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South Africa broke English hearts with a ruthless display of power rugby to seize their third Rugby World Cup in devastating fashion.

Twenty two points from the boot of nerveless fly-half Handre Pollard and second-half tries from wingers Makazole Mapimpi and Cheslin Kolbe ground England into the Yokohama dirt on a horrible night for Eddie Jones’s men.

England had trailed 12-6 at the interval after taking a hammering in the scrum and making a series of handling errors.

And despite four penalties from captain Owen Farrell they never looked like closing that gap as the Springboks produced an outstanding display to match those of 1995 in Johannesburg and 2007 in Paris.

Those were iconic moments for a nation besotted with rugby and when Siya Kolisi lifted the William Webb Ellis trophy aloft as the first black man to captain the Springboks they will have the final part of a triptych that will endure forever in the country’s collective memory.

For England it was a chastening end to a campaign that had promised to end the 16-year wait for the World Cup glory.

They were out-muscled, out-run and out-thought by a team transformed by the leadership of skipper Kolisi and the coaching of Rassie Erasmus.

Never before has a team beaten in the group stages gone on to win the trophy, but this is a triumph to match that of the teams of Francois Pienaar and John Smit with a wider story that perhaps surpasses both.

South Africa find their width as England stumble

England, so quick out of the blocks in their semi-final win over the All Blacks, were rocked in the opening exchanges as prop Kyle Sinckler was knocked out in an accidental collision and forced to leave the field before touching the ball.

South Africa took that momentum and through a Pollard Garryowen-and-gather went deep into the English 22 before Willie le Roux knocked on as he carved an outside line down the right.

England were rattled, throwing loose passes, Farrell isolated as he tried to mop up one from Billy Vunipola and Pollard banging over the resulting penalty for 3-0.

The huge Springbok pack was making a mess of the English scrum and disrupting their line-out, but when the men in white made their first series of forays they won a breakdown penalty and Farrell levelled things up.

Now it was the Springboks forced into changes, hooker Mbongeni Mbonambi off with concussion and lock Lood de Jager appearing to dislocate a shoulder.

Yet England knocked on at the restart, had their scrum splintered and were behind again as Pollard slotted the penalty from the angle.

Back they came. The forwards hammered away at the South African line after driving a line-out on the 22, Courtney Lawes and replacement Dan Cole both going close until Duane Vermeulen infringed and Farrell kicked the penalty for 6-6.

The vast English support in the stands found their voice but the mistakes kept coming.

Billy Vunipola was penalised for holding on and Pollard landed a beauty from 40m, and then Elliot Daly knocked on from Lukhanyo Am’s kick ahead, the scrum was mangled again and Pollard struck again from in front of the posts.

It was a horrible half from Eddie Jones’ men, that 12-6 half-time deficit the biggest they had faced in the entire tournament.

Springboks pummel England before cutting loose

Cheslin Kolbe
Cheslin Kolbe crossed six minutes from time for South Africa’s second try

South Africa coach Erasmus threw replacement props Steven Kitshoff and Vincent Koch on just after the break and at their very first scrum they mangled England again.

Pollard drilled over a beauty from just over halfway and at 15-6 England were staring into the abyss.

The South African power was stopping their big runners dead and killing England at the breakdown and Jones rolled the dice, throwing Joe Marler into the front row and Henry Slade in at outside centre as Farrell took Ford’s place at fly-half.

It initially appeared to work. England blew the Springbok scrum apart, Farrell lined up the penalty and it was a six-point game.

Now Curry got to work, snaffling a breakdown penalty to give Farrell another shot, this time from 45m out wide, only for the kick to drift just wide of the right-hand post.

What could have been 15-12 was suddenly 18-9 as South Africa set up a maul in midfield and England were caught offside for a penalty that Pollard was never going to miss.

England had 22 minutes to save their World Cup and grabbed a lifeline from Farrell’s fourth penalty after Vermeulen held on from the restart.

Luke Cowan-Dickie and Mark Wilson came on for Jamie George and Sam Underhill but with 14 minutes to go the killer blow came.

South Africa went left down the blindside, Mapimpi kicked on and Am gathered before finding the winger on his outside shoulder for the first try the Springboks had scored in three World Cup finals.

Pollard’s conversion from in front made it 25-12 and the stands were alive with green-shirted noise.

And when the diminutive Kolbe stepped and accelerated through an exhausted rearguard in the final moments the Springboks could kick-start a Japanese party that will sweep through their homeland.

Man of the match – Handre Pollard (South Africa)

Handre Pollard
The 25-year-old fly-half was almost flawless in the biggest game of his life, given time and quick ball by his dominant forwards and squeezing the hope and life out of England with every opportunity he was given

‘One day you’re the best, the next a team knocks you off’

England head coach Eddie Jones: “We just couldn’t get on the front foot. We were dominated in the scrum particularly in the first 50 minutes. When you’re in a tight, penalty-driven game, it’s difficult to get any sort of advantage.

“We needed to fix up the scrum, little things around the line-out, then get a bit more accurate in how we attacked. We did that for a while, got ourselves back into the game, but in the end we had to force the game and gave away a couple of tries.

“They were too good for us at the breakdown today. That’s the great thing about rugby, one day you’re the best team in the world and the next a team knocks you off.”

