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Church Criticises Israel’s ‘Heavy-handed Restrictions’ On Easter

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Christian pilgrims hold candles as they gather during the ceremony of the Holy Fire at the Church of the Holy Sepulchre, where many Christians believe Jesus was crucified, buried and rose from the dead, in the Old City of Jerusalem

Palestinian Christians say their 2,000-year-old community in the Holy Land has come under increasing attack.

The Greek Orthodox Church on Wednesday slammed what it called Israel’s “heavy-handed restrictions” on freedom of worship as it prepares to celebrate Easter in occupied East Jerusalem.

Israeli police said the limits are needed for safety during Saturday’s “Holy Fire” celebration at the ancient Church of the Holy Sepulchre, the 12th-century holy site where Jesus is believed by Christians to have been crucified, buried and resurrected.

Israeli authorities claim the measures are related to recent violence in the Old City, touched off by Israeli police raids on Jerusalem’s most sensitive holy site, the compound that is home to the Al-Aqsa Mosque, and its attacks on Muslim worshippers.

But many Christian leaders, who say there is no need to alter a ceremony that has been held for centuries, believe this is part of an ongoing Israeli policy to push them out of their homeland.

Every year, Israeli police have limited the number of pilgrims who can attend Christian celebrations, including the “Holy Fire” ceremony, irrespective of the security situation.

“They’ve locked down the Christian and Armenian quarters on the actual day [of the ceremony – Saturday] and pretty much let no one else into the city except for those issued tickets by the police for the Holy Fire,” said Donald Binder, chaplain to the Anglican archbishop of Jerusalem.

“[Christianity] is the biggest religion in the world and yet Christians are being kept out of their quarter of the holy city on the holiest day of the year for them,” he told Al Jazeera.

Last month, in a joint Easter message, churches in Jerusalem denounced the fact that “over the past year, some of our churches, funeral processions and places of public gathering have become targets of attack,” with some ceremonies “closed off to thousands of worshipers”.

Israeli police attacked mourners during the funeral procession of Palestinian-American Al Jazeera journalist Shireen Abu Akleh, a Christian who was shot dead by Israeli forces in Jenin in the West Bank almost a year ago.

With the breakdown of talks between Christian leaders and Israeli security forces, Father Mattheos Siopis from the Greek Orthodox Church urged “all who wish to worship with us to attend”.

“With that made clear, we leave the authorities to act as they will. The churches will freely worship and do so in peace,” he said.

Church officials told reporters in Jerusalem on Wednesday that negotiations with the police over restrictions had failed.

“After many attempts made in goodwill, we are not able to coordinate with the Israeli authorities as they are enforcing unreasonable restrictions,” Siopis said.

“These heavy-handed restrictions will limit access to … the Church of the Holy Sepulchre and to the Holy Light ceremony,” he told journalists.

Eastern Orthodox Christians believe that on the Saturday before Easter, a miraculous flame appears inside the Church of the Holy Sepulchre – marking the most important event in the Orthodox calendar.

The Greek patriarch enters the Holy Edicule, a chamber built on the traditional site of Jesus’s tomb, and emerges with two lit candles. He passes the flame among thousands of people holding candles, gradually illuminating the walls of the darkened basilica.

Worshippers clutching candles fill the church, with many more gathering in the surrounding alleys of the Old City, before the flame is flown to Orthodox communities internationally.

“The ceremony has been faithfully taking place in the Church of the Holy Sepulchre for nearly 2,000 years,” said Siopis.

The sacred site lies in Israeli-occupied East Jerusalem and the country’s police force has for the second consecutive year told church leaders that access must be considerably restricted.

Limiting church attendance to 1,800 people, including clergy from the various Orthodox denominations, is a necessary safety precaution, Israeli police said on Wednesday.

“We are going to regulate the movement of crowds,” said Chief Superintendent Yoram Segal of the Jerusalem District Police, adding that the ceremony will be available to view throughout the city on video screens.

Since the rise this year of Israel’s most far-right government in history, Palestinian Christians say their 2,000-year-old community in the Holy Land has come under increasing attack.

In March, two Israeli men assaulted a priest in a church at the Tomb of the Virgin Mary.

In February, a statue of Jesus was vandalised by an American Jewish tourist at the Church of the Condemnation, where Christians believe Jesus was flogged and sentenced to death.

A month earlier, dozens of Christian graves were desecrated by two Jewish Israeli teens at the Anglican cemetery on Mount Zion, where Christians believe Jesus’s Last Supper took place.

In November, two soldiers from the Israeli army’s Givati Brigade were detained for spitting at the Armenian archbishop and other pilgrims during a procession in the Old City.

