
Jurgen Klopp said Liverpool “deserved” victory at Sheffield United despite needing a “lucky” Georginio Wijnaldum goal to continue their perfect start to the Premier League season at a raucous Bramall Lane.
The winner was a moment to forget for the otherwise faultless Blades goalkeeper Dean Henderson, who spilled the Dutchman’s tame effort before it squirmed agonisingly over the line.
“It’s normal you have to work hard for the points,” said Klopp. “You have to stay concentrated and do the right things. We did today. It was never a clicking day, it was an average day.
“We were deserved winners. If it’s 0-0 we cannot moan and would not. But if there’s one winner it should be us. We worked had for it. Winning in days like this is extremely worthy. We scored a lucky goal, we know that. But the boys worked so hard for it.”
Klopp’s side were far from their best in South Yorkshire – and left thankful that the hosts could not find a way through in a game where they matched the European champions in many respects.
Substitute Leon Clarke, making his Premier League debut at the age of 34, should have levelled it late on, but blazed over.
Liverpool have won their first seven league games of the season, and after this lunchtime game they had an eight-point lead at the top of the early season table.
When the story of the 2019-20 season is told, this may be looked back on as one of Liverpool’s most crucial but most fortunate victories.
The first half, though goalless, was thrilling. For all of the visitors’ early pressure, it was Chris Wilder’s side who had the first sight of goal when Ollie McBurnie stung the palms of Adrian.
Liverpool’s first clear chance came as a result of a long ball over the top from Virgil van Dijk, but Sadio Mane’s finish when through on goal was wild and wayward, while the Senegal forward later struck the post.
After the break, United may have hit the front, but for alert defending from Joel Matip and Andrew Robertson to frustrate the enthusiastic John Lundstram.
At the other end, when a penalty appeal for Lundstram’s challenge on Mane was denied, it seemed that Liverpool may have to settle for a point.
With time running out, the Merseysiders withdrew Jordan Henderson for Divock Origi, and the move to a 4-2-3-1 formation ultimately paid off when Wijnaldum’s shot snuck in.

Reds ride their luck
Earlier this week, the Champions League winners were told they had failed in their attempt to copyright the word Liverpool. This performance lacked their usual trademarks too.
Indeed, they were lucky not to be punished when Matip and Trent Alexander-Arnold coughed up possession early on.
There’s no questioning the relentless force that is this Liverpool side, but for the second weekend in a row they rode their luck to notch up a league win on the road. But where the Reds were clinical in the 2-1 win at Chelsea, they were wasteful in the Steel City.

Whether it was Mane blazing over or against the post in the first 45 minutes, or Mohamed Salah’s spurned effort one-on-one with Henderson after they had taken the lead, they were not at their flowing best.
However, few if any of their supporters will now lose sleep over the fact Wijnaldum’s goal on 70 minutes was their first shot on target at last season’s Championship runners-up.
They arrived for this match amid news that they could be kicked out of the Carabao Cup for allegedly fielding an ineligible player in the 2-0 win at MK Dons on Wednesday.
As far as their quest for that elusive first Premier League title goes, it remains full steam ahead – although ex-boss Brendan Rodgers and his Leicester City side will provide another stern test in their next league game.
Wilder’s side show their worth
Ahead of kick-off, the sides emerged to the sound of a near 32,000 crowd that shook the very foundations of what is one of the oldest stadiums in the country.
And although they were cruelly denied a deserved point for their efforts in this match, there’s much to hearten the Blades. The legacy of this performance should be that lazy stereotyping of Sheffield United as being tactically basic from some pundits must end.
In this game, they not only matched Liverpool’s passing style, but took the game to their revered opponents, pressing high and chasing everything – with the Reds often forced to pass back to goalkeeper Adrian.
Unfortunately, there are no points for effort.
Henderson’s decisive mistake will prompt grimaced faces, and perhaps the hosts could and should have scored… but this defeat does not necessarily need to be attributed to a villain.
In his pre-match press call, Wilder said “the long-term challenge” was for this kind of game to become a regular fixture at Bramall Lane. The way they have started life back in the top flight suggests they’re more than capable of fulfilling that aim.
Man of the match – John Fleck (Sheffield United)