South Africa coach Rassie Erasmus: “It’s weird, I didn’t think two years ago we could realistically do it, but six months ago began to and four weeks ago I really did. I am so proud of the players and my country. We stand together, we really believed it and I am proud to be South African.

“The country have gone through some bad times, and we have over the last two years but our challenge is to make South African rugby strong for the next six or seven years.

“I will make this my mission to make this a springboard to take it the right way.”

The stats – Springboks score first tries in a final

  • South Africa have lifted the Webb Ellis Cup on three occasions, no side has won the Rugby World Cup more often (level with New Zealand).
  • South Africa are the only side to have a 100% win rate in World Cup finals, winning on each of their three appearances at this stage.
  • South Africa’s 20-point victory is the joint second biggest in a final, after Australia’s 23-point win against France in 1999. New Zealand also won by 20 points in 1987.
  • The Springboks scored two tries against England, the first time they’d ever crossed for a try in a final, they are yet to concede a try at this stage.
  • England have lost the Rugby World Cup final on three occasions, no side has lost at this stage more often (level with France).
  • Owen Farrell scored 12 points in this match, taking him past 100 points in the Rugby World Cup, the second player to reach that milestone for England in the tournament after Jonny Wilkinson (277).
  • Billy Vunipola made 19 carries against South Africa, the most in the match and the most by any player in a World Cup final, surpassing Israel Folau’s tally of 16 in 2015.
  • Maro Itoje made 16 tackles against South Africa, the joint second most in a final behind Richie McCaw (18 in 2011) and level with Jonny Wilkinson (16 in 2003).
  • Makazole Mapimpi scored his 14th try in 14 Tests for South Africa, including six tries in six games at this year’s World Cup.

Entertainment Gists

Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?

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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

 

 

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.

The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.

And the big question now is:

Should Josh2Funny continue with music or go back to skits? 😂

Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.

One X user joked:

“Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”

Another simply said:

“This Josh2Funny Album no enter make he just go back skit abeg 😂”

But then came “Lembe.” 🔥

The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.

Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.

And it didn’t stop there.

‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED

On another day, “International” featuring Ice Prince generated its own buzz on X.

One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.

From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.

Whether you love the album or think he should return to skits, one thing is clear:

Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:

Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?

Music or Skits? Drop your answer! 👇

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Entertainment Gists

RUAN-Badkid.96: The Unfiltered Voice Recommitting African Sound to Truth

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RUAN-Badkid.96 is a Nigerian recording artist whose music refuses to live inside a single genre. Blending Afrobeat, Afrofusion, trap, hip-hop, melodic rap, R&B, and global influences, he creates records that move effortlessly between raw street energy, soulful storytelling, and infectious melodies. Whether delivering hard-hitting bars, emotional love songs, or rhythm-driven African records, his sound is defined by authenticity rather than limitation.

Inspired by both African culture and international music, RUAN-Badkid.96 embraces the confidence and ambition of global hip-hop while staying deeply connected to his roots. His lyrics explore love, heartbreak, betrayal, friendship, social injustice, hope, and the everyday realities of life. He doesn’t create music to follow trends, he creates music to reflect truth, emotion, and human experience.

Behind his fearless image is an artist who believes in kindness, equality, justice, and genuine human connection. His appearance may be intimidating, but his message is rooted in compassion and authenticity. Every record carries a piece of his journey, proving that strength and vulnerability can exist in the same voice.

For RUAN-Badkid.96, music is more than entertainment, it’s a language, a testimony, and a lifelong mission to connect with people through honesty, versatility, and unforgettable sound.

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Entertainment Gists

Meet the Man Who Turned Hype Into a Science: Emmy Blaq, Nigeria’s G.O.A.T. of Hype

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If you have ever been at a Nigerian event and found yourself on your feet before the main act even stepped on stage, there is a good chance a hype man was responsible. But not just any hype man. Emmy Blaq, born Ikechukwu Emmanuel Chima and raised in Auchi, Edo State, has spent the last few years quietly becoming the most talked-about name in that profession, and the Nigerian press has taken notice. Punch, Vanguard, The Guardian Nigeria, The Nation, and Independent Newspaper have all sat down with him, and every conversation leads back to the same thing: this man does not just make noise; he makes moments.
What makes Emmy Blaq different is the journey behind the energy. Before the stages, the collaborations with Waje on her “Waje 2.0” album, DJ Consequence, and DJ Kaywise on the massively streamed “Joor Party Mix” series, he was repairing generators, cutting hair, and sewing clothes in Auchi. His first professional hype gig happened at a local fast food spot called Valchi, and the crowd response that night changed everything. He told The Nation directly: “My passion for entertainment and desire to make people happy led me into the craft.” Punch also captured his bigger mission when he said that hype men deserve more than what they currently earn, a statement that sparked a real conversation across Nigerian entertainment circles.
With over 1.7 million TikTok followers, 23.6 million TikTok likes, a viral “Wife Material” challenge that landed on Pulse Nigeria’s top ten social media moments of 2021, and an international performance at the Cameroon International Music Festival that Cameroonian media described as electrifying, Emmy Blaq is not building toward something. He is already there. The G.O.A.T. of Hype is not a title he gave himself and hoped would stick. It is one the rooms keep confirming every single time he grabs the mic.

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