Entertainment Gists
French Open 2019: Serena Williams Loses To Sofia Kenin in Third Round

Three-time champion Serena Williams was stunned in the French Open third round by unseeded American Sofia Kenin.
Williams, 37, was seeded 10th but lost 6-2 7-5 to her 20-year-old compatriot, who was at times booed by the crowd.
The defeat means Williams’ quest to equal Margaret Court’s record of 24 Grand Slam singles titles continues.
“I’m so happy with this win – obviously you can tell with these emotions,” a crying Kenin told the crowd on Philippe Chatrier.
“Playing against Serena, you have to fight for every point.”
Williams’ defeat followed the shock exit by world number one Naomi Osaka a few hours earlier and leaves only three top-10 players in the women’s draw.
Earlier in the day, defending champion Simona Halep enjoyed a straightforward 55-minute victory, beating Ukraine’s Lesia Tsurenko 6-2 6-1 to reach the last 16.
World number 35 Kenin will play Australian eighth seed Ashleigh Barty in the fourth round, while Halep faces unseeded 18-year-old French Open debutant Iga Swiatek.
Kenin booed en route to victory
Kenin, who received a walkover in the second round after Bianca Andreescu withdrew, was fired up from the outset and has now won 11 of her last 13 matches against compatriots.
But the crowd became irritated with the young American, booing Kenin as she repeatedly checked ball marks to see whether the umpire had made the right call and even rubbed out one mark with her foot.
After Kenin threw her racquet on the clay in celebration, she exchanged a firm handshake with Williams at the net.
Yet some boos were still audible as Kenin lifted both arms in celebration as she went to retrieve her racquet, although it did not stop her offering thanks to the Chatrier crowd for their “great support”.
While it was a mixed response for Kenin, Williams left the court to deafening applause.

Williams struggles from the start
Kenin is in the French Open main draw for just the second time, while Williams was making her 17th appearance. But the older American looked frustrated from the very beginning of the match.
Williams saved four break points in her second service game, but stumbled as Kenin played a drop shot and the 23-time Grand Slam champion was broken on the fifth attempt.
The world number 10 had break point in the next game, but failed to convert and was then broken again by her compatriot, who held serve to win the set.
Kenin started strongly in the second set, immediately breaking Williams’ serve.
Though Philippe-Chatrier showed their support for the 2002, 2013 and 2015 champion, Williams failed to win four break points, but was successful with the fifth to level things at 3-3.
Momentum then swung Williams’ way momentarily, as she served three aces to hold in the next game.
But her opponent got another break at 5-5 and, though Williams had break point in the final game, Kenin kept her composure to seal victory.

Women’s draw blown wide open
Williams’s exit means only three of the top 10 seeds are left in the draw, highlighting the unpredictable nature of the women’s singles game.
That is contrasted with the fact all of the men’s top 10 seeds have reached the last 16, only the third time this happened after the 1969 French Open and the 1970 Australian Open.
The top half of the women’s draw has been blown wide open by the defeats for Williams and top seed Osaka on Saturday.
Third seed Halep, Australian eighth seed Ashleigh Barty and American 14th seed Madison Keys are the only seeded players left in that half.
Barty enjoyed a 6-3 6-1 win against Germany’s Andrea Petkovic to reach the last 16, while 17-year-old Amanda Anisimova remains the youngest player in the draw after beating Irina-Camelia Begu 7-6 (8-6) 6-4.
Britain’s Johanna Konta, who plays Donna Vekic on Sunday, is in the other half of the draw, which also contains seventh seed Sloane Stephens and 2016 champion Garbine Muguruza.
Williams loses another chance as she chases Court
Three-time French Open champion Williams has won fewer of her 23 Grand Slam titles at Roland Garros than she has at the Australian Open (seven), Wimbledon (seven) and US Open (six).
So, coupled with the fact she appeared to be hampered by her movement against Kenin, it is perhaps unsurprising she fell early as she continues to chase the 24th Grand Slam singles title that would draw her level with Australian Court’s all-time record.
After giving birth to daughter Olympia in September 2017, Williams made her Slam return at last year’s Roland Garros and pulled out before her scheduled last-16 match against old foe Maria Sharapova with an injury.
Yet she returned to the grass a few weeks later with a run to the Wimbledon final, German 11th seed Angelique Kerber spoiling her comeback at the All England Club with a 6-2 6-2 win.
Another chance beckoned at the US Open in September, yet she suffered another defeat in the final – this time in more controversial circumstances against Japan’s Naomi Osaka as she accused the umpire of being a “thief” in dramatic scenes.
Four months later she returned to the Australian Open, where she missed four match points in a quarter-final defeat by Czech Karolina Pliskova.
Analysis
Sofia Kenin is having a fine year, and at the age of just 20 and with her illustrious compatriot at the other end of the court, showed great composure to serve out the match.
Williams, it has to be said, was a long way from her best.
Her movement was way below par, the legacy of a knee problem and a reduced schedule which saw her complete just eight matches in the eight months leading into Roland Garros.
Wimbledon starts exactly a month today. Williams says she hopes that will prove enough time to get her back into the form required, but knows she need matches, and hinted she might even consider playing a warm-up event in the lead up to the Championships.
Entertainment Gists
RUAN-Badkid.96: The Unfiltered Voice Recommitting African Sound to Truth

