Entertainment Gists
French Open 2019: Johanna Konta Loses To Marketa Vondrousova in Semi-Final

Johanna Konta missed out on becoming the first British woman to reach a Grand Slam final since 1977 by losing to Czech teenager Marketa Vondrousova in the French Open semi-finals.
The 26th seed’s extraordinary run here ended with a 7-5 7-6 (7-2) defeat by the unseeded 19-year-old in windy conditions in front of a sparse crowd.
Konta, 28, was unable to convert three first-set points – and paid the price.
Vondrousova plays Australian Ashleigh Barty in Saturday’s final.
The Czech, who has not dropped a set, is the first teenage finalist at Roland Garros since Serbia’s Ana Ivanovic in 2007.
Konta was bidding to become the first British woman to win a Grand Slam singles title since Virginia Wade triumphed at Wimbledon 42 years ago and the first singles player from the nation – man or woman – to win at Roland Garros since Sue Barker in 1976.
“It is always tough to lose a match, any match, and always tough to lose matches where you have opportunities and chances,” said Konta, who had never won a main-draw match at the Paris venue before this tournament.
But I feel very comfortable and assured that I did the best I could out there.
“It’s hard to lose any match like this but my opponent played well and I’m proud of how I played.”
However, Konta said she was “surprised” at the match being moved out to Court Simonne-Mathieu – Roland Garros’ third show court – with organisers reshuffling the schedule because of bad weather.
The new 5,000-seater stadium was barely a third full for the semi-final.
Tension gets better of Konta
Konta was playing in her third Grand Slam semi-final on a third different surface – having reached the last four at the 2016 Australian Open and Wimbledon in 2017.
The women’s draw has been blown wide open over the past fortnight, and the Briton was the only semi-finalist in Paris to have reached this stage of a Slam previously.
Vondrousova is competing in the main draw of a Grand Slam for the ninth time, while her furthest previous run at a major was reaching the fourth round at last year’s US Open.
However, Konta’s greater experience did not tell as tension got the better of the former world number four at crucial moments.
She led 5-3 in both sets before allowing Vondrousova to break back and seize the initiative.
Konta’s shot selection on her first two chances to seal the opening set proved significant, spooning a wild drive-volley long and planting a sliced backhand into the net.
“The way the point was going I’d take that as a drive volley nine out of 10 times and nine out of 10 times I’d make that,” she said.
“And the point after I clipped the net so there wasn’t too much wrong there.”
Although she did manage to put those shots behind her and earn a third chance, that opportunity disappeared as well when Vondrousova put away a forehand winner on her way to a crucial hold.
Konta’s confidence sapped as she failed to serve out the opener from 5-4 – and then there was a sense of deja vu when she also failed to serve out from the same position in the second.
A double fault handed over the break – and the momentum – as Vondrousova ran away with the tie-break to seal victory in one hour and 45 minutes.
“I didn’t regret anything I did there,” Konta said. “I feel comfortable with how I played and what I tried to do. I don’t have any regrets.
“Overall I played a very tough opponent, who was better than me on the day.”
Empty seats and a smaller court

Rows of empty seats are not what you would expect to see at a Grand Slam semi-final, yet that was the scene as Konta and Vondrousova battled for a place in Saturday’s final.
Both women’s semi-finals were due to be played on the 15,000-seater Philippe Chatrier on Thursday, but rain leading to play being cancelled on Wednesday had a knock-on effect and organisers moved them to smaller show courts.
While Barty and Anisimova played on Suzanne Lenglen, which can house 10,000 fans, Konta and Vondrousova were moved to Roland Garros’ picturesque third show court, which opened this year.
Despite being open to those with outside court tickets, the stadium was barely half full.
The entire top tier was virtually empty, with large patches of light-coloured wooden seats visible on the bottom deck.
It was not a good look for Roland Garros’ organisers, who had faced plenty of criticism for moving the women’s semi-finals out to the smaller show courts.
WTA boss Steve Simon called the decision “inappropriate and unfair”, while former world number one Amelie Mauresmo said it was a “disgrace”.
Konta appeared to agree with their criticism without explicitly supporting it, adding the decision to move the women’s semi-finals “speaks for itself”.
“What is tiring and what is really unfortunate in this, more than anything, is that female athletes have to sit in different positions and have to justify their scheduling or their involvement in an event or their salary or their opportunities,” she said.
“I think to give time to that is even more of a sad situation than what we found ourselves in today in terms of the scheduling.”
Analysis.
This was, without doubt, a missed opportunity for Johanna Konta.
Leading both sets 5-3, and playing with purpose, Konta lost her way. Her thought process became clouded, and her shot selection went awry.
Konta has not yet been been able to reproduce her best form in a Grand Slam semi-final. Defeats by Angelique Kerber in Melbourne, and Venus Williams at Wimbledon, were less of a surprise. But this time Konta had the experience, and the lead.
Let’s hope there will be further opportunities to come, and let’s not forget how far Konta has come in six weeks.
At the start of the clay-court season she was in danger of slipping out of the world’s top 50. She is now a top-20 player once again, and has put together a remarkable clay-court season of 15 wins – a statistic which back in April seemed utterly implausible.
Entertainment Gists
Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?
Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.
The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.
And the big question now is:
Should Josh2Funny continue with music or go back to skits? 😂
Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.


