Entertainment Gists
French Open 2019: Serena Williams Loses To Sofia Kenin in Third Round

Three-time champion Serena Williams was stunned in the French Open third round by unseeded American Sofia Kenin.
Williams, 37, was seeded 10th but lost 6-2 7-5 to her 20-year-old compatriot, who was at times booed by the crowd.
The defeat means Williams’ quest to equal Margaret Court’s record of 24 Grand Slam singles titles continues.
“I’m so happy with this win – obviously you can tell with these emotions,” a crying Kenin told the crowd on Philippe Chatrier.
“Playing against Serena, you have to fight for every point.”
Williams’ defeat followed the shock exit by world number one Naomi Osaka a few hours earlier and leaves only three top-10 players in the women’s draw.
Earlier in the day, defending champion Simona Halep enjoyed a straightforward 55-minute victory, beating Ukraine’s Lesia Tsurenko 6-2 6-1 to reach the last 16.
World number 35 Kenin will play Australian eighth seed Ashleigh Barty in the fourth round, while Halep faces unseeded 18-year-old French Open debutant Iga Swiatek.
Kenin booed en route to victory
Kenin, who received a walkover in the second round after Bianca Andreescu withdrew, was fired up from the outset and has now won 11 of her last 13 matches against compatriots.
But the crowd became irritated with the young American, booing Kenin as she repeatedly checked ball marks to see whether the umpire had made the right call and even rubbed out one mark with her foot.
After Kenin threw her racquet on the clay in celebration, she exchanged a firm handshake with Williams at the net.
Yet some boos were still audible as Kenin lifted both arms in celebration as she went to retrieve her racquet, although it did not stop her offering thanks to the Chatrier crowd for their “great support”.
While it was a mixed response for Kenin, Williams left the court to deafening applause.

Williams struggles from the start
Kenin is in the French Open main draw for just the second time, while Williams was making her 17th appearance. But the older American looked frustrated from the very beginning of the match.
Williams saved four break points in her second service game, but stumbled as Kenin played a drop shot and the 23-time Grand Slam champion was broken on the fifth attempt.
The world number 10 had break point in the next game, but failed to convert and was then broken again by her compatriot, who held serve to win the set.
Kenin started strongly in the second set, immediately breaking Williams’ serve.
Though Philippe-Chatrier showed their support for the 2002, 2013 and 2015 champion, Williams failed to win four break points, but was successful with the fifth to level things at 3-3.
Momentum then swung Williams’ way momentarily, as she served three aces to hold in the next game.
But her opponent got another break at 5-5 and, though Williams had break point in the final game, Kenin kept her composure to seal victory.

Women’s draw blown wide open
Williams’s exit means only three of the top 10 seeds are left in the draw, highlighting the unpredictable nature of the women’s singles game.
That is contrasted with the fact all of the men’s top 10 seeds have reached the last 16, only the third time this happened after the 1969 French Open and the 1970 Australian Open.
The top half of the women’s draw has been blown wide open by the defeats for Williams and top seed Osaka on Saturday.
Third seed Halep, Australian eighth seed Ashleigh Barty and American 14th seed Madison Keys are the only seeded players left in that half.
Barty enjoyed a 6-3 6-1 win against Germany’s Andrea Petkovic to reach the last 16, while 17-year-old Amanda Anisimova remains the youngest player in the draw after beating Irina-Camelia Begu 7-6 (8-6) 6-4.
Britain’s Johanna Konta, who plays Donna Vekic on Sunday, is in the other half of the draw, which also contains seventh seed Sloane Stephens and 2016 champion Garbine Muguruza.
Williams loses another chance as she chases Court
Three-time French Open champion Williams has won fewer of her 23 Grand Slam titles at Roland Garros than she has at the Australian Open (seven), Wimbledon (seven) and US Open (six).
So, coupled with the fact she appeared to be hampered by her movement against Kenin, it is perhaps unsurprising she fell early as she continues to chase the 24th Grand Slam singles title that would draw her level with Australian Court’s all-time record.
After giving birth to daughter Olympia in September 2017, Williams made her Slam return at last year’s Roland Garros and pulled out before her scheduled last-16 match against old foe Maria Sharapova with an injury.
Yet she returned to the grass a few weeks later with a run to the Wimbledon final, German 11th seed Angelique Kerber spoiling her comeback at the All England Club with a 6-2 6-2 win.
Another chance beckoned at the US Open in September, yet she suffered another defeat in the final – this time in more controversial circumstances against Japan’s Naomi Osaka as she accused the umpire of being a “thief” in dramatic scenes.
Four months later she returned to the Australian Open, where she missed four match points in a quarter-final defeat by Czech Karolina Pliskova.
Analysis
Sofia Kenin is having a fine year, and at the age of just 20 and with her illustrious compatriot at the other end of the court, showed great composure to serve out the match.
Williams, it has to be said, was a long way from her best.
Her movement was way below par, the legacy of a knee problem and a reduced schedule which saw her complete just eight matches in the eight months leading into Roland Garros.
Wimbledon starts exactly a month today. Williams says she hopes that will prove enough time to get her back into the form required, but knows she need matches, and hinted she might even consider playing a warm-up event in the lead up to the Championships.
Entertainment Gists
Druppythekid Set to release New Two-Track Pack

Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.
Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.
On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.
Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.
No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.
Entertainment Gists
Who Is Chinwe Zoe? The Nigerian Gospel Singer Behind “Undeniable

Chinwe Zoe, a Nigerian gospel singer and songwriter, began recording music in December 2025 after years of singing in church and at home. Less than a year later, she has released three singles, including “Chinwendum”, featuring gospel singer Frank Edwards, “Undeniable” and “Jesus Don Win”, her October 2026 release produced by Masterkraft.
For Zoe, the decision to record was connected to a personal experience that changed how she viewed her life and faith. She has described it as a near-death experience that left her with a renewed sense of gratitude. “In that moment, when I thought it was over, God showed me mercy,” she said. “He gave me victory. And that victory was too loud to keep inside.”
Her debut, “Chinwendum”, was released in December 2025 with Frank Edwards featured on the record. She followed it with “Undeniable” on May 7, 2026. The song’s official video has recorded more than 460,000 views on YouTube. In October, she released “Jesus Don Win”, produced by Masterkraft, with a video directed by Avalon Okpe.
Zoe’s approach to songwriting draws on personal experiences and scripture. She has said that she does not begin the process by searching for a melody, but by waiting for a message that she can develop into a song. She describes a process in which an experience or scripture stays with her until it takes musical form. The melody follows, and she hums it before committing anything to writing.
Her guiding principle is that a gospel song should be accessible to listeners while remaining suitable for congregational worship. “It should be simple enough for a child to sing and strong enough for a choir to carry,” she said.
Zoe has identified CeCe Winans, Nathaniel Bassey and Dunsin Oyekan among the musicians whose work has influenced her. She sings in English and Igbo, and occasionally in Pidgin, drawing on the worship tradition in her musical expression.
“Every song I sing comes from a place I have lived,” she said. “My pain taught me how to worship, my joy taught me how to praise.”
Her music has also begun attracting an online audience. Her YouTube channel has recorded more than 627,000 views across nine videos, while her Spotify monthly listeners have been reported at approximately 6,500. Her Audiomack profile is verified. Zoe records under her own imprint, H2 Records, with distribution through ONErpm. She made her first public performance at the 2026 Annual Virtuous Women Network conference in Enugu, where she performed “Undeniable”.
Outside music, she has spoken about her interest in soul winning and described it as connected to her musical work. She has also said that she wants her songs to encourage listeners facing difficult circumstances. “I want my songs to shift mindsets from worry to worship,” she said. “Whenever anxiety comes, whenever life tries to make you feel small, I want you to hear my sound in your spirit and declare victory over your life.”
Entertainment Gists
N8TAN Announces ‘UPRISING EP’ — A Story of Rising From the Streets to the Top

Nigerian artist N8TAN is set to unveil his highly anticipated ‘UPRISING EP’, a body of work that chronicles his journey from the streets to the heights of his musical ambition.
Built around themes of struggle, resilience, ambition, survival, and triumph, UPRISING captures the realities of an artist determined to turn adversity into momentum. The project reflects N8TAN’s experiences, the challenges that shaped him, and the relentless drive that continues to push him forward.
More than a collection of songs, UPRISING is presented as a story of transformation—from navigating the streets and confronting uncertainty to finding purpose, embracing growth, and rising toward the top.
With its blend of raw storytelling, infectious energy, and personal perspective, the EP offers listeners an intimate look into N8TAN’s world while reinforcing his determination to carve out his own place in the music industry.
‘UPRISING EP’ is a statement of elevation: a reminder that where you start does not have to determine where you finish.
As N8TAN continues to build his musical identity, UPRISING marks another significant chapter in his journey—and an invitation for listeners to rise with him.
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