‘He needs to do better’ – what they said
Sheffield United manager Chris Wilder:
“I am not bothered about pride, I am bothered about the result. Liverpool had an off day and I think we missed an opportunity. In pressurised situations we need to remain composed. We were delighted with the shape but their chances came from our mistakes.
“We have had big moments in the game but we did not take them. We had to jump all over it and we didn’t. We had enough to get something out of this game but we did not take our opportunities. Points are the most important thing and we did not get the points we deserved today.”
On Dean Henderson: “If he wants to be a professional footballer, these things are going to happen. But if he wants to play for the top teams, he wants to play for England, then he needs to do better, he needs to concentrate more. It’s a disappointing day for him. I am not going to put my arms around him, simply he needs to do better.”
Reds closing in on top flight records – stats
- Liverpool have won their first seven games of a league season for only the second time, after 1990-91.
- Sheffield United have lost three consecutive home games in the top-flight for the first time since October 1990.
- Klopp’s side have won their last 16 Premier League games, their best ever top-flight winning streak and one bettered only by Manchester City in the Premier League (18 between August and December 2017).
- Liverpool are also unbeaten in their last 24 Premier League games. Only between May 1987 and March 1988 have they had a longer unbeaten run in the top flight (31 games).
- Wijnaldum’s goal on 70 minutes was Liverpool’s first shot on target of the game, the longest the Reds have had to wait for a shot on target in the Premier League since 6 December 2015, courtesy of Dejan Lovren’s effort against Newcastle on 89 minutes.
- Sheffield United’s Leon Clarke (34 years and 230 days) became the oldest Englishman to make his Premier League debut since Chris Lucketti (35 years 107 days), also for Sheffield United, against Portsmouth in January 2007.
What’s next?
Liverpool resume their Champions League campaign against Austria’s Red Bull Salzburg at Anfield on Wednesday, 2 October (20:00 BST). Klopp’s side then return to league action at home against Leicester City on Saturday, 5 October (15:00 BST).
On the same day, Sheffield United travel to Watford (also 15:00) in the final round of matches before October’s international break.

Entertainment Gists
PZEELEE__VIBEZ BIOGRAPHY: The Journey, Influences and Creative Evolution of a Nigerian Afrofusion Artiste

From his roots in Ilesa, Osun State, to his growing presence in Nigeria’s contemporary music landscape, Fowowe Paul Akinbobola is building an artistic identity shaped by cultural heritage, musical diversity and creative exploration.
The Nigerian music industry continues to witness the emergence of a new generation of creative talents exploring different sounds, musical identities and approaches to storytelling. Among the artistes gradually establishing their presence within this evolving landscape is PzeeLee__Vibez, professionally known as Fowowe Paul Akinbobola, a Nigerian singer and songwriter whose musical direction reflects an appreciation for diverse influences and contemporary African sounds.
Also known as Omoluabi, PzeeLee__Vibez hails from Ilesa, Osun State, Nigeria. His artistic identity is rooted in a combination of cultural appreciation, personal creativity and an interest in the evolving possibilities of Afrobeats and Afrofusion. Through his music, he continues to explore different expressions, drawing from both established African musical traditions and contemporary influences.
Early Background and Creative Foundation
Beyond his developing career in music, PzeeLee__Vibez has an educational background that reflects a different dimension of his personality. He holds a Higher National Diploma in Agricultural and Bio-Environmental Engineering from Oyo State College of Agriculture and Technology, Igbo-Ora.
His academic journey demonstrates an experience outside the conventional entertainment pathway, highlighting the intersection between formal education and artistic ambition.
His appreciation for music is also connected to his family background. According to previously published accounts, his father, identified as Fere Jesu, was involved in gospel and highlife music, making an impression during the 1990s. This family connection provided an additional layer to his exposure to music and its cultural significance.
Beyond singing and songwriting, PzeeLee__Vibez has demonstrated creative interests in dancing and painting, suggesting an artistic personality that extends beyond musical performance.
Musical Influences and Artistic Identity
Musical development is often shaped by the artistes, sounds and experiences encountered throughout an individual’s journey. For PzeeLee__Vibez, his influences cut across different generations and musical traditions.
He has identified legendary Nigerian musician Fela Kuti and Jamaican reggae icon Bob Marley among his influences, alongside contemporary African music figures such as Burna Boy, Wizkid, Olamide and Davido.
These influences represent different approaches to music, ranging from socially conscious African rhythms and reggae traditions to contemporary Afrobeats, melodic songwriting and commercially driven African pop.
The combination of these influences provides an interesting foundation for understanding his creative direction.
Operating within the broader Afrobeats and Afrofusion landscape, PzeeLee__Vibez explores the possibilities of combining different musical elements while developing a sound that reflects his individual artistic expression.
Rather than limiting his creative identity to a single musical formula, his releases suggest an interest in experimentation, contemporary production and accessible musical storytelling.
Discography and Recorded Musical Journey
PzeeLee__Vibez’s recorded catalogue provides an insight into his developing musical journey, with releases that demonstrate his willingness to explore different sounds and creative approaches.
One of his documented releases is “SURPRISE”, a single that introduced listeners to his musical direction through an Amapiano-influenced production blended with traditional elements. Released in 2024 according to his Apple Music catalogue, the record received additional promotional attention in January 2025.
The release represented an important opportunity to introduce his music to a wider audience while establishing a foundation for subsequent projects.
He followed this with “POTENTIAL”, released in 2025, further extending his catalogue and maintaining his presence within the digital music space.
Another release, “NASA”, also appeared in his 2025 catalogue. The record explores romantic expression and provides another perspective on his approach to contemporary music and songwriting.
These releases collectively represent different stages of his developing catalogue, providing listeners with an opportunity to understand his musical interests and evolving creative direction.
Collaboration with Freezy West: The Story Behind “GenZ Luv”
An important development in his recent musical journey is his collaboration with Freezy West on the single “GenZ Luv”, produced by JADU and released on July 17, 2026.
The record explores modern romance through a contemporary musical perspective, drawing on youthful experiences, emotional connections and the changing language of relationships among a younger generation.
The collaboration brings together two creative personalities, with PzeeLee__Vibez and Freezy West contributing to a record designed around contemporary romantic expression.
Beyond its musical presentation, “GenZ Luv” represents another opportunity for PzeeLee__Vibez to expand his creative network, explore collaborative possibilities and connect with listeners through a subject that remains relevant across generations.
The release also attracted media attention, including coverage by The Poise Nigeria, which highlighted the collaboration and its contemporary romantic theme.
Beyond Music: A Multifaceted Creative Personality
While music remains central to his public identity, PzeeLee__Vibez’s interests in dancing and painting reveal a broader appreciation for artistic expression.
These creative interests provide additional perspectives on his personality and suggest an individual whose understanding of entertainment extends beyond recording songs.
In an industry where visual presentation, performance, identity and musical creativity increasingly intersect, such interests can provide opportunities for artistic development and audience engagement.
His journey also reflects the experiences of emerging Nigerian artistes navigating an increasingly competitive music environment, where talent must be supported by consistency, creative development, strategic collaborations and effective audience engagement.
Career Development and the Road Ahead
The contemporary Nigerian music industry offers opportunities for artistes to reach audiences beyond geographical boundaries through digital streaming platforms, collaborations and online media exposure.
For emerging artistes such as PzeeLee__Vibez, building a sustainable career requires more than releasing individual records. It involves establishing a recognisable musical identity, developing a consistent catalogue and creating meaningful connections with listeners.
His releases, including “SURPRISE”, “POTENTIAL”, “NASA” and “GenZ Luv”, provide an early picture of an artiste exploring his creative possibilities while gradually expanding his musical presence.
His background, diverse musical influences and interest in different creative disciplines offer useful context for understanding the direction of his artistic development.
As he continues to explore new sounds, collaborations and opportunities, the next phase of his journey will be important in determining how his musical identity develops within Nigeria’s expanding Afrobeats and Afrofusion scene.
For PzeeLee__Vibez, the journey is one of continued creative exploration, musical growth and the pursuit of a distinctive place within an industry defined by constant evolution.
Entertainment Gists
“Lagos Gave Me My Greatest Successes and Deepest Heartbreak”: Cuppy Opens Up in New IFEOLUWA Documentary

