Angel di Maria scored twice against former employers Real Madrid as Paris St-Germain began their Champions League Group A campaign with a comfortable win.
Thomas Meunier’s stoppage-time goal added more embarrassment for the Spanish giants – and heightened the pressure on Real manager Zinedine Zidane, whose win ratio is below 50% since returning to the club towards the end of last season.
Eden Hazard, making his first start for the visitors, showed some nice touches but struggled to influence proceedings, as a Real old boy stole the show.
Celebrating his 100th appearance in the competition, Di Maria opened the scoring with a close-range shot that crept inside Thibaut Courtois’ near post from Juan Bernat’s pass.
While Real’s Belgian goalkeeper Courtois appeared to be caught out for the opening goal, he could do nothing to prevent the second.
Idrissa Gueye’s fine work on the right create the opening for Di Maria, who found the bottom right corner superbly with a curling effort from 20 yards.
Hopes of a Real fight-back were briefly raised when Gareth Bale lobbed the ball magnificently over home keeper Keylor Navas from the edge of the penalty area.
However, his goal was ruled out for handball by referee Anthony Taylor after it was reviewed by video assistant referee (VAR) officials, as was Karim Benzema’s offside effort late in the second period.
And a miserable night for Real and Zidane was compounded as Juan Bernat and Meunier, strolled through the visiting defence before Belgian full-back Meunier placed the ball into the bottom right corner.
It confirmed that PSG, who were without their entire first-choice strike force of Neymar, Edinson Cavani and Kylian Mbappe, halted a run of three consecutive defeats against the Spanish club.
No superstars, no problem for PSG
While Paris St-Germain were – on paper at least – noticeably under strength without their celebrated front three, they still easily had too much firepower for Real.
That was largely down to Di Maria, Pablo Sarabia and loan signing Mauro Icardi – supposedly the supporting cast – who exhibited the guile and movement to bewilder a Madrid defence shorn of the leadership of Sergio Ramos.
Di Maria in particular produced a performance that rolled back the years to his days patrolling the flank over five seasons at the Bernabeu.
The 31-year-old Argentina winger made almost 200 appearances for Real and was named man of the match as the Spanish giants claimed their 10th European Cup/Champions League trophy against neighbours Atletico in 2014.
Just as on that night in Lisbon, he was at his best with his elusive running and clever positioning, tormenting Real full-back Dani Carvajal.
Aside from scoring twice, Di Maria cut the visitors open on several occasions with Sarabia sliding an effort wide after being picked out by his colleague.
And Di Maria, whose exuberant celebrations after both goals will have rankled with Real supporters, could have rounded off his evening with a hat-trick – narrowly failing with a scooped effort over Courtois that landed on the roof of the Real net.
Nigerian emerging artist Druppythekid is set to release his new two-track pack, No Love and LA LA LA (Serenade), on November 13, 2026, delivering a message of ambition, self-belief, and defiance in the face of criticism.
Originally from Kwara State and based in Lagos, Druppythekid developed a love for rap, hip-hop, and pop music as a teenager. Introduced to poetry in high school, he found a natural connection between words and rap, eventually joining a rap group before exploring music production at university. After graduation, he began rapping over his own beats, turning his passion into a growing musical pursuit.
On “No Love,” Druppythekid speaks to the determination required to chase dreams despite doubt and opposition. “LA LA LA (Serenade)” takes a more unapologetic approach, dismissing the opinions of those who never believed in him.
Together, the two records reflect one central message: keep pursuing your vision and never let the opinions of others define your journey.
No Love and LA LA LA (Serenade) arrive on major digital streaming platforms on November 13, 2026.
Chinwe Zoe, a Nigerian gospel singer and songwriter, began recording music in December 2025 after years of singing in church and at home. Less than a year later, she has released three singles, including “Chinwendum”, featuring gospel singer Frank Edwards, “Undeniable” and “Jesus Don Win”, her October 2026 release produced by Masterkraft.
For Zoe, the decision to record was connected to a personal experience that changed how she viewed her life and faith. She has described it as a near-death experience that left her with a renewed sense of gratitude. “In that moment, when I thought it was over, God showed me mercy,” she said. “He gave me victory. And that victory was too loud to keep inside.”
Her debut, “Chinwendum”, was released in December 2025 with Frank Edwards featured on the record. She followed it with “Undeniable” on May 7, 2026. The song’s official video has recorded more than 460,000 views on YouTube. In October, she released “Jesus Don Win”, produced by Masterkraft, with a video directed by Avalon Okpe.
Zoe’s approach to songwriting draws on personal experiences and scripture. She has said that she does not begin the process by searching for a melody, but by waiting for a message that she can develop into a song. She describes a process in which an experience or scripture stays with her until it takes musical form. The melody follows, and she hums it before committing anything to writing.
Her guiding principle is that a gospel song should be accessible to listeners while remaining suitable for congregational worship. “It should be simple enough for a child to sing and strong enough for a choir to carry,” she said.
Zoe has identified CeCe Winans, Nathaniel Bassey and Dunsin Oyekan among the musicians whose work has influenced her. She sings in English and Igbo, and occasionally in Pidgin, drawing on the worship tradition in her musical expression.
“Every song I sing comes from a place I have lived,” she said. “My pain taught me how to worship, my joy taught me how to praise.”
Her music has also begun attracting an online audience. Her YouTube channel has recorded more than 627,000 views across nine videos, while her Spotify monthly listeners have been reported at approximately 6,500. Her Audiomack profile is verified. Zoe records under her own imprint, H2 Records, with distribution through ONErpm. She made her first public performance at the 2026 Annual Virtuous Women Network conference in Enugu, where she performed “Undeniable”.
Outside music, she has spoken about her interest in soul winning and described it as connected to her musical work. She has also said that she wants her songs to encourage listeners facing difficult circumstances. “I want my songs to shift mindsets from worry to worship,” she said. “Whenever anxiety comes, whenever life tries to make you feel small, I want you to hear my sound in your spirit and declare victory over your life.”
Nigerian artist N8TAN is set to unveil his highly anticipated ‘UPRISING EP’, a body of work that chronicles his journey from the streets to the heights of his musical ambition.
Built around themes of struggle, resilience, ambition, survival, and triumph, UPRISING captures the realities of an artist determined to turn adversity into momentum. The project reflects N8TAN’s experiences, the challenges that shaped him, and the relentless drive that continues to push him forward.
More than a collection of songs, UPRISING is presented as a story of transformation—from navigating the streets and confronting uncertainty to finding purpose, embracing growth, and rising toward the top.
With its blend of raw storytelling, infectious energy, and personal perspective, the EP offers listeners an intimate look into N8TAN’s world while reinforcing his determination to carve out his own place in the music industry.
‘UPRISING EP’ is a statement of elevation: a reminder that where you start does not have to determine where you finish.
As N8TAN continues to build his musical identity, UPRISING marks another significant chapter in his journey—and an invitation for listeners to rise with him.
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