SOURCE: AL JAZEERA AND NEWS AGENCIES


Audio

YTJ Announces New Single “JO,”

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Rising Afro-fusion artist builds on the momentum of “Closer” with an energetic new release made for dance floors worldwide
Recoup Records announces the forthcoming release of “JO,” the new single from rising Afro-fusion artist YTJ, arriving on all major digital streaming platforms September 10, 2026.
The release follows the growing international success of YTJ’s previous single, “Closer,” which has generated more than 4 million combined YouTube views and surpassed 3 million audio streams within two months of release. The record has also received airplay across more than 70 radio stations and 30 television channels worldwide, while reaching No. 63 on YouTube Music in Nairobi, Kenya.
With “JO,” YTJ enters the next phase of his sound and creative direction.
Driven by infectious rhythm, vibrant production and an unmistakable celebratory energy, “JO” is an Afro-fusion record built for movement. The single pairs YTJ’s melodic approach with a polished, high-energy production designed to connect across clubs, parties, festivals and playlists globally.
The visual world surrounding the release reflects that same energy. Built around a striking red-lit aesthetic, the “JO” campaign presents a confident and elevated side of YTJ as he continues to expand his presence beyond his home market and reach new audiences internationally.
“My intention with ‘Closer’ was simply to make something that would connect with people, and the response went beyond what I imagined,” says YTJ. “With ‘JO,’ I wanted to take that energy somewhere new. This record is a celebration — and we’re just getting started.”»
“JO” arrives at a pivotal moment for YTJ. Following the momentum established by “Closer,” the new single signals an artist increasingly focused on creating music that bridges cultures while remaining rooted in the rhythm, melody and energy of contemporary African music.
For Recoup Records, the release represents another step in the label’s commitment to developing YTJ’s international profile and introducing his music to a broader global audience.
“JO” by YTJ is available across all major digital streaming platforms HERE

ABOUT YTJ
YTJ is an emerging Afro-fusion artist whose music blends contemporary African rhythms, melody and global influences. With a growing international audience and millions of streams and views across digital platforms, YTJ is building a sound and identity designed to travel beyond borders.
Following the international response to “Closer,” YTJ continues his next chapter with “JO,” expanding his creative vision while establishing himself as an emerging voice in the new generation of African music.
ABOUT RECOUP RECORDS
Recoup Records is an independent music company focused on artist development, music distribution and building globally competitive African talent. Through strategic releases, media partnerships and international promotion, the label works to connect its artists and music with audiences around the world.
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Entertainment Gists

Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits?

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Josh2Funny’s Album Has Fans Talking — But Should He Stick To Music Or Skits? 😂🎶

 

 

Nigerian comedian and content creator Josh2Funny has taken his comedy game into music, and Nigerians are definitely having something to say about it.

The comedian released his 15-track album, “On Behalf of Josh,” on July 10, 2026, but instead of fading away after release, the project has continued to generate conversations on X.

And the big question now is:

Should Josh2Funny continue with music or go back to skits? 😂

Fans have been divided. While some listeners openly criticized the album and told him to return to comedy, others found songs they genuinely enjoyed.

One X user joked:

“Josh2Funny stopped doing skits and started music, Everybody wan chop this music money 😂”

Another simply said:

“This Josh2Funny Album no enter make he just go back skit abeg 😂”

But then came “Lembe.” 🔥

The track caught fire on X and eventually became a trending topic in Nigeria. The #LembeChallenge also gained momentum as creators began jumping on the song.

Josh2Funny later announced ₦1 million for winners of the challenge, giving the song another major push.

And it didn’t stop there.

‘INTERNATIONAL’ FT. ICE PRINCE ALSO TRENDED

On another day, “International” featuring Ice Prince generated its own buzz on X.

One fan even called it their favourite song from the album, while praising the collaboration. The post itself pulled thousands of views, showing that people weren’t only talking about Lembe.

From album criticism to trending songs and challenges, “On Behalf of Josh” has kept Josh2Funny’s name in the conversation.

Whether you love the album or think he should return to skits, one thing is clear:

Josh2Funny has succeeded in getting Nigerians talking. 😂🔥

So, let’s settle this once and for all:

Should Josh2Funny continue with MUSIC 🎶 or return to SKITS 😂?

Music or Skits? Drop your answer! 👇

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Obeena Delivers Show-Stopping Performance at Igbotic Game Night in East London

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East Ham, East London — 8 August 2026: The vibrant Igbo community in the UK came together for an unforgettable evening of entertainment, culture and social connection at Igbotic Game Night, one of the biggest social gatherings celebrating the Igbo community in the United Kingdom.

Among the night’s standout moments was an electrifying performance by Afrobeats artist Obeena, who took the stage and immediately captured the attention of the crowd.

Obeena delivered performances of two of his hit songs, “Wara Wara” and “Banging,” bringing his energetic sound and distinctive stage presence to the event. From the opening moments of his set, fans responded with excitement, singing along, dancing and enthusiastically supporting the artist.

His performance of “Wara Wara” created an instant connection with the audience, while “Banging” took the energy to another level. Obeena’s ability to engage the crowd transformed his set into one of the most memorable entertainment moments of the evening.

Held in East Ham, East London, on 8 August 2026, Igbotic Game Night provided a unique platform for members of the Igbo community to celebrate their heritage while enjoying music, games and social interaction. Events such as this continue to play an important role in bringing together Nigerians and the wider African diaspora in the UK.

For Obeena, the performance was another opportunity to showcase his growing artistry and connect directly with fans. His energetic delivery, stage confidence and ability to command the audience demonstrated why his live performances continue to attract attention.

By the end of his set, Obeena had left the crowd amazed and added another memorable chapter to his journey as an Afrobeats artist. His appearance at Igbotic Game Night was not simply a performance—it was a celebration of Nigerian music, culture and community.

 

With performances like this, Obeena continues to demonstrate his ambition to take his sound beyond the studio and onto major stages, connecting with audiences through music, energy and an unmistakable African identity.

Igbotic Game Night brought the Igbo community together. Obeena gave them a performance to remember.

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