. The rhythmic drip-drip of blood from IVs. The low hum of life-support equipment keeping the babies in incubators alive, tubes running in and out of their little bodies.

The routine functioning of Al-Aqsa Martyrs Hospital in the central Gaza Strip lies in sharp contrast to the chaos of weeks of Israeli bombardment, which in recent days has targeted a number of hospitals in the besieged enclave.

But power and water crises due to Israel’s campaign after Hamas’s October 7 attack – which have already shuttered more than half of Gaza’s 35 hospitals – are drastically affecting the central Gaza hospital as well.

Incubator babies and dialysis patients hooked up to machines dependent on fuel are at particular risk – especially as Al-Aqsa is the sole facility for kidney patients in the central Gaza Strip governorate, Khalil al-Dakran, the hospital’s spokesperson, told Al Jazeera’s fact-checking agency Sanad.

“If electricity and water outages persist and fuel depletes, patients will be transferred to mass graves if the aggression continues,” al-Dakran warned.

“And the world [just] watches,” he continued bitterly.

Dialing down dialysis care

The hospital has seen a surge in the number of patients since the start of the latest conflict, with thousands of wounded streaming in and taxing the hospital’s capacity.

In addition, as thousands of displaced people from northern regions of Gaza poured southwards, the number of patients increased, especially those with chronic diseases needing treatment, like dialysis for kidney ailments.

The hospital has had to limit dialysis treatment times from four hours to two-and-a-half hours, while also having to decrease the frequency of patients’ dialysis sessions per week, al-Dakran said.

Patients are terrified, not only of the bombs raining down, but also about whether they will receive the care they need.

“I undergo dialysis three times a week, waiting for hours on crowded roads, terrified,” displaced woman Maryam al-Jayar told Sanad.

“We wait so long, from morning till night, for dialysis. All while the bombing continues. Now I get shorter and less frequent dialysis and on top of that with water and electricity shortages the dialysis process itself is not working right and can cause blood clots,” Nesma Sharir, another kidney patient said.

Dialysis patients at Al-Aqsa
Dialysis patients at Al-Aqsa

Infants found under the rubble

Meanwhile, the neonatal intensive care department at Al-Aqsa is also buckling under the pressure of the war.

There, nurse Warda al-Awawda hovers above the incubators, checking on the babies lying inside them.

Al-Awawda and her colleagues say there have been a lot more newborns admitted to the intensive care unit, not only premature infants but also newborns injured by the bombings.

Sometimes the journey the babies have to take to get to the hospital contributes to their deteriorated health, al-Awada told Sanad, pointing out that she has had mothers with their babies – or babies on their own – arrive on all sorts of transport, including donkey carts in some cases.

Some babies are carried into the hospital in the caring but jostling arms of someone who has just rescued them from under the rubble and wants them to get the care they need as fast as possible and there are no stretchers available.

Nurse Warda Al-Awawda cares for infants in incubators
Nurse Warda al-Awawda cares for infants in incubators

One infant, Hassan Mishmish, arrived at the hospital after being rescued from under the rubble. His parents were found dead.

“He was in the arms of his dead mother, covered in dust,” al-Awawda said.

“All the nursing staff take turns caring for him after he lost his parents.

“His brother is also injured, he’s in the children’s ward, and his grandmother is also injured. There is nobody from his family left to take care of him,” she added, saying there are dozens of other similar cases of babies found under the rubble.”

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Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London

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East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.

Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.

Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.

Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.

For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.

By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.

 

With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.

Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.

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Afrocentric Music Festival Invites 1,000 Music Artists!

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Are you a rising African artist ready to take your career to the next level? Showcase your talent on a massive stage at the AFROCENTRIC Music Festival in Abuja, running from November 7–18, 2026! Presented by NICOCUSA’s AFROCENTRIC Cultural Expo, this premier platform is inviting 1,000 up-and-coming artists to perform live before tens of thousands of music lovers, industry insiders, and energetic fans. Don’t miss this life-changing opportunity to launch your music career on a global stage—slots are limited, so visit afrocentricculturalexpo.com to register today, and follow us on social media for live updates!

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KenryWhite Releases “Kilometers” & “The King” A Powerful Double Release Celebrating Faith, Purpose, and the Journey to Greatness

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Nigerian Afrofusion artist KenryWhite unveils his compelling two-track release, “Kilometers & The King,” a project that explores the realities of life’s journey while affirming identity, faith, and purpose.

Leading the release is “Kilometers,” an uplifting anthem that reflects on the distance between dreams and fulfillment. Through heartfelt lyrics, captivating melodies, and vibrant Afrobeats production, KenryWhite encourages listeners to embrace the process, remain resilient, and keep moving forward despite life’s challenges.

Complementing the project is “The King,” featuring Wonder J. The record is a bold declaration of confidence, royalty, and divine purpose, blending infectious Afrobeats rhythms with inspiring lyricism. Together, the duo delivers a record that celebrates self-belief, leadership, and the mindset required to overcome every obstacle.

With rich storytelling, memorable melodies, and contemporary African sounds, “Kilometers & The King” showcases KenryWhite’s artistic growth while delivering music that inspires, motivates, and connects with audiences across the globe.

Now available on all major streaming platforms, “Kilometers & The King” invites listeners to embrace the journey, recognize their worth, and walk confidently into their purpose.

 

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