On her birthday, Florence Ifeoluwa Otedola invites viewers beyond the public image and into a more personal story of home, family, identity and purpose.
For years, Nigerians have known Florence “Cuppy” Otedola as the internationally recognised DJ and philanthropist with the famous pink hair and vibrant public personality. This birthday, she is inviting audiences to see a side of her that rarely takes centre stage.
Released on 11 November 2026, her new 12 minute documentary, IFEOLUWA, follows Cuppy back to Lagos, the city that shaped her and remains close to her heart. It is also, as the film explores, a place connected to some of her greatest successes and deepest heartbreak.

The title IFEOLUWA means “The Love of God”. Rather than another glamorous birthday celebration, Cuppy is marking the occasion by sharing a more reflective portrait of the woman behind the spotlight. The film explores womanhood, ambition, identity, belonging and the ongoing process of becoming.
There are tender moments, too. Viewers see Cuppy not just as a public figure, but as a daughter, sister and granddaughter. Her time with her grandmother offers an especially intimate glimpse of the affection and family ties at the heart of her story.
The documentary also captures an evolution that audiences may already have noticed. The signature pink hair has given way to a new look and a more grounded chapter, with faith, education and service increasingly central to how Cuppy speaks about her future. It is not a rejection of music, but a fuller picture of the person behind it.

Her philanthropic work remains an important part of that picture. Through the Cuppy Foundation, she has helped raise more than $17 million to support displaced children in Nigeria in partnership with Save the Children. She has also established education funds at the University of Oxford, New York University and King’s College London to help students overcome financial barriers, particularly those from Africa.
Alongside this work, Cuppy remains active as an international DJ, with performances including Glastonbury, Wireless Festival and Cannes Lions, as well as events during United Nations General Assembly week.
At its heart, IFEOLUWA is about more than a familiar celebrity image. It is a personal homecoming and an invitation to understand how family, faith, Lagos and lived experience are shaping Cuppy’s next chapter.
Watch IFEOLUWA on YouTube
Entertainment Gists
Druppythekid Set to release New Two-Track Pack

Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.
Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.
On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.
Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.
No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.
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