RUAN-Badkid.96 is a Nigerian recording artist whose music refuses to live inside a single genre. Blending Afrobeat, Afrofusion, trap, hip-hop, melodic rap, R&B, and global influences, he creates records that move effortlessly between raw street energy, soulful storytelling, and infectious melodies. Whether delivering hard-hitting bars, emotional love songs, or rhythm-driven African records, his sound is defined by authenticity rather than limitation.
Inspired by both African culture and international music, RUAN-Badkid.96 embraces the confidence and ambition of global hip-hop while staying deeply connected to his roots. His lyrics explore love, heartbreak, betrayal, friendship, social injustice, hope, and the everyday realities of life. He doesn’t create music to follow trends, he creates music to reflect truth, emotion, and human experience.
Behind his fearless image is an artist who believes in kindness, equality, justice, and genuine human connection. His appearance may be intimidating, but his message is rooted in compassion and authenticity. Every record carries a piece of his journey, proving that strength and vulnerability can exist in the same voice.
For RUAN-Badkid.96, music is more than entertainment, it’s a language, a testimony, and a lifelong mission to connect with people through honesty, versatility, and unforgettable sound.
Entertainment Gists
Meet the Man Who Turned Hype Into a Science: Emmy Blaq, Nigeria’s G.O.A.T. of Hype
If you have ever been at a Nigerian event and found yourself on your feet before the main act even stepped on stage, there is a good chance a hype man was responsible. But not just any hype man. Emmy Blaq, born Ikechukwu Emmanuel Chima and raised in Auchi, Edo State, has spent the last few years quietly becoming the most talked-about name in that profession, and the Nigerian press has taken notice. Punch, Vanguard, The Guardian Nigeria, The Nation, and Independent Newspaper have all sat down with him, and every conversation leads back to the same thing: this man does not just make noise; he makes moments.
What makes Emmy Blaq different is the journey behind the energy. Before the stages, the collaborations with Waje on her “Waje 2.0” album, DJ Consequence, and DJ Kaywise on the massively streamed “Joor Party Mix” series, he was repairing generators, cutting hair, and sewing clothes in Auchi. His first professional hype gig happened at a local fast food spot called Valchi, and the crowd response that night changed everything. He told The Nation directly: “My passion for entertainment and desire to make people happy led me into the craft.” Punch also captured his bigger mission when he said that hype men deserve more than what they currently earn, a statement that sparked a real conversation across Nigerian entertainment circles.
With over 1.7 million TikTok followers, 23.6 million TikTok likes, a viral “Wife Material” challenge that landed on Pulse Nigeria’s top ten social media moments of 2021, and an international performance at the Cameroon International Music Festival that Cameroonian media described as electrifying, Emmy Blaq is not building toward something. He is already there. The G.O.A.T. of Hype is not a title he gave himself and hoped would stick. It is one the rooms keep confirming every single time he grabs the mic.
Entertainment Gists
Uncle Wisdom The Mind Behind The Motion – Talent Manager/A&R
MANAGER PROFILE
Uncle Wisdom is a Lagos-based music executive and visionary leader known for blending structure, strategy, and creativity in artist management. With a background in Mathematics and Statistics from UNICROSS formerly, Cross River University Of Technology. He brings analytical precision into talent development, positioning artists for both creative excellence and commercial success.
CAREER JOURNEY
Began his career in 2017 as an event coordinator for Eksu Olofofo, where he gained foundational experience in live events and audience engagement. By 2018, he transitioned into full-time artist management, driven by a clear goal to build a more structured and results-oriented system within the music industry.
In 2019, Started working as a road manager for Barry Jhay, gaining hands-on experience in touring, logistics, and artist operations, a refined career and mental awareness coach . He was also instrumental behind Barry Jhay’s 2025 sold-out homecoming concert, a key moment that fueled momentum for a successful UK tour, including sold-out shows in London and Birmingham.
PHLOX MGMT
Founded from the ground up, Phlox Mgmt is a forward-thinking management company focused on Career coaching, A&R, artist development, and strategic positioning. The company is built on a clear philosophy:
Develop the sound. Define the brand. Position the artist to win.
Phlox Mgmt has connections with @Roadgod_of Roadgod Agency and connects artists with top-tier producers, engineers, and creatives, ensuring a refined sound and strong market presence. The company continues to grow as a trusted platform for emerging and established talent.
INDUSTRY NETWORK & COLLABORATIONS
Uncle Wisdom has built valuable relationships across the industry, working with and alongside talents such as:
Barry Jhay • Asake • Ceeza Milli • Berri Tiga • Laime • Spellz • and many others
LEADERSHIP APPROACH
John Wisdom operates with a long-term vision, focusing on structure, consistency, and execution. His approach goes beyond traditional management he builds systems around artists that support sustainable growth, strong branding, and global competitiveness.
CONTACT & SOCIALS
Instagram & X: @Johnwisdm @phlox_mgmt
TikTok: @unclewisdom7
Email: phloxentertainment@gmail.com
Phone: 08038448478 | 09015668027
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