One X user joked:
“Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”
Another simply said:
“This Josh2Funny Album no enter make he just go back skit abeg 😂”
But then came “Lembe.” 🔥
The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.
Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.
And it didn’t stop there.
‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED
On another day, “International” featuring Ice Prince generated its own buzz on X.
One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.
From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.
Whether you love the album or think he should return to skits, one thing is clear:
Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:
Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?
Music or Skits? Drop your answer! 👇
Entertainment Gists
RUAN-Badkid.96: The Unfiltered Voice Recommitting African Sound to Truth

RUAN-Badkid.96 is a Nigerian recording artist whose music refuses to live inside a single genre. Blending Afrobeat, Afrofusion, trap, hip-hop, melodic rap, R&B, and global influences, he creates records that move effortlessly between raw street energy, soulful storytelling, and infectious melodies. Whether delivering hard-hitting bars, emotional love songs, or rhythm-driven African records, his sound is defined by authenticity rather than limitation.
Inspired by both African culture and international music, RUAN-Badkid.96 embraces the confidence and ambition of global hip-hop while staying deeply connected to his roots. His lyrics explore love, heartbreak, betrayal, friendship, social injustice, hope, and the everyday realities of life. He doesn’t create music to follow trends, he creates music to reflect truth, emotion, and human experience.
Behind his fearless image is an artist who believes in kindness, equality, justice, and genuine human connection. His appearance may be intimidating, but his message is rooted in compassion and authenticity. Every record carries a piece of his journey, proving that strength and vulnerability can exist in the same voice.
For RUAN-Badkid.96, music is more than entertainment, it’s a language, a testimony, and a lifelong mission to connect with people through honesty, versatility, and unforgettable sound.
Entertainment Gists
Meet the Man Who Turned Hype Into a Science: Emmy Blaq, Nigeria’s G.O.A.T. of Hype
If you have ever been at a Nigerian event and found yourself on your feet before the main act even stepped on stage, there is a good chance a hype man was responsible. But not just any hype man. Emmy Blaq, born Ikechukwu Emmanuel Chima and raised in Auchi, Edo State, has spent the last few years quietly becoming the most talked-about name in that profession, and the Nigerian press has taken notice. Punch, Vanguard, The Guardian Nigeria, The Nation, and Independent Newspaper have all sat down with him, and every conversation leads back to the same thing: this man does not just make noise; he makes moments.
What makes Emmy Blaq different is the journey behind the energy. Before the stages, the collaborations with Waje on her “Waje 2.0” album, DJ Consequence, and DJ Kaywise on the massively streamed “Joor Party Mix” series, he was repairing generators, cutting hair, and sewing clothes in Auchi. His first professional hype gig happened at a local fast food spot called Valchi, and the crowd response that night changed everything. He told The Nation directly: “My passion for entertainment and desire to make people happy led me into the craft.” Punch also captured his bigger mission when he said that hype men deserve more than what they currently earn, a statement that sparked a real conversation across Nigerian entertainment circles.
With over 1.7 million TikTok followers, 23.6 million TikTok likes, a viral “Wife Material” challenge that landed on Pulse Nigeria’s top ten social media moments of 2021, and an international performance at the Cameroon International Music Festival that Cameroonian media described as electrifying, Emmy Blaq is not building toward something. He is already there. The G.O.A.T. of Hype is not a title he gave himself and hoped would stick. It is one the rooms keep confirming every single time he grabs the mic.
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