Entertainment Gists
Edouard Secures Celtic’s Treble Treble
Celtic secured a historic treble of domestic trophies for the third consecutive season as Odsonne Edouard’s two goals overcame Hearts 2-1 in the Scottish Cup final.
Neil Lennon has now led Celtic to a league and cup double after succeeding Brendan Rodgers mid-season and has been offered the manager’s job permanently.
His side overcame the setback of Ryan Edwards’ second-half strike.
Edouard equalised from the penalty spot before coolly hitting the winner.
The Edinburgh side fought hard for an equaliser of their own in the closing stages, but Celtic stood firm to establish a new mark of triumph in the history of Scottish football.
The final whistle brought an emotional response from Lennon on the touchline.
His claim to the manager’s role was based on his experience of leading the club to success during a previous spell, of being able to urge and cajole players to deliver the best of themselves during the uncertainty that followed Rodgers’ departure for Leicester – and this cup victory was built on the resilience of his players.
Edouard delivers devastating double
Celtic were forced into a period of reflection during the interval at Hampden. It was clear enough what Lennon thought of their first-half performance, as he hollered for his players to raise the tempo of their game.
Much of the lethargy was caused by the organisation and determination of Hearts, who brought a level of assertiveness to their game that belied the pre-game assumptions that they would struggle to compete at Hampden.
Christophe Berra and John Souttar were solid pillars of resistance at the back, the latter clearing from Edouard inside the penalty area then blocking a James Forrest shot.
Hearts were not at full strength – striker Uche Ikpeazu was on the bench while 16-year-old Aaron Hickey started only his second game for the club at left-back, having made his first start last week in the final Premiership game of the season against Celtic.
Craig Levein’s side fought valiantly, though, and took the lead when Arnaud Djoum’s shot broke to Sean Clare, who back-heeled the ball to Edwards to shoot first-time beyond Scott Bain.
As Celtic responded, Souttar stood firm again, clearing after Scott Brown burst into the penalty area and then stepping in to clear from Tom Rogic.
Hearts could not maintain Souttar’s flawless display. Zlamal hesitated as he left his line to close down Edouard inside the penalty area, then panicked and slid into the striker. Referee Willie Collum pointed to the spot and Edouard converted with confidence when Zlamal perhaps could have done better.
The striker remained unflustered when Berra was caught out of position and Mikael Lustig’s header sent the ball through for Edouard to chase, and he coolly lifted the ball beyond the Hearts keeper’s reach and into the net.
“No fouls, no fouls” shouted Lennon as his side tried to close the game out, conscious of Hearts’ threat at set-pieces. Celtic had the experience and the calmness to see themselves over the line.
‘Hearts stifled Celtic’ – analysis
The pressure on the Celtic players was evident from the start, as they looked nervous in the early stages and it was only after Hearts took the lead that an urgency entered their game.
Hearts were wonderfully well organised and ensured Celtic’s key players were not allowed to dictate the pace while stifling their creativity.
Craig Levein and his players may look back upon this as a missed opportunity but there are plenty of positives to take from the 90 minutes.
None more so than the performance of teenager Aaron Hickey at full back, who belied his youth and was more than a match for James Forrest.
Both squads will have major surgery in the summer, with many players leaving new faces arriving at both Tynecastle and Parkhead. Then the quest will begin once more for league and cup glory.
Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.
Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.
On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.
Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.
No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.
Chinwe Zoe, a Nigerian gospel singer and songwriter, began recording music in December 2025 after years of singing in church and at home. Less than a year later, she has released three singles, including “Chinwendum”, featuring gospel singer Frank Edwards, “Undeniable” and “Jesus Don Win”, her October 2026 release produced by Masterkraft.
For Zoe, the decision to record was connected to a personal experience that changed how she viewed her life and faith. She has described it as a near-death experience that left her with a renewed sense of gratitude. “In that moment, when I thought it was over, God showed me mercy,” she said. “He gave me victory. And that victory was too loud to keep inside.”
Her debut, “Chinwendum”, was released in December 2025 with Frank Edwards featured on the record. She followed it with “Undeniable” on May 7, 2026. The song’s official video has recorded more than 460,000 views on YouTube. In October, she released “Jesus Don Win”, produced by Masterkraft, with a video directed by Avalon Okpe.
Zoe’s approach to songwriting draws on personal experiences and scripture. She has said that she does not begin the process by searching for a melody, but by waiting for a message that she can develop into a song. She describes a process in which an experience or scripture stays with her until it takes musical form. The melody follows, and she hums it before committing anything to writing.
Her guiding principle is that a gospel song should be accessible to listeners while remaining suitable for congregational worship. “It should be simple enough for a child to sing and strong enough for a choir to carry,” she said.
Zoe has identified CeCe Winans, Nathaniel Bassey and Dunsin Oyekan among the musicians whose work has influenced her. She sings in English and Igbo, and occasionally in Pidgin, drawing on the worship tradition in her musical expression.
“Every song I sing comes from a place I have lived,” she said. “My pain taught me how to worship, my joy taught me how to praise.”
Her music has also begun attracting an online audience. Her YouTube channel has recorded more than 627,000 views across nine videos, while her Spotify monthly listeners have been reported at approximately 6,500. Her Audiomack profile is verified. Zoe records under her own imprint, H2 Records, with distribution through ONErpm. She made her first public performance at the 2026 Annual Virtuous Women Network conference in Enugu, where she performed “Undeniable”.
Outside music, she has spoken about her interest in soul winning and described it as connected to her musical work. She has also said that she wants her songs to encourage listeners facing difficult circumstances. “I want my songs to shift mindsets from worry to worship,” she said. “Whenever anxiety comes, whenever life tries to make you feel small, I want you to hear my sound in your spirit and declare victory over your life.”
Nigerian artist N8TAN is set to unveil his highly anticipated ‘UPRISING EP’, a body of work that chronicles his journey from the streets to the heights of his musical ambition.
Built around themes of struggle, resilience, ambition, survival, and triumph, UPRISING captures the realities of an artist determined to turn adversity into momentum. The project reflects N8TAN’s experiences, the challenges that shaped him, and the relentless drive that continues to push him forward.
More than a collection of songs, UPRISING is presented as a story of transformation—from navigating the streets and confronting uncertainty to finding purpose, embracing growth, and rising toward the top.
With its blend of raw storytelling, infectious energy, and personal perspective, the EP offers listeners an intimate look into N8TAN’s world while reinforcing his determination to carve out his own place in the music industry.
‘UPRISING EP’ is a statement of elevation: a reminder that where you start does not have to determine where you finish.
As N8TAN continues to build his musical identity, UPRISING marks another significant chapter in his journey—and an invitation for listeners to rise with him.
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